Top Artists – The Eagles

The Eagles – Hotel California

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  • With superb Double Plus (A++) sound or BETTER on both sides, this copy is guaranteed to blow the doors off any other Hotel Cal you’ve heard
  • If you have any modern remastered pressing of the album, PLEASE order this one so you can hear what you have been missing all these years
  • A Better Records Top 100 pick – here’s a copy that’s transparent, and hi-rez, with all the energy and Tubey Magic that can only be found on these original pressings
  • 5 stars: “Hotel California unveiled what seemed almost like a whole new band… The result was the Eagles’ biggest-selling regular album release, and one of the most successful rock albums ever.”

We are having a devil of a time finding this album in audiophile playing condition these days, which is why you practically never see them on the site anymore, and copies quieter than Mint Minus Minus are rare indeed

We just finished a shootout for this title and this bad boy is truly a Demo Disc Quality Classic Rock LP.

From first note to last, this pressing has superb, mind-blowing, Demo Disc Quality Sound. Drop the needle on any track on either side to hear what we’re talking about. The highs are silky and delicate, the bottom end is tight and punchy, and the vocals sound AMAZING. The bass is PERFECTION, which really brings out the feel of the song “Hotel California.” It’s so deep and loping, the effect is practically narcotic.

“Life In The Fast Lane” is possibly the toughest song on the album to get right — it tends to have that transistory, compressed sound that we’ve come to expect from Bill Szymczyk. On this copy, it REALLY ROCKS — super-punchy with amazing presence and lots of meaty texture to the guitars. It will always sound a bit harsher than ideal on any copy with real presence, texture, and energy; that’s just the sound they were going for. It is what it is, which makes it not a good track to judge the first side by.

On side two, one of the better sounding tracks is “Try And Love Again.” On a superb copy like this one, it’s off the charts. The wonderful clarity and punchy bass here take this song to a whole new level.

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Eagles / Hotel California – DCC Reviewed

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Reviews and Commentaries for Hotel California

Sonic Grade: B+/B-

The DCC for this album is not a total disaster. In fact, the first side of the DCC is one of the better DCC sides we’ve played in recent memory. We dropped the needle on a few copies we had in the back (pressing variations exist for audiophile records too, don’t you know) and they averaged about a B+ for sound on side one. Side two was quite a bit too clean for our tastes — no real ambience or meaty texture to the guitars, about a B- for sound.

To flip something we say often: you can do worse, but you can do a LOT better.  

Differing Grading Scales

Note that the grading scale for Hot Stampers is slightly different than the grading scale we all grew up with in school.

The best Hot Stampers receive a grade of A Triple Plus.

This DCC record for side one is three steps down from that.

Three steps down from an A+ grade in school, the highest grade one could earn, would be a B+, hence the B+ grade you see above.

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The Long Run – Don’t Blame Bill Szymczyk If Your Copy Doesn’t Sound Good

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Most copies have a smeary, veiled, stuck-in-the-speaker quality that makes for some painful listening. Cardboard drums. Non-existent ambience. No energy. (Unless you get one of the hard, edgy, thin ones — we’re not sure which is more unpleasant to play.)

The best copies are a whole different story, with the kind of big, punchy, full-bodied sound this music absolutely demands.

What’s Bill Szymczyk’s problem anyway, you might ask. Can’t the guy record an album any better than this after being in the studio for all these years?

Yes he can. Don’t make the mistake of judging his work by the typical bad pressing of it, the kind that Elektra was churning out by the millions back in the day.

Believe me, the master tape must be AWESOME if the sound of some of the records we played is any indication (which of course it is).

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Letter of the Week – “…as if I were sitting in that Southern California recording studio all those years ago.” 

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One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

First a short thank you. I was slow in ordering a record I needed for an audiophile’s friend’s birthday this week, and you guys got it to me. There is a personal service aspect of your team that just adds to the quality of the product. As to that…..

This morning I went to my record collection looking for the right one to listen to with morning coffee at the start of a beautiful Friday. I came across the very first Hot Stamper I ever purchased from you. A copy of Carol King’s Tapestry. I remember the nervousness I felt when making that first “investment”…. Have to tell you, it sounds even better today. The dynamic range, the lingering cymbal clash, the clarity of James Taylor’s acoustic guitar…as if I were sitting in that Southern California recording studio all those years ago. 

