Top Engineers – Eddie Kramer

Humble Pie – What Other Live Rock Record Sounds This Good?

Another Record We’ve Discovered with (Potentially) Excellent Sound…

And One We Also Just Added to Our Rock & Pop Top 100 List

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One of the best — if not THE best — rock concert albums we have ever heard. Can you imagine if Frampton Comes Alive sounded like this? If you want to hear some smokin’ Peter Frampton guitar work from the days when he was with the band, this album captures that sound better than any of their studio releases, and far better than FCA on even the best copies.

Grungy guitars that jump out of the speakers, prodigious amounts of punchy deep bass, dynamic vocals and drum work — the best pressings of Rockin’ The Fillmore have more firepower than any live recording we’ve ever heard.

Who knew? 

We didn’t, of course, until not that many years ago (2014 maybe?). But we are in the business of finding these things out. We get paid by our customers to find them the best sounding pressings in the world. It’s our job and we take it very seriously.

Did any audiophile reviewers ever play the album and report on its amazing sound? Not that we are aware of.  Do they have the kind of playback systems — the big rooms, the big speakers, the freedom from compression and artificiality — that are required to get the most from a recording such as this one?

Doubtful. Unlikely in the extreme even. They don’t know how good a record like this can sound because they aren’t able to play it the way it needs to be played.

And when was the last time you read a review of a record that hadn’t just been reissued on Heavy Vinyl? There was a time when audiophile reviewers wrote about exceptional good sounding vintage pressings they had come across. Harry Pearson comes immediately to mind, but there were many others following his lead. Now they it seems none of them can be bothered. More’s the pity.

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Led Zeppelin – Houses of the Holy

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  • This vintage Atlantic pressing boasts a Shootout Winning Triple Plus (A+++) side two and an outstanding Double Plus (A++) side one and has no marks that play or excessive amounts of surface noise, which makes it a very special copy indeed
  • Wall to wall, floor to ceiling Led Zeppelin power – this copy delivers like you will not believe, or your money back
  • A Better Records Top 100 album (along with 4 other Zep titles), 5 Stars in AMG and a True Zeppelin Must Own Classic
  • The Tubey Magical acoustic guitars heard here should be a wake up call to every audiophile that trying to remaster this album is just not in the cards
  • 5 stars: “Jimmy Page’s riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere…”

This copy has the kind of BIG, BOLD ROCK SOUND that takes this music to places you’ve only dreamed it could go. The HUGE drums on this copy are going to blow your mind — and probably your neighbors’ minds as well.

And what would a Zep record be without bass? Not much, yet this is precisely the area where so many copies fail. Not so here. The bottom end is big and meaty with superb definition, allowing the record to ROCK, just the way you know Zep wanted it to.

The vocals too are tonally correct. None of the phony upper-midrange boost that the Classic suffers from is evident on this copy. The louder Robert Plant screams the better he sounds and the more I like it. The Classic makes me wince. (more…)

Donovan – The Hurdy Gurdy Man – “Donovan’s hardest-rocking hit”

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The 1968 sound here is GLORIOUS — rich, sweet, Tubey Magical and very, very Analog.

Side one is where you will find The Hurdy Gurdy Man and it is crazy good sounding here. No wonder: Hurdy Gurdy was engineered by Eddie Kramer and produced by none other than John Paul Jones.

Donovan records tend to be hit or miss affairs, but we were pleasantly surprised to find that we could not find a bad track on either side of the album. Most are in fact quite wonderful.  Both Yellow Label Epics and Orange Label Epics fared well in our shootout.

Some of these tracks may remind you more than a little of Pentangle. Danny Thompson, that band’s amazingly talented and unusually well recorded double bassist, just happens to be the bass player on the album. Go figure. Tony Carr does most of the drumming as he has on many of Donovan’s albums from the period. Needless to say, the rhythm section is first rate.

Song Review

“Hurdy Gurdy Man” was undoubtedly Donovan’s hardest-rocking hit, though mystical folk-rock was still at the core of this 1968 number five hit single.

Certainly it started in as gentle a frame of mind as the typical Donovan song, with a hypnotic wordless vocal hum which reached back to the very roots of Celtic folk music, sounding like a prayer from a devotional ritual. The hum was then joined by a gentle acoustic guitar strum, and when Donovan began singing lyrics, set to one of his more beguiling tunes, some slight distortion made it sound as if his voice was traveling through time. When he got to the latter part of the verse, though, the hard rock bass, drums, and guitar piled on like gangbusters.

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Eddie Kramer Is One of Our Favorite Engineers

Eddie Kramer Engineered Albums with Hot Stampers

Eddie Kramer Engineered Albums We’ve Reviewed

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Eddie Kramer is one of our favorite recording and mixing engineers. Check out our supply of Eddie Kramer engineered or produced albums, along with plenty of our famous commentaries.

