Top Artists – Emerson, Lake and Palmer

Emerson, Lake and Palmer and their Wall to Wall Organ

More of the Music of Emerson, Lake and Palmer

Hot Stamper Pressings of Prog Rock Albums Available Now

Listen to that GIGANTIC organ that plays the fanfare at the opening of the work.

Honestly, I have not EVER heard a rock album with an organ sound that stretched from wall to wall and sounds like it’s seventy five feet tall.

No, I take that back. The first ELP album has an organ that sounds about that big, but that’s a studio album. How did they manage to get that kind of organ sound in a live setting without actually having to build one inside the concert hall?

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Emerson, Lake and Palmer – Pictures at an Exhibition

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  • An original UK Island pressing of this ELP Classic Live Album with a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a seriously good Double Plus (A++) side one
  • Both of these sides are amazingly Tubey Magical and exceptionally spacious, with a massive bottom end and plenty of Rock and Roll (and classical) energy
  • Pictures at an Exhibition is yet another in the long list of recordings that really comes alive when you Turn Up Your Volume
  • “…it worked on several levels that allowed widely divergent audiences to embrace it — with the added stimulus of certain controlled substances, it teased the brain with its mix of melody and heavy rock, and for anyone with some musical knowledge, serious or casual, it was a sufficiently bold use of Mussorgsky’s original to stimulate hours of delightful listening.”

This British Island LP has real weight and heft, so when Emerson lays into the organ, it’ll rattle the walls. It has that big, fat, rich, smooth sound that we love here at Better Records. It’s warm and full, not thick and sludgy. It’s on the right end of the “tubey-transistory” spectrum.

Listen to how GIGANTIC the organ is that plays the fanfare opening of the work. Honestly, I have never heard a rock album with an organ sound that stretched from wall to wall like this one does. It sounds like it must be seventy five feet tall, too.

No, I take that back. The first ELP album has an organ that sounds about that big, but that’s a studio album. How did they manage to get that kind of organ sound in a live setting without actually having to build one inside the concert hall?

The domestic copies are a bad joke as you may have guessed.

You might think that you could just pick up any old Brit pressing to get this kind of sound, but that has not been our experience. Many of them are thick, dull, smeary, veiled, congested and/or just plain lifeless.

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Emerson, Lake & Palmer on Cotillion

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  • With outstanding Double Plus (A++) sound or close to it throughout, this vintage Cotillion pressing makes the case that ELP’s debut is clearly one of the most powerful rock records ever made
  • Spacious, rich and dynamic, with big bass and tremendous energy (particularly on side one) – these are just some of the things we love about Eddie Offord‘s engineering work on this band’s albums
  • ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digitally sourced material) that sounds as good as this record as long as you live
  • “Lucky Man” and “Take a Pebble” on this copy have Demo Disc Quality Sound like you won’t believe
  • 4 1/2 stars: “Lively, ambitious, almost entirely successful debut album… [which] showcased the group at its least pretentious and most musicianly …there isn’t much excess, and there is a lot of impressive musicianship here.”

If you’ve got the system to play this one loud enough, with the low end weight and energy it requires, you are in for a treat.

The organ that opens side two will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. This is bombastic prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels, it actually will rock your world.

This Cotillion pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
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Emerson, Lake and Palmer – Tarkus

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  • With KILLER Shootout Winning Triple Plus (A+++) sound or close to it from start to finish, this vintage copy could not be beat – fairly quiet vinyl too
  • Our recent monster shootout produced this amazing sounding British pressing (the only ones we offer), and it is stone guaranteed to rock your world
  • Eddie Offord‘s trademark Tubey Magic, energy, resolution, whomp factor and dynamics are all over this phenomenal recording
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • “More accomplished than the trio’s first album, but not quite as polished as Brain Salad Surgery, Tarkus is nevertheless a must-have.”

This killer copy features some of the more intense prog rock sound to hit our table in quite some time. This is a true Demo Disc LP, one of the most dynamic and powerful rock recordings ever made.

The organ captured here by Eddie Offord (of Yes engineering fame, we’re his biggest fans) and then transferred so well onto our Hot Stamper pressings will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. It’s big Bombastic Prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels it actually does rock your world.

Unlike most British pressings of the first album, the Brits here really ROCK, with greater dynamic contrasts and seriously prodigious bass, some of the best ever committed to vinyl. This music needs real whomp down below and lots of jump factor to work its magic. These Brits are super-low distortion, with an open, sweet sound, especially up top, but they still manage to convey the awesome power of the music, no mean feat.

Folks, This Is Why We Love Analog

This is ANALOG at its Tubey Magical finest. You ain’t never gonna play a CD that sounds like this as long as you live. I don’t mean to rain on anyone’s parade, but digital media are evidently incapable of reproducing this kind of sound. There are nice sounding CDs in the world but there aren’t any that sound like this, not in my experience anyway. If you are thinking that someday a better digital system is going to come along in order to save you the trouble and expense of having to find and acquire these expensive original pressings, think again.

