A distinguished member of the Better Records Rock Hall of Fame.
We love this album around here, and on a White Hot copy like this the sound is amazing! Presence and clarity up top, weight and punch down low, and plenty of Tubey Magic in the middle — this copy gives you everything you need! If you’re a fan of guitar-driven psychedelic rock, this album is right up there with the best of the genre.
This copy, especially the As Good As It Gets side two, gives you the wall to wall width and layered studio depth like you will not believe, the kind of space you hear on engineering classics like Dark Side of the Moon and A Space in Time.
Want a glimpse into the kind of energy the band was generating in the studio? Drop the needle on Fresh Garbage, the opening track, and you will hear this band come alive in a way you probably never imagined you’d ever hear them. It’s positively startling how immediate and lively the sound is here.
This is the band at their best, fired up and ready to show the world that The Doors are not the only SoCal rock band who have innovative ideas about rock music and the performing chops to pull them off, not to mention the studio wizards who managed to get their Sgt. Pepper-cum-jazzy electric piano conceptions down on tape with State-of-the-Art ’60s Rock sound quality. (It just now occurred to me that Mechanical World is Spirit’s takeoff on A Day in the Life. Play it and see if you don’t agree.)(more…)
A distinguished member of the Better Records Rock Hall of Fame, not for the best Hot Stamper stereo copies, but for this amazing MONO.
This killer pressing from 2010 has almost EVERYTHING you want from this ’60s Psych Pop Masterpiece — the energy, presence and sheer rock and roll POWER made a mockery of every stereo copy we played.
Want a glimpse into the kind of energy the band was generating in the studio? Drop the needle on Fresh Garbage, the opening track of this amazing mono pressing, and you will hear this band come alive in a way you never imagined you’d ever hear them.
It’s positively startling how immediate and powerful the sound is here.
That said, from an audiophile point of view, mono does involve a sacrifice — the huge three-dimensional soundstage of the best stereo copies is nowhere to be found here. From a musical or performance point of view this mono cannot be beat; it shows the band at their best, fired up and ready to show the world that The Doors are not the only So Cal rock band who have innovative ideas about rock music and the performing chops to pull off their conceptions, not to mention the studio wizards backing them to get it all down on tape.(more…)
The first “Triple Triple” MONO copy to ever hit the site — A+++ from start to finish. Our knockout mono pressing here was fuller, more natural and more involving than any copy we heard in our shootout. with immediacy to put Ella practically in the room with you, it’s her performance that really comes to life. It’s our single Favorite Female Vocal album here at Better Records, one that gets better with each passing year.
Check out what the lucky owner of this copy had to say about it.
As you probably know, I own superb copies of the stereo. They both fade into pastel in comparison with this mono.(more…)
The wonderful Prayer Meetin’ makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
Rich, smooth and Tubey Magical, this pressing was simply more ALIVE and musically involving than the others we played
Turrentine is one of our favorite bluesy sax players – just play Kenny Burrell’s Midnight Blue to hear him at this best, and he is especially good here too
Credit must go to Rudy Van Gelder once again for the huge space this superbly well-recorded quartet occupies
4 1/2 stars: “Prayer Meetin’ is a delight from start to finish. Forming a perfect closure to Smith’s trio of albums with Turrentine… The blues roots are obvious here, and the Smith-penned title track might even be called jazz-gospel…
Incredible sound for this psychedelic masterpiece with both sides rating a Triple Plus (A+++)
Wall to wall, with layered studio depth like you will not believe, the kind of space you hear on an engineering classic like Dark Side of the Moon
The first Triple Triple Shootout Winning copy to hit the site in years, and one of the few that’s quiet enough to enjoy
4 1/2 stars on Allmusic, but in our estimation it deserves at least five – it’s simply one of the All Time Greats from the era
Need a refresher course in Tubey Magic after playing too many modern recordings or remasterings? These Ode pressings are overflowing with it. Rich, smooth, sweet, full of ambience, dead-on correct tonality — everything that we listen for in a great record is here.
This record is the very definition of Tubey Magic. No recordings will ever be made that sound like this again, and no CD will ever capture what is in the grooves of this record. There is of course a CD of this album, quite a few I would guess, but those of us with a good turntable could care less.(more…)
Here is an outstanding early stereo pressing of Odetta performing live – it boasts superb Double Plus (A++) sound or BETTER throughout and plays as quietly as these Vanguard LPs ever do
Captured live in New York City in 1963, this superb pressing will transport a living, breathing Odetta right into your listening room
Forget whatever dead-on-arrival Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magical, you-are-there immediacy of this Odetta concert, this is the only way to go
The album features a wonderful mix of folk and blues, including “Let Me Ride,” “Hound Dog,” and “He’s Got the Whole World in His Hands”
This vintage Vanguard pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.
Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).
Hot Stamper sound is rarely about the details of a given recording. In the case of this album, more than anything else a Hot Stamper must succeed at recreating a solid, palpable, real Odetta singing live in your listening room. The better copies have an uncanny way of doing just that.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played over the years can serve as a guide.(more…)
This is a 2-pack set of original pressings that gives you wonderful sound for both sides of this great Contemporary album, A++ for the first and A+++ for the second. There is a catch, however, one that won’t bother some of you at all but will drive a few of you crazy: the side one pressing is in mono and the side two is in stereo. All that mattered to us was that they both sounded great, and a quick flip to the not-so-hot side of either pressing will quickly show you why we paired these up.
I imagine there are both mono and stereo copies that sound great on both sides, but we sure haven’t been able to find one! Obviously this is not an easy record to come by these days.(more…)
This Shaded Dog pressing of the famous TAS List Super Disc title has TWO AMAZING SIDES, including a side two that is White Hot! We have never heard a copy with such a huge hall sound and so much weight down low. As we said last time we did a shootout for this title in 2007: “DEMO DISC QUALITY ORCHESTRAL SOUND like you will not believe. Folks, it doesn’t get any better than this for huge orchestral dynamics and energy.”
As you know, if you’ve been on our site for any length of time at all, we’ve made a good number of significant improvements to our stereo and room since 2007, so it’s entirely accurate to say we have never heard this kind of Demo Disc sound for this album until now, because we haven’t!
A++. The hall is wide and deep as any you will hear. Tons of power and weight down low. A touch dark, otherwise it would have earned the full Three Plus top grade.
A+++, White Hot and Hard to Fault! The strings are so richly textured — who does it better than Wilkinson? Cymbal really crash on this side, something you rarely hear correctly reproduced on recordings.
This could easily become your go-to record for demonstrating not just the Power of the Orchestra, but the power of Old Analog!(more…)
This is the kind of record that the mono cartridge owners of the world worship. And for good reason. But you don’t need to have a mono cartridge to hear how good — in fact, how much BETTER — this copy sounds than most of the stereo pressings out there.
I found out about mono classical records one day when I got a mono copy of The Power Of The Orchestra, VCS 2659. It sounded better than any stereo recording of that work I had ever heard. All the instruments were so much more solid sounding, so palpable, so free from distortion, that it made me recognize for the first time what the mono record lovers of the world were talking about.(more…)