- A vintage East Wind 33 RPM Japanese import pressing with outstanding grades from start to finish
- A top album in both rarity and demand – you’d be hard pressed to find another copy with this kind of transparency, clarity, presence, and sound (assuming you could find one)
- This is one of the best sounding copies with all 7 tracks we have ever played
- Lee Herschberg recorded these sessions direct to disc – he’s the guy behind the most amazing piano trio recording I have ever heard, a little album called The Three
- The star of this record is Shelly Manne, who really plays up a storm
- This 33 RPM version features all seven of the original tracks – “Greensleeves” and “Django” were omitted from the shorter 45 RPM pressing
Top Artists – Bud Shank
Hey Bud, This Girl Looks Awfully Familiar
More Albums that Didn’t Make the Grade
Neither of these records is worth owning. The sound is at best mediocre, as is the music.
Bud Shank recorded a large number of “white bread” jazz albums as a leader. The music on these albums is worthless.
He of course played on many of our favorite albums as a sideman.
Art Pepper+Eleven – Modern Jazz Classics
Contemporary Jazz Records Available Now
Reviews and Commentaries for Contemporary Jazz
- A superb vintage Contemporary stereo pressing of this exceptional Art Pepper release from 1960 with solid Double Plus (A++) sound – exceptionally quiet vinyl too
- If you buy only one Large Group Hot Stamper jazz record from us, make it this one – the music is swingin’ fun and the sound is going to blow your mind
- And that’s doubly true if you own any modern reissue (really, almost any reissue at all to be honest) – this is the kind of sound no later pressing from ANY era can compete with
- Here is the Tubey Magic of the originals without the problems that too often cause the originals to be opaque and uninvolving
- A personal favorite – 5 stars: “This is a true classic. Essential music for all serious jazz collections.”
Art Pepper+Eleven – Hard to Beat for Music or Sound
Contemporary Jazz Records Available Now
Reviews and Commentaries for Contemporary Jazz
If you buy only one Large Group Jazz Record from us, make it this one – the music is swingin’ fun and the sound is going to blow your mind.
And that’s doubly true if you own any modern reissue. (The best early OJC pressings can be good but often suffer from the standard problems OJCs tend to have — they lack weight, Tubey Magic and can get a bit hot up top.)
This is the kind of sound no later pressing from ANY era can compete with. Last time around we noted:
This vintage Contemporary stereo pressing has plenty of Modern Jazz Classics Magic. On a copy such as this you can really pick out each of the musicians and follow them throughout the course of the track. Being able to appreciate everyone’s contributions really gives you a sense of how much work went into the making of this album. It’s nothing short of epic.
This is one DYNAMIC jazz record — drop the needle on any track and prepare to be knocked out.
The sound is full-bodied and energetic, with breathy brass and plenty of studio ambience.
As is so often is the case with the best Contemporary records, thanks must go to Howard Holzer and Roy DuNann.
If I could only have one Art Pepper record, this would be the one.
Marty Paich, Brilliant Arranger
The amazing Marty Paich did the arrangements for this group of top musicians. As far as big band goes it doesn’t get much better than this. If I had to pick one big band album to take to my desert island it might very well be this one. The arrangements are lively and everyone seems to be having a good time in the studio.
Marty was one of the most sought-after arrangers back in the day. In discogs there are currently 512 listings under his name for writing and arranging.
Many consider this to be the best record Art Pepper ever made, along with Art Pepper Meets The Rhythm Section, and it’s hard to argue with either title as both are superb and deserve a place in any audiophile’s collection. I would add Art Pepper Today to that list, although we rarely have copies on the site of that title. The good pressings are very hard to find.
A Must Own Jazz Record
We consider Modern Jazz Classics a Masterpiece. It’s a Demo Disc Quality recording that should be part of any serious Audiophile Jazz Collection. Others that belong in that category can be found here.
The Players
- Art Pepper — alto saxophone, tenor saxophone, clarinet
- Pete Candoli — trumpet
- Al Porcino — trumpet
- Jack Sheldon — trumpet
- Dick Nash — trombone
- Bob Enevoldsen — valve trombone, tenor saxophone
- Vince DeRosa — French horn
- Herb Geller — alto saxophone
- Bud Shank — alto saxophone
- Charlie Kennedy — alto saxophone
- Bill Perkins — tenor saxophone
- Richie Kamuca — tenor saxophone
- Med Flory — baritone saxophone
- Russ Freeman — piano
- Joe Mondragon — bass
- Mel Lewis — drums
- Marty Paich — arranger, conductor
A Must Own Jazz Record
We consider Modern Jazz Classics a Masterpiece. It’s a Demo Disc Quality recording should be part of any serious Audiophile Jazz Collection.
Others that belong in that category can be found here.