BTW… I had a very cool experience last week. My boss is friends with a guy who’s name is Herb Tobin. Herb bought an ocean front house in a small berg north Miami called Golden Beach back in 1982. He bought it from a Miami recording studio that use to be called Criteria, later changing their name to the current The Hits Factory. My boss arranged for us to have lunch with Mr. Tobin on my birthday. By now, you no doubt have guessed the address….461 Ocean Blvd. Not only did Eric Clapton stay there and was so inspired at the turning point in his life that time meant he named the album, and used the image looking back from the beach at the back of the house in 1974 as the album cover. The Eagles also stayed there while recording Hotel California.

We met Mr. Tobin out for lunch and he told me many stories of all the strange, and some unwelcome visitors he has had since 1982. One most welcomed visitor was in the 1990’s he got a call from Clapton’s agent and Eric wanted to bring his wife by and show her the house. They ended up having lunch out on the back patio, where the palm tree is on the album cover. Eric autographed 10 records for Mr. Tobin that day and he had 4 left plus one he had framed. My boss made arrangements with Mr. Tobin in advance and he gave me one…. I am having it framed. I have always loved that record, since ’74. Not looking for agreement, but I have never been able to warm up to any of the Cream, Derek and the Dominos, etc. and anything after what are for me the 4 best (461; Backless; No Reason to Cry; and There’s One In Every Crowd), is simply not my cup of tea. But 461 for me is not only Clapton’s best work, it is one of my top 10 albums of all time. Something totally authentic about it.

Wanted to share a little with you of the impact all your good work makes. (more…)

The Eagles / The Long Run – The True Test for Side One

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Most copies have a smeary, veiled, stuck-in-the-speaker quality that makes for some painful listening. Cardboard drums. Non-existent ambience. No energy. (Unless you get one of the hard, edgy, thin ones — we’re not sure which is worse.)

This one is a whole different story, with the kind of big, punchy, full-bodied sound this music absolutely demands.

What’s Bill Szymczyk’s problem anyway, you might ask. Can’t the guy record an album any better than this after being in the studio for all these years?

Yes he can. Don’t make the mistake of judging his work by the typical bad pressing of it, the kind that Elektra was churning out by the millions back in the day.

Believe me, the master tape must be AWESOME if the sound of some of the records we played is any indication (which of course it is).

What We Listen For on The Long Run

Less grit – smoother and sweeter sound, something that is not easy to come by on The Long Run.

A bigger presentation – more size, more space, more room for all the instruments and voices to occupy. The bigger the speakers you have to play this record the better.

More bass and tighter bass. This is fundamentally a pure rock record. It needs weight down low to rock the way Bill Szymczyk wanted it to.

Present, breathy vocals. A veiled midrange is the rule, not the exception.

Good top-end extension to reproduce the harmonics of the instruments and details of the recording including the studio ambience.

Last but not least, balance. All the elements from top to bottom should be heard in harmony with each other. Take our word for it, assuming you haven’t played a pile of these yourself, balance is not that easy to find.

Our best copies will have it though, of that there is no doubt.

The True Test for Side One

Want to know if you have a good side one on your copy? Here’s an easy test. Timothy B Schmit’s vocal on I Can’t Tell You Why rarely sounds right. Most of the time he’s muffled, pretty far back in the soundstage, and the booth he’s in has practically no ambience. On the good copies, he’s not exactly jumping out of the speakers, but he’s clear, focused, and his voice is breathy and full of emotional subtleties that make the song the heartbreaking powerhouse it is.

This is why you need a Hot Stamper. Most copies don’t let you FEEL the song.

And the rest of the band is cookin’ here as well. From the big, full-bodied bass to the fat, punchy snare, this side is doing practically everything we want it to.

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The Eagles – One Of These Nights

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  • On an exceptionally good sounding copy such as this one, the soaring guitar solo of the title track really comes alive – assuming you have it turned up GOOD and LOUD
  • Lyin’ Eyes and Take It To The Limit sound the way they should – we guarantee you have never heard them sound remotely as good as they do here
  • 4 stars: “…a lyrical stance — knowing and disillusioned, but desperately hopeful — had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles’ best-realized and most popular album so far.”

Another in the long list of recordings that really comes alive when you Turn Up Your Volume.

What to listen for you ask? Dynamic, soaring guitar solos! On the best copies the guitar solos are the loudest parts of some songs, which, as everyone who’s ever been to a rock concert knows, is exactly what happens in live rock music.

This is one of the toughest Eagles albums to find with good sound. This album may never sound quite as good as Hotel California or the self-titled debut, but there are some wonderful songs here and a Hot Stamper like this brings them to life in a way most pressings cannot hope to do.