Many can be found in our Rock and Pop Top 100 List of Best Sounding Albums with the Best Music (limited to titles that we can actually find sufficient copies of with which to do our Hot Stamper Shootouts).

More of Our Favorite Engineers

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Jimi Hendrix – Rainbow Bridge

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  • This superb pressing of Rainbow Bridge boasts Nearly Triple Plus (A++ to A+++) sound from top to bottom – just shy of our Shootout Winner
  • Rich, full tonality and good presence and energy throughout
  • A surprisingly good sounding album, one of the best of his posthumous releases
  • “‘Dolly Dagger’ is arguably one of the great pop songs of Hendrix’s career. Written towards the very end of his life, the song sounds like it was written years earlier, and it certainly has the same feel as many of the compositions on Hendrix’s debut, Are You Experienced?. Of course, Hendrix’s guitar work is inspired, but it doesn’t draw attention away from what is essentially a brilliantly crafted song.”

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Jimi Hendrix – Electric Ladyland

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  • An outstanding copy of Electric Ladyland with solid Double Plus (A++) sound or close to it on all FOUR sides
  • Big, clear, tubey, sweet ANALOG sound – we played it good and loud and it was ROCKIN’!
  • Probably the best-recorded of Hendrix’s studio albums – huge studio space and Tubey Magical richness are key to the best sound
  • 5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”

*NOTE: On side four, a mark makes 10 moderate to loud pops at the beginning of Track 1, Still Raining, Still Dreaming.

Some of Jimi’s best songs can be found here, including Crosstown Traffic, Voodoo Child (Slight Return) and his incendiary cover of Dylan’s All Along The Watchtower. All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.

Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight. (more…)

Peter Frampton – Frampton’s Camel

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  • A STUNNING copy of Frampton’s Camel with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • On his second album, Frampton fronts a real rock band, playing his unique style of rock and pop, electric and acoustic, with consummate skill – if you’re a Frampton fan this is a record that belongs in your collection
  • Superb engineering from Chris Kimsey and Eddie Kramer at Olympic and Electric Lady Studios
  • 4 1/2 stars: “Named after Frampton’s touring band at the time, Frampton’s Camel has a harder-rocking feel than its predecessor Wind of Change, with Mick Gallagher’s percussive electric piano and organ taking a prominent position in the mix and Frampton getting a harder sound from his electric guitars (though his acoustic playing is so lush and lyrical that it dominates the album here and there in its quiet way).”

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Jimi Hendrix – Are You Experienced

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  • SUPERB! An insanely good copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides — this one will blow you away!
  • The sound is dramatically bigger, cleaner, livelier and more present than you’ll hear on any other copy
  • Incredible sound for Purple Haze, Hey Joe, The Wind Cries Mary, Fire and Foxy Lady
  • No matter what version you’ve been playing, we guarantee you’ll be blown away by the energy and punch on this import
  • “One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era.” 5 stars

It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. Good luck finding this kind of sound for Are You Experienced on your own — it took us DECADES! (more…)

Jimi Hendrix – Hendrix In The West

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  • With stunning Triple Plus (A+++) sound or close to it on both sides, this British Polydor pressing was rockin’ like crazy
  • This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
  • The awesome version of Little Wing is just killer on this copy – it’s Jimi’s best performance of the song
  • “Hendrix in the West is a collection of extremely good live Hendrix performances between 1968-1970. Three different concerts are sampled on this 1972 release, one of the few official live Hendrix releases following his death.”

*NOTE: A mark plays very lightly five times at the end of side one track three, Blue Suede Shoes. On side two a mark makes four light thumps at the start of track three, Red House.

We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on Little Wing and you are going to be FLOORED.

The size and space here are really something, miles beyond most. The resolution and clarity of the open live sound of this copy bring out all the instrumental textures and details of the recording like few we played. More importantly, the extended top keeps the highs from getting hard or harsh the way they do on so many pressings we’ve played.

As these performances are culled from different concerts the sound varies a bit from track to track, but every track on here sounds good and the best tracks sound amazing.

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Traffic – Mr. Fantasy

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  • This early Pink Label import pressing boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides, making this one of the best copies to hit the site in many years, if not THE best
  • We used to think that The Best of Traffic had better sound, but in a head to head comparison with this very copy, we were proved WRONG
  • Big, full-bodied and lively, with huge amounts of space and off the charts Tubey Magic, the sound here is Hard to Fault – thanks Eddie and Jimmy!
  • “Winwood is simply incredible. He has a top group of musicians with him and they have made an album which is one of the best from any contemporary group.” – Rolling Stone, 1968

This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain. The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late ’60s British psychedelic rock. (more…)