This is the kind of record that shows you what’s wrong with your BEST sounding CDs. (Let’s not even talk about the average one in your collection, or mine; the less said the better.) This is the kind of record that somebody might hear in a stereo store and realize that the digital road he’s been going down for so many years is nothing but a sonic dead end.

If you are looking for Hot Stamper pressings of The Most Tubey Magical Rock Recordings of All Time, we usually have a good supply in stock. They are not cheap, but truly great sounding records rarely are.

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Listening in Depth to Emerson, Lake & Palmer

More of the Music of Emerson, Lake and Palmer

Reviews and Commentaries for Emerson, Lake and Palmer’s Debut

If you’ve got the system to play this one loud enough, with the low end weight and energy it requires, you are in for a treat.

The organ that opens side two will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. This is bombastic prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels, it actually will rock your world.

To play this record right, you should have, at a minimum:

  • Big dynamic speakers, and they should be pulled well out into the room to create a three-dimensional presentation, in this case of a live rock concert. If they are too big for the room, and stuck in the corners, you haven’t got a chance.
  • A large room — our new studio has a 12 foot ceiling, a big help with recordings such as this.
  • Strong walls with no windows, and a concrete floor to keep the bass from leaving the room (if at all possible).
  • Seating for a single listener far from any boundary, especially the back wall (a common problem with small-ish rooms).
  • Extensive room treatments to deal with the loud levels required by this music.
  • Enough power to move all the air in the listening room with authority.
  • And, finally, high quality electricity, a heavily tweaked front end and all the rest of the audio stuff we discuss so often on this blog.

Without all of these things, it’s hard for us to imagine anyone could hear this record sound the way the artists and engineers wanted it to. Playing a record like this in a small room at moderate levels practically guarantees that the listener will not be able to hear what makes the best copies of this album so special.

Our system evolved over the decades to play these kinds of records, primarily for two reasons:

  1. We love music and want to hear our favorite recordings sound their best, and
  2. With this much money on the line, we have to be right about the superior sound of the vintage Hot Stamper pressings we offer if we want to stay in business.

Side One

The Barbarian
Take a Pebble

Superb sound! Big, spacious and effortlessly alive. So dynamic too.

Lots of sibilance though, which means it’s a good test for cartridge and arm setup. Higher quality arms and cartridges — at least those cartridges that are not only of higher quality but are more neutral, two things that cannot be assumed to go together — should be able to track the sibilance with less grit and distortion.

The piano on the best copies is clear and solid. Compare any two or more copies for how much weight, clarity and freedom from smear on the individual notes can be heard on each.

The copy with the best sounding piano is probably going to be the copy with the best sound, period.

Eddie Offord engineered Fragile, and the song South Side of the Sky at the end of side one has an exceptionally well recorded piano as well.  I am not aware of any engineer who has done a better job recording the piano for a rock or pop album. On Big Speakers at Loud Levels it is a powerful instrument indeed.

We like our pianos to sound natural (however one chooses to define the term).

We like them to be solidly weighted.

We like them to be free of smear, a quality that is rarely mentioned in the audiophile reviews we read.

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Emerson, Lake & Palmer – Out of This World Sound at Loud Levels

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  • This UK Island Pink Rim pressing makes the case that ELP’s debut is clearly one of the most POWERFUL rock records ever made
  • Spacious, rich and dynamic, with big bass and tremendous energy – these are just some of the things we love about Eddie Offord‘s engineering work on this band’s albums
  • ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digital sourced material) that sounds as good as this record as long as you live
  • “Lucky Man” and “Take A Pebble” on this copy have Demo Disc Quality Sound like you won’t believe
  • If you are looking for a shootout winning copy, let us know – with such good music and sound, we hope to get another shootout going again soon
  • 4 1/2 stars: “Lively, ambitious, almost entirely successful debut album… [which] showcased the group at its least pretentious and most musicianly …there isn’t much excess, and there is a lot of impressive musicianship here.”

If you’ve got the system to play this one loud enough, with the low end weight and energy it requires, you are in for a treat. The organ that opens side two will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. This is bombastic prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels, it actually will rock your world.

This UK Island pink rim import pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Emerson, Lake and Palmer – Folks, This Is Why We Love Analog

More of the Music of Emerson, Lake and Palmer

Hot Stamper Pressings of Prog Rock Albums Available Now

This is ANALOG at its Tubey Magical finest. You ain’t never gonna play a CD that sounds like this as long as you live. I don’t mean to rain on anyone’s parade, but digital media are evidently incapable of reproducing this kind of sound. There are nice sounding CDs in the world but there aren’t any that sound like this, not in my experience anyway.

