More Gerry Mulligan
- This early Verve Stereo pressing was doing practically everything right, with both sides earning stunning Nearly Triple Plus (A++ to A+++) grades – just shy of our Shootout Winner
- Huge space, size and clarity, with Tubey Magical richness befitting the 1960 recording dates of these sessions – the “big band” sound here is really jumping out of the speakers
- Problems in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
- “My idea is not so much that we are a big band with a small-band feel, but that we have a big-band feel in the way that a big band ought to be.” – Gerry Mulligan.
- “Mulligan stages a thrilling musical spectacle in which fierce rivalry, song-like harmony and refined counterpoint play the main roles.”
If you’ve never heard a good All Tube Recording of the baritone sax, buy this record — it will blow your mind!
Huge amounts of ambience fill out the space the extends from wall to wall (and all the way to the back wall of the studio), leaving plenty of room around each of the players.
Full-bodied sound, open and spacious, bursting with life and energy — these are the hallmarks of our Truly Hot Stampers. If your stereo is cookin’ these days, this record will surely be an unqualified Sonic Treat.
We guarantee that no heavy vinyl pressing, of this or any other album, has the kind of analog sound found here. (Or your money back.)
Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it.