Hot Stamper Pressings with Huge Choruses Available Now
This is one of the rare pop/rock albums that actually has actual, measurable, serious dynamic contrasts in its levels as it moves from the verses to the choruses of many songs . The second track on side two, Demon Lover, is a perfect example. Not only are the choruses noticeably louder than the verses, but later on in the song the choruses get REALLY LOUD, louder than the choruses of 99 out of 100 rock/pop records we audition. It sometimes takes a record like this to open your ears to how compressed practically everything else you own is.
The sad fact of the matter is that most mixes for rock and pop recordings are much too safe. The engineers believe that the mixes have to be designed to be played on the average (read: crap) stereo.
We like when music gets loud. It gets loud in live performance. Why shouldn’t some of that energy make it to the record? It does of course, especially in classical music, but all too rarely even then.
We happened to do the shootout for Thick as a Brick the same week as Commoner’s Crown, and let us tell you, those are two records with shockingly real dynamics in the grooves of the best copies. If you like your music loud — which is just another way of saying you like it to sound LIVE — then the better copies of either album are guaranteed to blow your mind with their dynamic energy and power.


