With two excellent Double Plus (A++) sides, this early Decca import pressing will be very hard to beat – exceptionally quiet vinyl too
Big, rich, energetic, with tons of Analog Tubey Magic, this UK copy has exactly the right sound for this music
We shot out a number of other imports and this one had the presence, bass, and dynamics that were missing from most other copies we played
“The Zombies’ obvious appreciation for adeptly crafted melodies and rich vocal harmonies likewise made them favorites of pop fans as well as more discerning listeners.”
The World of the Zombies is for all intents and purposes a reissue of their 1965 debut album, Begin Here, with a few track changes, the most important of which is the addition of “Tell Her No.”
The drums here are clear and punchy and the bottom end is solid.
The vocals do not get too bright as they have a tendency to do on some copies.
When you get a Tubey Magical copy like this, that Hammond B-3 sound is glorious.
Smooth sweet vocals and dead on tonality complete the sonic picture here.
Just for fun sometime go to popsike.com and check out what the original first Zombies record on Decca sells for. Try $1500 and up! And people think our prices are high — we ain’t never charged that kind of bread.
This superb Stereo pressing of The Zombies’ 1981 compilation album boasts outstanding Double Plus (A++) sound from first note to last
This copy was doing it all right — bigger, fuller, more Tubey Magic, excellent bass, and the list goes on
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
Copies with rich lower mids did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we’ve heard them all.
Top end extension is critical to the sound of the best copies. Lots of old records (and new ones) have no real top end; consequently, the studio or stage will be missing much of its natural ambience and space, and instruments will lack their full complement of harmonic information.
Tube smear is common to pressings from every era and this is no exception. The copies that tend to do the best in a shootout will have the least (or none), yet are full-bodied, tubey and rich.(more…)
If one of the defining characteristics of a Classic Track is its immediate recognition, then The Zombies’ “She’s Not There” is as classic as it comes. One of its atypical characteristics, the distinctive opening bass notes and subsequent line that continues throughout the track, surely helped the band win the 1964 Hert’s Beat Competition, which earned them a recording contract with Decca Records. On the map and on their way.
The band had gotten together when they were 15-year-old schoolmates in 1961 in their hometown of St. Albans, England. Keyboardist Rod Argent recruited some of the members, as lead vocalist Colin Blunstone remembers, based on the alphabet. “We sat in class in alphabetical order, and I had a guitar,” Blunstone recalls.
Then after they won the competition, according to Blunstone, and just two weeks prior to their big recording session, producer Ken Jones said, “You could always try to write something.”(more…)