Top Artists – The Beatles

The music is great, but how’s the sound? We weigh in with our two cents worth.

Letter of the Week – “I would have paid $15,000 for this feeling had I known it was there”

One of our good customers had this to say about his Hot Stamper copy of Let It Be that he purchased recently:

Hey Tom, 

Wow, yep! This Let It Be Hot Stamper is doing what it’s supposed to. I haven’t felt this way in a long time. It’s INSANELY good!

I would have paid $15,000 for this feeling had I known it was there. No, I’m not going to. I’m just sayin’. (more…)

The Beatles / Let It Be – John’s Really Digging a Pony. Are You?

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More Let It Be

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What blew our minds about the Shootout Winning side one we played recently was how outrageously big, open and transparent it was on the song Dig a Pony. As the song started up the studio space seemed to expand in every direction, creating more height, width and depth than we’d ever experienced with this song before. 

But there is no studio space; the song was recorded on Apple’s rooftop. The “space” has to be some combination of “air” from the live event and artificial reverb added live or later during mixing. Whatever it is, the copies with more resolution and transparency show you a lot more of “it” than run-of-the-mill pressings do (including the new Heavy Vinyl, which is so airless and compressed we gave it a grade of F and banished it to our Shame Hall).  (more…)

The Beatles – Yellow Submarine

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  • A STUNNING copy of Yellow Submarine, with a Shootout Winning Triple Plus (A+++) side two mated with an outstanding Double Plus (A++) side one
  • Without a doubt the hardest single side of any Beatles album to find with good sound is side two of Yellow Submarine, and here’s a copy that is As Good As It Gets
  • This pressing is clean, clear, solid and energetic – just the right sound for this classic Beatles music
  • The only place to find the All-Time Classic Hey Bulldog, as well as All Together Now and It’s All Too Much
  • “All You Need Is Love” debuted in a true stereo mix on LP for this album.”

This is a very difficult album to find good sound for; many pressings are almost unbearably gritty and harsh. Fortunately, these two sides have no such problems. The overall tonality is rich and full-bodied, and there’s plenty of presence and energy as well.  (more…)

The Beatles – Rubber Soul

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  • This stunning copy boasts Shootout Winning Triple Plus (A+++) grades or close to it on both sides – exceptionally quiet vinyl too
  • The sound here is PHENOMENAL — big, bold, lively and powerful with the kind of dynamics that bring out the best in this music
  • Norweigan Wood and In My Life sound superb here, along with the rest of these wonderful Beatles classics, 14 in all
  • A Better Records Top 100 Title, 5 Stars on Allmusic, and a Masterpiece of mid-’60s Folk Rock
  • “The lyrics represented a quantum leap in terms of thoughtfulness, maturity, and complex ambiguities. Musically, too, it was a substantial leap forward, with intricate folk-rock arrangements that reflected the increasing influence of Dylan and the Byrds.”

Since this is one of the best sounding Beatles recordings, this could very well be some of the BEST SOUND you will ever hear on a Beatles album!

There’s wonderful ambience and echo to be heard. Just listen to the rimshots on Michelle — you can clearly hear the room around the drum. On the best pressings, like this one, Michelle is incredibly 3-D; it’s one of the best sounding tracks on the entire album, if not THE best. (more…)

The Beatles – Revolver

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  • An outstanding British pressing with solid Double Plus (A++) sound or BETTER throughout – mostly quiet vinyl too
  • Here is the space, energy, presence clarity and massive bottom end you had no idea were even possible on Revolver
  • 14 amazing tracks including Taxman; Eleanor Rigby; Here, There and Everywhere; Yellow Submarine; Good Day Sunshine; Got To Get You Into My Life and Tomorrow Never Knows (!)
  • 5 stars: “Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.”

Want to be blown away by Beatles sound you never imagined you would ever have the chance to experience for yourself? Drop the needle on Taxman on this very side one — that’s your ticket to ride, baby! We were knocked out by it and we guarantee you will be too. (more…)

Sgt. Pepper on Heavy Vinyl – The Reviewers from 1982 Blow It Again

Hot Stampers of Sgt. Peppers in Stock Now

Letters and Commentaries for Sgt. Peppers

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You might agree with some reviewers that EMI’s engineers did a pretty good job with the new Pepper. In the March 2013 issue of Stereophile, Art Dudley weighed in, finding little to fault on this title but being less impressed with most of the others in the new box set. His reference disc? The MoFi UHQR!

Oh, and he also has some old mono pressings and a domestic Let It Be. Now there’s a man who knows his Beatles. Fanatical? Who can blame him? We’re talkin’ The Beatles for Chrissake!

When I read the reviews by writers such as these I often get the sense that I must’ve fallen through some sort of Audio Time Warp and landed back in 1982. How is it that our so-called experts evince so little understanding of how records are made, how variable the pressings can be, and, more importantly, how absolutely crucial it is to understand and implement rigorous protocols when attempting to carry out comparisons among pressings.

Critically comparing LPs is difficult and time-consuming. It requires highly developed listening skills. I didn’t know how to do it in 1982. I see no evidence that the audiophile reviewers of today are much better at it these days than I was in 1982.