If you are thinking that someday a better digital system is going to come along in order to save you the trouble and expense of having to find and acquire these expensive original pressings, think again.

This is the kind of record that shows you what’s wrong with your BEST sounding CDs. (Let’s not even talk about the average one in your collection, or mine; the less said the better.)

This is the kind of record that somebody might hear in a stereo store and realize that the digital road he’s been going down for so many years is nothing but a sonic dead end.

The organ captured here by Eddie Offord (of Yes engineering fame, we’re his biggest fans) and then transferred so well onto our Hot Stamper pressings will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. It’s big Bombastic Prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels it actually does rock your world.

Unlike most British pressings of the first album, the Brits here really ROCK, with greater dynamic contrasts and seriously prodigious bass, some of the best ever committed to vinyl. This music needs real whomp down below and lots of jump factor to work its magic. These Brits are super-low distortion, with an open, sweet sound, especially up top, but they still manage to convey the awesome power of the music, no mean feat.

This record sounds best to us this way:

For more modestly helpful title-specific advice, click here.

Emerson, Lake and Palmer – Trilogy

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  • You’ll find outstanding Double Plus (A++) sound on both sides of this vintage UK Island pressing
  • ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digital sourced material) that sounds as good as this record as long as you live
  • An excellent recording that really shines on a good pressing like this, courtesy the engineering brilliance of Eddie Offord
  • 4 stars: “Every track on this album has been carefully thought, arranged, and performed to perfection…”

It’s not easy to find great copies of this album. This kind of prog rock demands big, bold sound, and not all copies have the size or low end weight to pull it off. Keith Emerson’s organ needs to extend all the way down, or it just doesn’t work. Both sides here have a great bottom end, and some real texture and space up top.

“From The Beginning” has the kind of analog magic that made it a staple in practically every stereo store I walked into back in the ’70s.

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Emerson, Lake & Palmer – Islands Vs Cotillions

More of the Music of Emerson, Lake and Palmer

Reviews and Commentaries for Emerson, Lake and Palmer’s Debut

This commentary is from many years ago.

NEWSFLASH

The findings from recent shootouts have shown us the error of our ways.

A textbook case of Live and Learn.

This is what we used to think:

The Brit copies may take top honors for side one (“sweetness, openness, tubey magic, correct tonality, presence without aggressiveness, well-defined note-like bass, extended airy highs”) but the Hot Stamper Cotillion copies KILL on side two. They really ROCK, with greater dynamic contrasts and seriously prodigious bass, some of the best ever committed to vinyl.

The Brits tend to be a bit too “pretty” sounding. They’re too polite for this bombastic music. This music needs the whomp down below and lots of jump factor to work its magic.

The Brits are super-low distortion, with a more open, sweeter sound, especially up top, but the power of the music is just not as powerful as it can be on these very special Cotillions.

This Cotillion on side one is a rare gem indeed, one of the best domestics we’ve ever heard. It’s not quite as smooth and sweet as some, but it’s every bit as good in most other areas, and better in the bass. The Cotillion pressings of this album have bass that puts 99% of all the rock records in the world to shame. (And 100% of the half-speed mastered records!)

This is a case where, to get the ultimate sound, you not only need two copies, you need two copies made in different countries!

We actually prefer the British pressings on both sides now.

Further Reading

Letter of the Week – “It feels like you are at the concert.”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

One of my favorite albums growing up was pictures at an exhibition, but just for the music not the sound. I sold my domestic copy years ago but recall it was a muddy mess and always the worst sounding of all my ELP albums.

Fast forward decades later and I am totally blown away at what an amazing sounding album this really can be! Now the quality of the music matches the quality of the sound. The tonal balance is superb with just the right amount of weight down low. I never thought this record could sound this good. The wall of Organ sound as you put it when cranked to the lush acoustic guitar and tenderness of Greg’s vocals. It feels like you are at the concert.

That is why I am so impressed with all the hot stamper live albums I own. It shows a concert experience can be replicated with the right equipment but, most importantly, with the right pressing!

An amazing album and a great price to boot.

Thank you!!

Rob

Fantastic, thanks for your letter.

The “muddy mess” you refer to was no doubt the result of many things, but one of the main problems with your old copy was that it was the domestic pressing, which is made from second generation masters and therefore hopelessly outclassed by the right early Island pressings, which are of course the only ones we sell.

Even if you had an Island pressing, you would have had to know how to clean it using the right machines and fluids.

Not many audiophiles have either, and nobody had them back in the day, because they hadn’t been invented yet!

Your experience is what good records are all about, and we are gratified to have played a part in helping to bring that music to life in your very own listening room.

You can be at the concert as often as you want now. How could anyone put a price on that?

Oh, but people do.

Best, TP

More Hot Stamper Testimonial Letters

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