Top Artists – Bud Shank

The Hi-Lo’s – A Demo Disc for Tubey Magic

More Pop and Jazz Vocals

  • Superb sound throughout this early 6-Eye Stereo pressing, with both sides earning excellent Double Plus (A++) grades – fairly quiet vinyl too
  • On the right system, the better copies of this All Tube Chain Demo Disc from 1958 will demonstrate the superiority of both the analog medium and the vintage pressing (not to mention the concept of Hot Stampers)
  • With a copy this good, The Hi-Lo’s will appear as living, breathing (albeit disembodied) persons right in your very own listening room – we call that “the breath of life,” and there is plenty to be found on this record
  • “The Hi-Los weren’t really a jazz unit, but more of a pop band that knew how to incorporate jazz’s harmonic sensibilities. This was among their better albums, complete with catchy title.”
  • More records with exceptionally Tubey Magical Sound
  • More reviews of our most Tubey Magical Demo Discs

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L.A. 4 – Pavane Pour Une Infante Défunte (33 RPM)

More L.A. 4

More Audiophile Records

  • An East Wind 33 RPM Japanese import pressing with seriously good Double Plus (A++) sound or close to it from start to finish
  • One of the better sounding versions with all 7 tracks we’ve played, particularly on the first side
  • Lee Herschberg recorded these sessions direct to disc – he’s the guy behind the most amazing piano trio recording I have ever heard, a little album called The Three
  • This side one gives you the richness, clarity, presence and resolution few copies can touch, and side two is not far behind in all those areas
  • This 33 RPM version features all seven of the original tracks – “C’est What” and “Corcovado” were omitted from the shorter 45 RPM pressing
  • And it was a solid step up sonically from a lot of the Direct to Disc pressings we had on hand, which is exactly what happened when they mastered The Three at 45 RPM from the backup tapes – pretty wild, don’t you think?

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Art Pepper+Eleven – Modern Jazz Classics

Contemporary Jazz Records Available Now

Reviews and Commentaries for Contemporary Jazz

  • A superb vintage Contemporary stereo pressing of this exceptional Art Pepper release from 1960 with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • If you buy only one Large Group Hot Stamper jazz record from us, make it this one – the music is swingin’ fun and the sound is going to blow your mind
  • And that’s doubly true if you own any modern reissue (really, almost any reissue at all to be honest) – this is the kind of sound no later pressing from ANY era can compete with
  • Here is the Tubey Magic of the originals without the problems that too often cause the originals to be opaque and uninvolving
  • A personal favorite – 5 stars: “This is a true classic. Essential music for all serious jazz collections.”

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Bud Shank And the Sax Section – We Used to Sell the Dubby Reissues, Ouch

More of the Music of Bud Shank

Reviews and Commentaries for the Music of Bud Shank

I used to sell reissues of this record back in the day some twenty odd years ago. While they aren’t terrible — lackluster is a more apt description — we can clearly hear now that they are made from second generation tapes.

The stage is recessed and collapsed, and the sound never gets big enough nor lively enough to free itself from the speakers. (This happens to be our all-too-common experience with many of the Heavy Vinyl pressings we audition and consequently write mean things about. Can you blame us? We loathe that sound.)

It’s yet another example of a record we was wrong about. Live and Learn, right?

I would not buy any Pacific Records pressing with this style reissue cover. We’ve never heard one sound better than mediocre on our current system.


FURTHER READING

This record sounds best this way:

In Stereo

On the Right Domestic Pressing 

On the Right Early Pressing

On Big Speakers at Loud Levels

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Julie London – Julie (in Stereo)

  • This STUNNING vintage Liberty stereo pressing boasts Shootout Winning Triple Plus (A+++) sound from first note to last – exceptionally quiet vinyl for a Julie London album too (don’t get me started)
  • In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
  • This amazing sleeper of a record belongs right up at the top of Ms. London’s oeuvre (25 albums strong) along with Julie Is Her Name – high praise indeed
  • 4 stars: “Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. Instead of being sultry, she becomes dazzling and sparkling. She also becomes more adept at phrasing and timing and takes a risk or two in the tradition of a jazz singer.”
  • If you’re a fan of Julie’s, this is a Top Title from 1957 that we think belongs in your collection.
  • The complete list of titles from 1957 that we’ve reviewed to date can be found here.

