More of the music of Gustav Holst (1874-1934)
Hot Stamper Mercury Pressings Available Now
British Band Classics Volume Two was the first Mercury classical LP I ever bought. After hearing it at an audiophile friend’s house I went down to Tower Records and found one in the bin. I think the price was $3.99 for the Golden Import pressing you see pictured, which of course was the only one available. That was what I had heard, so I had no idea what the original even looked like, let alone sounded better and would one day sell for many hundreds of dollars.
This was the ’70s, when you could walk into a record store and buy new records, and long before HP created a feeding frenzy for vintage Mercs.
As I’m writing this, I can picture myself in the store. I can still remember that the clerk who helped me find the record commented that I should have come in the week before when the record was on sale for $1 off. I certainly feel like I got my money’s worth that day. This album went on to become one of my personal treasures. I used to marvel at the way the wind instruments actually sounded like the pipes of an organ. (I wasn’t really sure at first that there wasn’t an organ playing somewhere on the record. I didn’t know much about classical music then. )
When I went to England a number of years ago I attended a wind band concert in the park not far from Buckingham Palace. Out in the open the sound was very sweet but dull — the high frequencies dissipate in the open air. It was one of my early lessons in audio. Live sound is not always what it’s cracked up to be, and recorded sound can be amazing — on the right stereo with the right pressing of the right recording.
Much of the credit for the sound on this album must go to Fennell. I’ve been told that he was a stickler for making sure everyone was perfectly in tune and playing correctly within the ensemble. That’s exactly what you hear when you play a record like this — it’s practically sonic perfection.
Also, if you ever see a clean copy of Vol. 1, which is only available in Mono, pick it up. If it’s cut right, it is out of this world.
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