What does one well-known reviewer have to say, keeping in mind that he’s using his original British pressing for comparison? I quote at length — without prejudice so to speak — so there can be no misunderstanding. (more…)

The Beatles – Sgt. Pepper’s Lonely…

Hot Stampers of Sgt. Peppers in Stock Now

Letters and Commentaries for Sgt. Peppers

 

  • With two seriously good Double Plus (A++) sides and exceptionally quiet vinyl for the most part, this pressing is guaranteed to smoke any copy of the album you’ve heard
  • Huge, spacious and detailed, with the Tubey Magic of a fresh tape, this is the way to hear Sgt. Pepper in all its analog glory, not remixed and not remastered
  • Most pressings – especially the new ones – have nothing approaching the Tubey Magic, space and energy of this LP
  • A Better Records Top 100 – “It’s possible to argue that there are better Beatles albums, yet no album is as historically important as this.”

The sound here is so big and rich, so clear and transparent, that we would be very surprised, shocked even, if you’ve ever imagined that Sgt. Pepper could sound this powerful and REAL. (more…)

The Beatles – Beatles ’65 – Listen for Reversed Polarity

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This is one of the pressings we’ve discovered with Reversed Polarity.

This is a Capitol Records Purple Label LP with THE BEST SOUND I have ever heard for a Capitol Beatles LP (as of 7/5/06). But there’s a catch. It only sounds good if you reverse your absolute phase. If you don’t, or can’t, forget it. 

I wrote the rave review you see below without realizing that I had reversed my headshell leads for the previous record I was playing and had forgotten to change them back. So all the nice things I said about Capitol really aren’t true: they got the phase backwards, which positively ruins the sound unless you can correct for it. I did, and was astonished at how musical the album sounded.

Do you want an AMAZING example of how phase can affect the sound of a recording? Switch back and forth on Honey Don’t, especially if you are the skeptical type like me. You will become a believer on the spot, all doubt forever banished.

I wonder how many other bad Beatle albums are phase reversed? We will report our findings as time goes on so watch for them. [We of course never did this. The Beatles pressings we sell are in correct polarity and we simply do not have the time to survey every Beatles record ever made.]

This is what I initially said about the record:

This is a Minty Capitol Purple Label LP with THE BEST SOUND I have ever heard for a Capitol Beatles LP. If more of them sounded like this we wouldn’t have said all those mean and nasty things about Capitol Records for the past forty years. Yes, they still “butchered” For Sale to create this “album”, but that’s not the point. The point is this record sounds like a good Parlophone pressing — rich and sweet, with dead-on tonality. Whatever tapes Capitol may have used had plenty of that famous Beatles Analog Magic in them — you won’t hear any Beatles CDs sound like this, that I can assure you. That sound is gone and it ain’t comin’ back.

The late Capitol mastering here is Right On The Money. I don’t think they ever cut a record better. You can be sure the original Rainbow Label pressings sound as bad as you remember. I have never heard ANY original Capitol pressing that sounded like this — not even close.

The two singles mentioned below both have DREADFUL SOUND, the kind we have come to expect from Capitol. Everything else is wonderful.

“Dave Dexter, Jr. (a name which will live in infamy) “assisted” the Beatles by pulling eight tracks from Beatles for Sale, one from A Hard Day’s Night [I’ll Be Back], and both sides of the latest Beatles single (“I Feel Fine”/”She’s a Woman”) for the creation of this album.” – AMG

The Beatles White Album – Listening in Depth

More on The White Album

 

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It’s exceedingly difficult to find audiophile quality sound on The White Album. The Beatles were breaking apart, often recording independently of each other, with their own favorite engineers as enablers, and George Martin nowhere to be found most of the time. They were also experimenting more and more with sound itself, which resulted in wonderful songs and interesting effects. However, these new approaches and added complexity often result in a loss of sonic “purity.”

Let’s face it, most audiophiles like simplicity: A female vocal, a solo guitar — these things are easy to reproduce and often result in pleasing sound, the kind of sound that doesn’t take a lot of expensive equipment or much effort to reproduce.

Dense mixes with wacky EQ are hard to reproduce (our famous Difficulty of Reproduction Scale (DORS) comes into play here), and the White Album is full of that sound, taking a break for songs like Blackbird and Julia.

Some of the Tubey Magic that you hear on Pepper is gone for good. (Play With a Little Help from My Friends on a seriously good Hot Stamper to see what has been lost forever.)

TRACK LISTING

Side One

Looks at the lineup for side one. Is there a rock album on the planet with a better batch of songs?

Having done shootouts for the White Album by the score, we can also say with some certainty that side one is the most difficult side to find White Hot stamper sound for. It’s somewhat rare to find a side one that earns our top Triple Plus (A+++) sonic grade, even when all the other sides do. (Actually what happens more often than not is that we take the best second discs and mate them with the best first discs to make the grades consistent for the whole album. But don’t tell anybody.) (more…)

The Beatles – Help

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  • A Shootout Winner – Triple Plus (A+++) sound from start to finish – we guarantee you’ve never heard Help sound remotely this good
  • Want to hear The Beatles at their Tubey Magical best? Just play You’ve Got to Hide Your Love Away on this killer copy
  • Everything that’s great about Help is here – jangly 12 string guitars, harmonically rich tambourines, and breathy vocals
  • Side one alone boasts 7 classics: Help!, The Night Before, You’ve Got to Hide Your Love Away, I Need You, Another Girl, You’re Gonna Lose That Girl and Ticket to Ride – whew!

Want to hear The Beatles at their Tubey Magical best? Just play You’ve Got to Hide Your Love Away on this copy.

One of the reasons this song stands out in a crowd of great tracks is that there are only acoustic instruments being played. There’s not an electric guitar to be found anywhere in the mix, one of the few tracks on side one for which that is true.

We flip out over the Tubey Magical acoustic guitars and harmony vocals found on early Beatles albums, and this song can be an exceptionally good example of both when you’re lucky enough to have the right pressing playing. (more…)