big-drums-in-a-big-studio

These records have big drums which sound like they are being played in a big studio.

Big speakers playing at loud levels are the only way to hear just how exciting and powerful sound like that can be.

Elvis Costello / Armed Forces – A Phenomenal Demo Disc from 1979

More of the Music of Elvis Costello

  • This vintage UK pressing will show you just how good sounding Elvis’s best recording can be, with KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides
  • It’s some of the biggest, boldest rock sound ever recorded
  • Top 100 Demo Disc, and just amazing here – every track is Elvis at his best
  • 5 stars: “In contrast to the stripped-down pop and rock of his first two albums, Armed Forces boasted a detailed and textured pop production… However, the more spacious arrangements – complete with ringing pianos, echoing reverb, layered guitars, and harmonies – accent Costello’s melodies… It’s a dense but accessible pop record and ranks as his third masterpiece in a row.”
  • There are about 100 records we think deserve to be more popular with audiophiles, and Armed Forces is one of them.

This album checks off a number of our most-prized boxes:

Armed Forces is one of the best-sounding rock records ever made, and a copy like this is proof enough to back up that claim. The best copies are extremely transparent and silky sounding, but with unbelievably punchy, rock-solid bass and drums.

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Dick Schory – Music for Bang, Baaroom and Harp

Living Stereo Titles Available Now

  • Stunning Living Stereo sound through this original pressing, with both sides earning Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner – fairly quiet vinyl too
  • It’s a real treat to hear such a crazy assortment of percussion instruments with this kind of amazingly clear, high-resolution sound!
  • This copy was just plain bigger, richer and clearer than practically all others in our recent shootout
  • It also helps that both of these sides are in correct polarity, a subject you can read about on the blog if you would like to know more
  • If you’re a fan of percussion extravaganzas, this Living Stereo from 1958 is about as good as it gets

The hottest stamper pressings of this album are Demo Discs for three important qualities we listen for in our record auditions. Each of the links below will take you to other recordings we have found to be potentially superior in these areas of reproduction.

  1. Size and space,
  2. Correct timbre and
  3. Tubey Magic.

Harry Pearson put this record on his TAS List of Super Discs, and rightfully so. It certainly can be a Super Disc, but only when you have the right pressing. This is one of the Demo Discs on the TAS List which truly deserves its status when, and only when, you have the right copy. (The typical copy is quite good, but it sure doesn’t sound like this.) Nothing else in our shootout could touch it. And it’s IN PHASE. Many copies are not.

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Peter Gabriel Names a Third Record After Himself

More of the Music of Peter Gabriel

  • You’ll find solid Double Plus (A++) sound or close to it on both sides of this vintage UK copy – fairly quiet vinyl too
  • Finding clean, quiet, early pressings of this album has been especially difficult for some time now and it doesn’t seem to be getting any easier
  • A Must Own for Gabriel fans, this album is widely considered his breakthrough work as a solo artist
  • Listen closely and you’ll recognize Phil Collins’ now-signature (but at the time revolutionary) drum sound on several of the tracks, including “Intruder,” one of the best tracks on the album
  • 5 stars: “Generally regarded as Peter Gabriel’s finest record, his third eponymous album finds him coming into his own, crafting an album that’s artier, stronger, more song oriented than before.”
  • If you’re a fan, this is a Peter Gabriel classic from 1980 that belongs in your collection.

With this, his third release, Gabriel established himself as a true force in the rock world. (more…)

Pink Floyd – Dark Side Of The Moon

  • A vintage copy of this mindblowing recording that is guaranteed to rock your world with superb Double Plus (A++) sound on both sides – exceptionally quiet vinyl too
  • The transparency, the clarity, the energy, the power – it’s all here on this very special import pressing
  • A Top 100 album (Top Ten actually) and Demo Disc to rival the most amazing sounding records of all time
  • 5 stars: “…what gives the album true power is the subtly textured music… no other record defines [Pink Floyd] quite as well as this one.”
  • A Top 100 album (Top Ten actually) and a Rock Demo Disc to rival the most amazing sounding records of all time
  • 5 stars: “…what gives the album true power is the subtly textured music… no other record defines [Pink Floyd] quite as well as this one.”

