- This outstanding pressing boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
- It’s airy, open, and spacious with superb clarity and an extended top end – the beautiful reading of Autumn Leaves on side two has demo disc quality sound
- Included are three tracks left off some of Pepper’s best albums on Contemporary – Meets the Rhythm Section, Intensity and Gettin’ Together
- 4 1/2 stars: “Despite his very erratic lifestyle, altoist Art Pepper never made a bad record. The first four titles team together Pepper with tenor-saxophonist Warne Marsh for generally intriguing explorations of four standards… this album finds Art Pepper in top form.”
- This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
- Big, rich and full-bodied sound was not that easy to find on the album, but this copy managed to pull it off
- Full of classic material by the likes of Monk and Cole Porter, finally finishing with a very emotional rendition of Stardust
- “…Pepper is in excellent form throughout the album, giving these songs heart-wrenching interpretations.”
- An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound from start to finish
- Both of these sides are super rich, full-bodied and lively with plenty of extension on both ends
- “Altoist Art Pepper’s 1981 appearances at Los Angeles’ now-obsolete Maiden Voyage club were fully documented, resulting in three LPs… Although only a year away from his death, the great Art Pepper was still very much in his prime for this memorable outing.” – All Music, 4 1/2 Stars
Super Hot Stamper sound on BOTH sides of this wonderful Galaxy original pressing. There are four extended ballads, two on each side, and each of them is played with real passion and skill by this group of veteran horn men and their respective rhythm sections. The recording itself is one of the best I’ve heard on Galaxy, the other top Galaxy title being Art Pepper Today. Joe Henderson is the leader not mentioned in our listing title, so with his addition we have four of the best saxophone ballad players, backed by a top rhythm section, all performing material that has stood the test of time. This is the kind of record the world needs more of! (more…)
- A big, bold, lively stereo copy of this exceptional Art Pepper release from 1960 – Triple Plus (A+++) on side one and Double Plus (A++) on two – reasonably quiet vinyl too
- If you buy only one Large Group Hot Stamper jazz record from us, make it this one – the music is swingin’ fun and the sound is going to be very impressive, especially if you own any modern reissue
- Rich, warm and full-bodied, the brass is phenomenal on this pressing – here is the Tubey Magic of the originals without the problems that cause many originals to be opaque and uninvolving
- A personal favorite – 5 stars: “This is a true classic. Essential music for all serious jazz collections.”
This Contemporary stereo LP has got that Modern Jazz Classics Magic. On a great copy such as this one you can really pick out each of the musicians and follow them throughout the course of the track. When you’re able to appreciate everyone’s contributions you really get a sense of how much work went into the making of this album. It’s nothing short of epic.
This is one DYNAMIC jazz record — drop the needle on any track and prepare yourself to be very impressed. The sound is full-bodied and energetic with tight bass, breathy brass, and lots of ambience. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
This is a nice looking Verve LP with relatively quiet vinyl and surprisingly good sound. Natural, smooth and sweet, I doubt there are copies out there that sound much better. The music itself is great fun. Hearing Mel sing with the female vocalists is really a treat. (more…)
Sonic Grade: D
Remastered from the original analogue master tapes (or say they would have you believe) by that notorious hack Ron McMaster at Capitol Studios, this pressing is dramatically flatter and less musical than any original pressing (or Japanese pressing!) that we have ever played. The CD may very well be better.
Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.
Since we here at Better Records never tire of beating long-dead horses, let’s lay into a couple of our favorites: Heavy Vinyl reissues and CDs. When we play these “Shadows of the Real Thing”, so lacking in life and the analog magic of the best pressings, the one thing we can say about them consistently is that they’re a drag. They’re just no fun. They don’t give you the thrill this wonderful music is supposed to give you — can give you and does give you — if you have the right vinyl pressing.
[This commentary was written many years ago.]
We’ve wanted to do Art Pepper Today for more than a decade, but the original Galaxy pressings were just too thick and dark to earn anything approaching a top sonic grade. Thirty years ago on a very different system I had one and liked it a lot, but there was no way I could get past the opaque sound I was now hearing on the more than half-dozen originals piled in front of me.
So, almost in desperation we tried an OJC reissue from the ’90s. You know, the ones that all the audiophiles on the web will tell you to steer clear of because it had been mastered by Phil DeLancie and might be sourced from digital tapes.
Or digitally remastered, or somehow was infected with something digital somehow.
Well, immediately the sound opened up dramatically, with presence, space, clarity and top end extension we simply could not hear on the originals. Moreover, the good news was that the richness and solidity of the originals was every bit as good. Some of the originals were less murky and veiled than others, so we culled the worst of them for trade and put the rest into the shootout with all the OJCs we could get our hands on.
Now, it’s indisputable that Phil DeLancie is credited on the jacket, but I see George Horn’s writing in the dead wax of the actual record, so I really have no way of knowing whether Mr Delancie in fact had anything to do with the copies I was auditioning. They don’t sound digital to me, they’re just like other good George Horn-mastered records I’ve heard from this period.
And of course we here at Better Records never put much stock in what record jackets say; the commentary on the jackets rarely has much to do with the sound of the records inside them in our experience.
And, one more surprise awaited us as we were plowing through our pile of copies. When we got to side two we found that the sound of the Galaxy originals was often competitive with the best of the OJCs. Which means that there’s a good probability that some of the original pressings I tossed for having bad sound on side one had very good, perhaps even shootout winning sound on side two.
This is a lesson I hope to take to heart in the future. I know very well that the sound of side one is independent of side two, but somehow in this case I let my prejudice against the first side color my thinking about the second. Of all the people who should know better…
If you like the sound of relaxed, tube-mastered jazz — and what red-blooded audiophile doesn’t — you can’t do much better than Jack Sheldon And His All-Star Band. The warmth and immediacy of the sound here are guaranteed to blow practically any Big Band record you own right out of the water.
This is a wonderful example of the kind of record that makes record collecting FUN.
If you large group swinging West Coast Jazz is your thing — think Art Pepper Plus Eleven — you should get a big kick out of this one.
Both sides of this very special pressing are huge, rich, tubey and clear. As soon as the band got going we knew that this was absolutely the right sound for this music. There was practically nothing that could beat it, in any area of reproduction. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
The first Hot Stamper copy of this great album to hit the site in many, many years! We are HUGE fans of this album at Better Records, but it’s taken us a long time to pull together enough clean copies to make this shootout happen. Boy, was it worth all the trouble!
The presence and immediacy here are staggering. Turn it up and Mel is right between your speakers, putting on the performance of a lifetime! One of our very favorite male vocal albums, and this copy will show you why — the sound and music are the tops.
The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there give you the kind of realistic, lifelike sound you get from this pressing, particularly on side two. (more…)