This superb pressing of Rainbow Bridge boasts Nearly Triple Plus (A++ to A+++) sound from top to bottom – just shy of our Shootout Winner
Rich, full tonality and good presence and energy throughout
A surprisingly good sounding album, one of the best of his posthumous releases
“‘Dolly Dagger’ is arguably one of the great pop songs of Hendrix’s career. Written towards the very end of his life, the song sounds like it was written years earlier, and it certainly has the same feel as many of the compositions on Hendrix’s debut, Are You Experienced?. Of course, Hendrix’s guitar work is inspired, but it doesn’t draw attention away from what is essentially a brilliantly crafted song.”
An outstanding copy of Electric Ladyland with solid Double Plus (A++) sound or close to it on all FOUR sides
Big, clear, tubey, sweet ANALOG sound – we played it good and loud and it was ROCKIN’!
Probably the best-recorded of Hendrix’s studio albums – huge studio space and Tubey Magical richness are key to the best sound
5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
*NOTE: On side four, a mark makes 10 moderate to loud pops at the beginning of Track 1, Still Raining, Still Dreaming.
Some of Jimi’s best songs can be found here, including Crosstown Traffic, Voodoo Child (Slight Return) and his incendiary cover of Dylan’s All Along The Watchtower. All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.
Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.(more…)
A STUNNING copy of Frampton’s Camel with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
On his second album, Frampton fronts a real rock band, playing his unique style of rock and pop, electric and acoustic, with consummate skill – if you’re a Frampton fan this is a record that belongs in your collection
Superb engineering from Chris Kimsey and Eddie Kramer at Olympic and Electric Lady Studios
4 1/2 stars: “Named after Frampton’s touring band at the time, Frampton’s Camel has a harder-rocking feel than its predecessor Wind of Change, with Mick Gallagher’s percussive electric piano and organ taking a prominent position in the mix and Frampton getting a harder sound from his electric guitars (though his acoustic playing is so lush and lyrical that it dominates the album here and there in its quiet way).”
SUPERB! An insanely good copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides — this one will blow you away!
The sound is dramatically bigger, cleaner, livelier and more present than you’ll hear on any other copy
Incredible sound for Purple Haze, Hey Joe, The Wind Cries Mary, Fire and Foxy Lady
No matter what version you’ve been playing, we guarantee you’ll be blown away by the energy and punch on this import
“One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era.” 5 stars
It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. Good luck finding this kind of sound for Are You Experienced on your own — it took us DECADES!(more…)
With stunning Triple Plus (A+++) sound or close to it on both sides, this British Polydor pressing was rockin’ like crazy
This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
The awesome version of Little Wing is just killer on this copy – it’s Jimi’s best performance of the song
“Hendrix in the West is a collection of extremely good live Hendrix performances between 1968-1970. Three different concerts are sampled on this 1972 release, one of the few official live Hendrix releases following his death.”
*NOTE: A mark plays very lightly five times at the end of side one track three, Blue Suede Shoes. On side two a mark makes four light thumps at the start of track three, Red House.
We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on Little Wing and you are going to be FLOORED.
The size and space here are really something, miles beyond most. The resolution and clarity of the open live sound of this copy bring out all the instrumental textures and details of the recording like few we played. More importantly, the extended top keeps the highs from getting hard or harsh the way they do on so many pressings we’ve played.
As these performances are culled from different concerts the sound varies a bit from track to track, but every track on here sounds good and the best tracks sound amazing.
This early Pink Label import pressing boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides, making this one of the best copies to hit the site in many years, if not THE best
We used to think that The Best of Traffic had better sound, but in a head to head comparison with this very copy, we were proved WRONG
Big, full-bodied and lively, with huge amounts of space and off the charts Tubey Magic, the sound here is Hard to Fault – thanks Eddie and Jimmy!
“Winwood is simply incredible. He has a top group of musicians with him and they have made an album which is one of the best from any contemporary group.” – Rolling Stone, 1968
This is one of the best sounding Traffic records ever made. Musically it’s hit or miss, but so is every other Traffic record, including my favorite, John Barleycorn. The best songs here are Heaven Is In Your Mind, Dear Mr. Fantasy, and Coloured Rain. The first of these is worth the price of the album alone, in my opinion. It’s a wonderful example of late ’60s British psychedelic rock.(more…)
One of the worst things the dummies at Classic ever did. Flat and dry with no Tubey Magic whatsoever. It positively screams “CHEAP REISSUE.” That description reminds me of this record, although to be fair the sound is quite a bit worse on the Hendrix.
You’ll find superb Double Plus (A++) from first note to last on this Hendrix classic – exceptionally quite vinyl for the most part too
The material here is unusually well-recorded – the sound is competitive with – maybe even better than – Hendrix’s “real” albums
Features top-tier Hendrix rarities such as Izabella, Highway Chile, Bleeding Heart and Stepping Stone
“One of the few consistent compilations of unreleased Hendrix.” — Allmusic
Drop the needle at the start of either side and prepare to be floored. You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor. Here’s a copy with the kind of big, three-dimensional sound we wish we heard on more Hendrix records. You’ll know what I’m talking about as soon as the needle hits the groove.
The vocals are full-bodied and present with lots of body and breath. The bottom end is tight and punchy with more weight than we heard on other copies. You could play a good-sized stack of copies and you’d probably still not find one as open, spacious, and transparent as either of these sides.
The guitar — obviously a key element of any Hendrix recording — absolutely FLIES out of the speakers here. The bottom end is strong and solid, and the overall sound is big, rich and open.
Bridge of Sighs
Note that the guitar sound on the first track of side two appears to have acted as the template for Robin Trower’s sound throughout his career. We love Robin Trower — wish we could find more copies of Bridge of Sighs that sound good — but his guitar sound was all over this album years before it was on any of his own.
It’s beyond difficult for us to find killer copies of Jimi’s first three or four albums, so I advise you Hendrix fans to give this one a chance. It’s the real deal.(more…)
The Hurdy Gurdy Man finally returns to the site with outstanding Double Plus (A++) sound or close to it throughout
Shockingly rich, spacious and lively, in the best tradition of vintage analog – Donovan’s recordings are hit and miss, but with Eddie Kramer at the controls, this one is clearly a hit
Among the supporting musicians were three soon-to-be members of Led Zeppelin: Jimmy Page (who had already contributed to Donovan sessions in the past), John Paul Jones (likewise a veteran of sessions for Donovan), and John Bonham”
“… uplifting, accessible, pop-rock numbers with a splash of jazz or Caribbean flavor, rounding out an excellent album of the highest musicianship, lyric writing, and songcraft from an era.”
*NOTE On side two, a mark makes 3 loud pops halfway through Track 1, Jennifer Juniper.
An outstanding pressing of what we consider Donovan’s best album, musically and sonically. The 1968 sound here is wonderful — rich, sweet, Tubey Magical and very, very Analog.
Donovan records tend to be hit or miss affairs, but we were pleasantly surprised to find that we could not find a bad track on either side of the album. Most are in fact quite wonderful.
Both Yellow Label Epics and Orange Label Epics fared well in our shootout. (We could find no Blue/ Black later labels to play.) Finding any pressing with clean surfaces was another matter, but we managed to have a pretty healthy group with which to do our shootout.
Some of these tracks may remind you more than a little of Pentangle. Danny Thompson, that band’s amazingly talented and unusually well recorded double bassist, just happens to be the bass player on the album. Go figure. Tony Carr does most of the drumming as he has on many of Donovan’s albums from the period. Needless to say, the rhythm section is first-rate.(more…)