The great Jimmy Rowles plays piano, handled the arrangements and fronts the big group here, taking the music in a wonderfully jazzy direction that suits Julie’s vocal style perfectly. (more…)

Shelly Manne & His Men – The West Coast Sound, Vol. 1

More Shelly Manne

More Contemporary Label Jazz

  • Killer Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
  • Contemporary in 1956 was making some awfully good jazz records, with room-filling, natural and realistic mono sound, the kind of sound that still holds up today and doesn’t need a lot of “mastering” to do it
  • 5 stars: “The music has plenty of variety yet defines the era… Highly recommended and proof (if any is really needed) that West Coast jazz was far from bloodless.”
  • If you’re a fan of West Coast Jazz, this is a Top Title from 1956, and one that certainly belongs in any right-thinking audiophile’s collection.
  • The complete list of titles from 1956 that we’ve reviewed to date can be found here.

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L.A. 4 – Pavane Pour Une Infante Défunte (45 RPM)

More L.A. 4

More Audiophile Records

  • An INSANELY GOOD East Wind 45 RPM Japanese import pressing with Shootout Winning Triple Plus (A+++) sound from start to finish
  • Lee Herschberg recorded these sessions direct to disc — he’s the guy behind the most amazing piano trio recording I have ever heard, a little album called The Three
  • Transparency: absolute freedom from smear and distortion; clarity; presence; frequency extension high and low; correct tonality — everything you want in an audiophile recording is here!
  • This 45 RPM version is shorter than the original album, with five of the original’s seven tracks, and of course is not technically a direct disc – these 45s are made from the session tapes
  • And it sounded better than any of the Direct to Disc pressings we had on hand, which is exactly what happened when they mastered The Three at 45 RPM from the backup tapes — pretty wild, don’t you think?

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Bob Florence / Here And Now – So Tough to Find in Stereo We Finally Just Gave Up

More of Our Favorite Recordings By Bones Howe

Recordings Engineered by Bones Howe Available Now


Yet Another Record We’ve Discovered with (Potentially) Excellent Sound

A Five Star Album in the All Music Guide. This lively big band LP has excellent sound. We loved the music too.

Wish we could find some. It apparently sold very poorly, so poorly that there simply aren’t any copies around.

At 32, Florence already largely had his writing style together. He utilized top L.A. studio players for this set including such soloists as altoist Bud Shank, the tenors of Bill Perkins and Bob Hardaway, and trombonist Herbie Harper, but it is the tricky charts on the four originals and four standards (including “The Song Is You” and “Straight No Chaser”) that make this an LP worth searching for.” – AMG

Julie London – Julie (in Mono)

More Julie London

More Recordings Engineered by Ted Keep

  • This outstanding vintage Liberty MONO pressing boasts outstanding Double Plus (A++) sound from first note to last
  • In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
  • This amazing sleeper of a record belongs right up at the top of Ms. London’s oeuvre (25 albums strong) along with Julie Is Her Name – high praise indeed
  • 4 stars: “Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. Instead of being sultry, she becomes dazzling and sparkling. She also becomes more adept at phrasing and timing and takes a risk or two in the tradition of a jazz singer.”

The great Jimmy Rowles plays piano, handled the arrangements and fronts the big group here, taking the music in a wonderfully jazzy direction that suits Julie’s vocal style perfectly.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real Julie London singing live in your listening room. The best copies have an uncanny way of doing just that.

If you exclusively play modern repressings of older recordings (this one is now more than 63 years old), I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played can serve as a guide. (more…)

The LA 4 / Going Home

Many, many years ago we reviewed a copy of this album, reproduced here:

This is an East Wind Japanese Direct to Disc LP.

Number 1 in rarity and demand! The sound is stunning! You won’t find many records as transparent as this one, if you can find even one.

The band really comes alive on side two.

That’s where the real jazz is. The star of this record is Shelly Manne, who really plays up a storm. Bud Shank is also fairly lively. Some of the LA 4 records can really put you to sleep. Side one of this album has a little bit of that quality, but side two shows how good this band can be.

This copy plays m-. It’s lightly ticky, but that’s not unusual for this record. For whatever reason, the Japanese vinyl on these East Wind direct discs is always a little ticky. Copies quieter than this one are very hard to come by.


FURTHER READING

Record Collecting for Audiophiles – A Guide to Understanding The Fundamentals

Record Collecting for Audiophiles – Audiophile Pressings

Record Collecting for Audiophiles – Direct to Disc Recordings

Record Collecting for Audiophiles – Japanese Pressings