This vintage import pressing has the presence, the richness, the size and the energy you always wanted to hear on Dark Side — AND NOW YOU CAN!

Take the clocks on Time. There are whirring mechanisms that can be heard deep in the soundstage. On most copies, you can’t even tell they are there. Talk about transparency — I bet you’ve NEVER heard so many chimes so clearly and cleanly, with such little distortion, as you will on this copy.

One thing that separates the best copies from the merely good ones is super-low-distortion, extended high frequencies. How some copies manage to correctly capture the overtones of all the clocks, while others, often with the same stamper numbers, can barely hint at them, is something no one can explain. But the records do not lie. Believe your own two ears. If you hear it, it’s there. 

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Led Zeppelin – Led Zeppelin IV

More of the Music of Led Zeppelin

  • A Zep IV that was doing just about everything right, earning solid Double Plus (A++) grades on both sides
  • Insane rock and roll energy like nothing you have ever heard – the sound is full-bodied and reasonably smooth, making it possible to get the volume up good and high where it belongs
  • Here are the rock and roll classics that reign supreme to this very day – “Black Dog,” “Rock & Roll,” “Stairway to Heaven,” “When the Levee Breaks,” every one sounding better than you’ve ever heard them or your money back
  • There are some bad marks (as is sometimes the nature of the beast with these Classic Rock records) on “Rock and Roll,” but once you hear just how excellent sounding this copy is, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • 5 stars: “Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin’s untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of 70s hard rock.”
  • If you’re a fan of the band, this title from 1971 is clearly one of their best, and one of their best sounding
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

It is a positive THRILL to hear this record rock the way it was meant to. If you have big speakers and the power to drive them, your neighbors are going to be very upset with you when you play this copy at the listening levels it was meant to be heard at.

You’d better be ready to rock, because this copy has the ENERGY and WHOMP that will make you want to. Zep IV demands loud levels, but practically any copy will punish you mercilessly if you try to play it at anything even approaching live levels.

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Joe Jackson – Night and Day

More of the Music of Joe Jackson

  • A vintage copy of Joe Jackson’s 1982 Masterpiece with solid Double Plus (A++) sound or BETTER from first note to last – exceptionally quiet vinyl too
  • Rich solid piano tone, lively drums, tight powerful bass and strong vocal presence – it’s all here and more
  • From that opening big drum on “Another World,” you’ll know this pressing has the Night and Day magic
  • 4 1/2 stars: “…his blend of percolating Latin rhythms, jazzy horns and pianos, stylish synths, and splashy pop melodies uncannily feel like a bustling, glitzy evening in the big city.”
  • If you’re a Joe Jackson fan, this title from 1982 is surely a Must Own

You’ll want to turn this one up good and loud to get the full effect because the music really swings on a copy that sounds as good as this one does. It not only swings, it ROCKS.

From that opening big drum on ‘Another World’ you know you’re in for some wonderful sound: BIG, spacious, transparent, dynamic — you name it, this record pretty much has it all.

Night and Day is Joe Jackson’s Masterpiece. It’s simply WONDERFUL from start to finish. This is adult popular music that belongs in any serious thinking person’s record collection. Not many records from the ’80s sound as natural as this one. It’s analog, that’s for damn sure. (more…)

Led Zeppelin – Physical Graffiti

More of the Music of Led Zeppelin

  • This killer double album boasts roughly Nearly Triple Plus (A++ to A+++) sound or close to it on all FOUR sides – just shy of our Shootout Winner (side four actually won the shootout)
  • Transparency, the ability to see into the mix, and the other side of the vintage analog richness coin, is key to the better pressings of this album, as well as many of our other favorite Demo Discs
  • Of course the main attributes that set the better copies apart from the also-rans are size, energy, weight, vocal presence and an overall freedom from grit and grain, and we guarantee that this copy will do better in all of these areas than any you have ever heard
  • Marks and problems in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “Physical Graffiti captures the whole experience of Led Zeppelin at the top of their game better than any of their other albums.”
  • This is a Must Own title from 1975, a great year for rock and pop music

A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you turn up your volume .