The best copies are richer and sweeter. When you turn them up, they really come to life. When you play the better sides at Rock Music Volumes they really ROCK. When a copy is cut really clean, as the best ones are, the louder you play them the better they sound. They’re tonally correct at loud levels and a bit dull at what we would call “audiophile” levels. That’s the way it should be. (more…)

The Eagles / The Long Run

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  • This copy has a rockin’ Long Run like you have never heard
  • The best songs prove that the Eagles were still at the height of their powers, at least some of the time…
  • The first two songs on both sides are practically as good as it gets for mainstream rock from this era
  • They’re playlist staples of Classic Rock stations from coast to coast to this day
  • “The Long Run is a chilling and altogether brilliant evocation of Hollywood’s nightly Witching Hour, that nocturnal feeding frenzy first detailed by Warren Zevon on his haunting Asylum debut (Warren Zevon, 1976) and the equally powerful Excitable Boy.” — Rolling Stone

The last song on side two, “The Sad Cafe,” is also standout. Others, as they used to say in school, ‘need improvement.’

But five Killer Eagles songs is nothing to sneeze at. This is an album that belongs in your collection, even if you choose to only listen to the best material on it.

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The Eagles – Self-Titled

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  • A truly outstanding early pressing, earning seriously good Double Plus (A++) grades or close to them on both sides
  • This is as quiet as they come, folks – no marks play, and the vinyl is often quieter than Mint Minus Minus, exceptional for this title
  • You will be floored by the huge, rich, Tubey Magical guitars exploding out from your speakers on Take It Easy
  • One of the Best Sounding Rock Records Ever Made, a member of our Top Ten and without a doubt Glyn Johns’ engineering (and producing) Masterpiece
  • A Top 100 Tubey Magical Demo Disc that is guaranteed to blow your mind on a pressing that sounds as good as this one does

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


It will not take the lucky owner of this record long to recognize what we’ve known for years: the Eagles first album is clearly and inarguably one of the Best Sounding Rock Recordings Ever Made. Almost all the qualities we look for on this album can be found on this very copy.

The Eagles first album is without a doubt Glyn Johnsmasterpiece — rock records simply do not sound any better in our experience. It’s exactly the kind of record that makes virtually ANY Audiophile pressing pale in comparison. Everything you could ask for as an audiophile is here, and more.

We’ve been up on our soapbox for years telling people how amazing this record can be, and here’s a copy that backs up our position from start to finish. (more…)

The Eagles / On The Border – A Must Own Country Rock Classic

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  • An outstanding British SYL copy with solid Double Plus (A++) sound for this criminally underrated California Country Rock Classic – exceptionally quiet vinyl for this album, because early UK pressings are almost impossible to find in audiophile playing condition
  • If you’ve never heard one of these early pressings, you have simply never heard this album sound the way it should
  • You Never Cry Like A Lover and The Best Of My Love (their first No. 1) offer Glyn Johns magically delicious DEMO DISC quality sound
  • We’re HUGE fans of the album here at Better Records; it’s some of the most sophisticated, well-crafted, heartfelt music these guys ever made, and that’s saying a lot coming from us – we’ve been big fans for decades
  • This killer album from 1974 belongs in your collection.
  • The complete list of titles from 1974 that we’ve reviewed to date can be found here.
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. On the Border is a good example of a record most audiophiles don’t know well but should.

Many of you have probably forgotten how good this album is (assuming you were ever familiar with it in the first place) probably because the typical domestic copy you would have played back in the day is fairly hard on the ears. Most pressings, even the British ones, barely hint at the kind of sound you’ll hear on this vintage UK pressing (the only kind we sell of course).

The LIFE and ENERGY of this pressing are going to knock you right out of your seat. Most copies leave you with a headache, but this one will have you begging to turn up the volume.

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this album. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings). (more…)

Ranking The First Seven Albums by The Eagles

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Reviews and Commentaries for the Music of The Eagles

Without question the first Eagles album is still their best sounding release.

Hotel California is a classic, no argument there, but even the best sounding copies are a little “modern” for our tastes. I prefer both the music and the sound of On The Border to Hotel CA, but that should clearly be seen as a minority opinion. De gustibus and all that.

Let’s call them their second and third best, we’ll leave the order to you.

The third tier would have One of These Nights, followed by Desperado, The Long Run and Eagles Live.

The less said about any of their albums after 1980 the better.

You know the first album. You know Hotel California. The best Eagles album you don’t know is On The Border.

We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. On the Border is a good example of a record most audiophiles don’t know well but should.

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