- Both sides of this long out of print OJC title boast lively, big and clear Double Plus (A++) sound quality
- With three saxophones and a trombone, this is a fresh combination that really brings out the best in all the players during this Prestige jam session, a format for which they are justly famous
- I raved about this album when it was in print many years ago – it’s solidly swinging jazz that belongs in your collection
- Allmusic 4 Stars: “Waldron’s three originals (highlighted by “Cool-Lypso”) allow plenty of room for swinging, and Quinichette (who also performs “On the Sunny Side of the Street”) sounds comfortable interacting with the younger musicians. An enjoyable and underrated release.”
As I wrote years ago, back in the days when we regularly sent out catalog mailings:
When we discover a record like this, a record with no reputation either in the jazz world or the audiophile world, we try to bring it to people’s attention, usually with some success. Some of my customers called me up to tell me what a great record this is.
Based on what I’m hearing my feeling is that most of the lively, natural, full-bodied, sound of the album is on the master tape, and that all that was needed to get that vintage sound correctly on to disc was simply to thread up that tape on a reasonably good machine and hit play.
The fact that nobody seems to be able to make an especially good sounding record — certainly not as good sounding as this one — these days tells me that in fact I’m wrong to think that such an approach would work. Somebody should have been able to figure out how to do it by now. In our experience that is simply not the case today, and has not been for many years.
George Horn was doing brilliant work for Fantasy all through the ’80s. This album is proof that his sound is the right sound for this music. (more…)