If you’ve been waiting for a seriously powerful Kashmir experience, today is your lucky day. (more…)

Cat Stevens – Teaser & The Firecat

  • A Teaser and The Firecat like you’ve never heard, with solid Double Plus (A++) grades throughout this vintage Island Pink Rim pressing – fairly quiet vinyl too
  • Here are the sides that will rock your world with their size, richness, clarity and energy, the likes of which you may have never experienced on vinyl
  • A brilliant classic folk rock recording but only the right pressings have the potential for Demo Disc quality sound
  • 5 stars and a Top 10 album – in some ways it’s surely the Best Sounding record Cat Stevens ever made
  • This Folk Rock Masterpiece from 1971 is one that belongs in every audiophile’s collection
  • “Tuesday’s Dead,” “Morning Has Broken,” “Bitterblue,” “Moonshadow” “Peace Train” – and that’s just side two! What side of any album has five songs of such quality?

Before I get further into the sound of this record, let me preface my remarks by saying this is a work of GENIUS. Cat Stevens made two records which belong in the Pantheon of greatest popular recordings of all time. In the world of folky pop, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other recordings that are as good but there are no other recordings that are better.

When you hear The Wind, Changes IV, or If I Laugh on this copy, you will be convinced, as I am, that this is one of the greatest popular recordings in the history of the world. I don’t know of ANY other album that has more LIFE and MUSICAL ENERGY than this one. (more…)

Fleetwood Mac / Greatest Hits

More of the Music of Fleetwood Mac

  • With two solid Double Plus (A++) or BETTER sides, this vintage British import will be very hard to beat
  • Big, rich, energetic, with an abundance of analog Tubey Magic, this original Orange Label UK pressing has exactly the right sound for this music
  • “Oh Well, Parts One and Two,” “Black Magic Woman,” “Man of the World,” and the surprise Number One single “Albatross” are all here and guaranteed to blow your mind
  • Peter Green is hands down our favorite British Blues Guitarist of All Time – play this record and you will surely see why we feel that way
  • This is a lot of money for a somewhat noisy copy, but the sound is so awesome and quiet pressings of the album so hard to come by that we hope someone will take a chance on it and get the thrill we did from hearing it sound right for once
  • We’ve recently compiled a list of records we think every audiophile should get to know, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life.

If you’re a fan of Fleetwood Mac, this copy is guaranteed to blow your mind. Like all the best vintage British pressings, the sound is smooth, rich and full. This is Old School ANALOG, baby. They don’t make ’em like this anymore because they don’t know how to.

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Cat Stevens – Catch Bull At Four

More of the Music of Cat Stevens

  • An original UK Island pressing that was doing practically everything right
  • It’s bigger, more dynamic, more lively, more present and just plain more exciting than most of what we played
  • This British pressing can show you the sweeter, tubier Midrange Magic that is the hallmark of all the best Cat Stevens records
  • CBAF is an exceptionally well recorded album full of wonderful tunes, one that we feel should definitely be more popular with audiophiles
  • “Though some of the lyrics retain Cat’s fanciful imagery… he shows a new emotional directness, especially on side two, the albums ‘down’ side. This is reflected in Cat’s singing, which becomes more assured and more emotive with each album.” – Rolling Stone
  • This has been a title in which one stamper wins our shootouts for more than a decade, but this time around we found another stamper for side one, a pleasant surprise I must say

If you’re familiar with what the better Hot Stamper pressings of Tea for the Tillerman, Teaser and the Firecat or Mona Bone Jakon can sound like — amazing is the word that comes to mind — then you should easily be able to imagine how good the better copies of Catch Bull At Four sounds.

All the ingredients for a Classic Cat Stevens album were in place for this release, which came out in 1972, about a year after Teaser and the Firecat. His wonderful guitar player, Alun Davies, is still in the band, and Paul Samwell-Smith is still producing as brilliantly as ever.

There’s no shortage of deep, well-defined bass either, allowing the more dynamic songs to really come alive. The ones that get loud without becoming hard or harsh are the ones that tend to get everything else right at the lower volumes.

Tubey Magical acoustic guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

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