The Hi-Lo’s / And All That Jazz – A Demo Disc for Tubey Magic
More Pop and Jazz Vocals
- Superb sound throughout this early 6-Eye Stereo pressing, with both sides earning excellent Double Plus (A++) grades – fairly quiet vinyl too
- On the right system, the better copies of this All Tube Chain Demo Disc from 1958 will demonstrate the superiority of both the analog medium and the vintage pressing (not to mention the concept of Hot Stampers)
- With a copy this good, The Hi-Lo’s will appear as living, breathing (albeit disembodied) persons right in your very own listening room – we call that “the breath of life,” and there is plenty to be found on this record
- “The Hi-Los weren’t really a jazz unit, but more of a pop band that knew how to incorporate jazz’s harmonic sensibilities. This was among their better albums, complete with catchy title.”
- More records with exceptionally Tubey Magical Sound
- More reviews of our most Tubey Magical Demo Discs
The L.A. 4 – Pavane Pour Une Infante Défunte (33 RPM)
More L.A. 4
More Audiophile Records
- An East Wind 33 RPM Japanese import pressing with seriously good Double Plus (A++) sound or close to it from start to finish
- One of the better sounding versions with all 7 tracks we’ve played, particularly on the first side
- Lee Herschberg recorded these sessions direct to disc – he’s the guy behind the most amazing piano trio recording I have ever heard, a little album called The Three
- This side one gives you the richness, clarity, presence and resolution few copies can touch, and side two is not far behind in all those areas
- This 33 RPM version features all seven of the original tracks – “C’est What” and “Corcovado” were omitted from the shorter 45 RPM pressing
- And it was a solid step up sonically from a lot of the Direct to Disc pressings we had on hand, which is exactly what happened when they mastered The Three at 45 RPM from the backup tapes – pretty wild, don’t you think?
Bud Shank And the Sax Section – We Used to Sell the Dubby Reissues, Ouch
More of the Music of Bud Shank
Reviews and Commentaries for the Music of Bud Shank
I used to sell reissues of this record back in the day some twenty odd years ago. While they aren’t terrible — lackluster is a more apt description — we can clearly hear now that they are made from second generation tapes.
The stage is recessed and collapsed, and the sound never gets big enough nor lively enough to free itself from the speakers. (This happens to be our all-too-common experience with many of the Heavy Vinyl pressings we audition and consequently write mean things about. Can you blame us? We loathe that sound.)
It’s yet another example of a record we was wrong about. Live and Learn, right?
I would not buy any Pacific Records pressing with this style reissue cover. We’ve never heard one sound better than mediocre on our current system.
This record sounds best this way:
On the Right Domestic Pressing
Julie London – Julie (in Stereo)
- This STUNNING vintage Liberty stereo pressing boasts Shootout Winning Triple Plus (A+++) sound from first note to last – exceptionally quiet vinyl for a Julie London album too (don’t get me started)
- In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
- This amazing sleeper of a record belongs right up at the top of Ms. London’s oeuvre (25 albums strong) along with Julie Is Her Name – high praise indeed
- 4 stars: “Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. Instead of being sultry, she becomes dazzling and sparkling. She also becomes more adept at phrasing and timing and takes a risk or two in the tradition of a jazz singer.”
- If you’re a fan of Julie’s, this is a Top Title from 1957 that we think belongs in your collection.
- The complete list of titles from 1957 that we’ve reviewed to date can be found here.
The great Jimmy Rowles plays piano, handled the arrangements and fronts the big group here, taking the music in a wonderfully jazzy direction that suits Julie’s vocal style perfectly. (more…)
Shelly Manne & His Men – The West Coast Sound, Vol. 1
More Shelly Manne
More Contemporary Label Jazz
- Killer Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
- Contemporary in 1956 was making some awfully good jazz records, with room-filling, natural and realistic mono sound, the kind of sound that still holds up today and doesn’t need a lot of “mastering” to do it
- 5 stars: “The music has plenty of variety yet defines the era… Highly recommended and proof (if any is really needed) that West Coast jazz was far from bloodless.”
- If you’re a fan of West Coast Jazz, this is a Top Title from 1956, and one that certainly belongs in any right-thinking audiophile’s collection.
- The complete list of titles from 1956 that we’ve reviewed to date can be found here.
The L.A. 4 – Pavane Pour Une Infante Défunte (45 RPM)
More L.A. 4
More Audiophile Records
- An INSANELY GOOD East Wind 45 RPM Japanese import pressing with Shootout Winning Triple Plus (A+++) sound from start to finish
- Lee Herschberg recorded these sessions direct to disc — he’s the guy behind the most amazing piano trio recording I have ever heard, a little album called The Three
- Transparency: absolute freedom from smear and distortion; clarity; presence; frequency extension high and low; correct tonality — everything you want in an audiophile recording is here!
- This 45 RPM version is shorter than the original album, with five of the original’s seven tracks, and of course is not technically a direct disc – these 45s are made from the session tapes
- And it sounded better than any of the Direct to Disc pressings we had on hand, which is exactly what happened when they mastered The Three at 45 RPM from the backup tapes — pretty wild, don’t you think?