An outstanding UK copy with solid Double Plus (A++) sound or close to it, and the first copy to hit the site in years – exceptionally quiet vinyl too
Bigger and bolder, with more bass, more energy, and more of that “you-are-there-immediacy” of ANALOG that set the best vintage pressings apart from reissues, CDs, and whatever else you care to name
4 1/2 stars: “… more than simply being a collection of good songs, it allowed Fairport to achieve its greatest internal balance, and indeed one of the finest balances of any major folk-rock group.”
The “haunting, ethereal” vocals of the lovely Sandy Denny (or Alexandra Elene McLean Denny as she’s listed on the sleeve) are sublime here. Some of you may recognize her voice from a ditty called ‘Battle of Evermore’, found on a grayish ’70s rock album that no one even bothered to give a name. Wonder what ever became of that group? No doubt by now their story is lost to the sands of time. I have to say I thought the music was pretty good though.
This vintage Island pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
The band’s very well-recorded third album is here, and this early British Island pressing is killing it, with stunning Nearly Triple Plus (A++ to A+++) sound throughout and reasonably quiet vinyl
A copy like this is a rare audiophile treat – here is the rich, warm, clear, natural and lively sound you want for Fairport Convention
A superb collection of songs, including two previously unreleased Bob Dylan tracks, as well as Sandy Denny’s first foray into songwriting, with the achingly powerful “Who Knows Where the Time Goes?”
5 stars: “Unhalfbricking was a transitional album for the young Fairport Convention, in which the group shed its closest ties to its American folk-rock influences and started to edge toward a more traditional British folk-slanted sound.”
TheseNearly White Hot Stamperpressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a fullrefund, no questions asked.
Hot stamper fans of Fairport Convention, British Folk Rock, Richard Thompson and the like should not expect to see another copy of this album for years to come. It took us a couple of years to get hold of enough clean copies with which to do this shootout, and the only quiet one with top quality sound was this very pressing.
Forget the dubby domestic LPs on A&M and whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – the early UK vinyl is the only way to fly on Unhalfbricking
The “haunting, ethereal” vocals of the lovely Sandy Denny are sublime here. Some of you may recognize her voice from a ditty called “Battle of Evermore,” found on a grayish ’70s rock album that no one even bothered to give a name. Wonder whatever became of that group? No doubt by now their story is lost to the sands of time. I have to say I thought the music was pretty good though.(more…)
This RARE Island Sunray British Import LP has Super Hot Stamper sound, full of the Tubey Magic you expect from a British Folk album in 1969 (and the unavoidable sonic shortcomings you should expect if you know much about this band and their records). It’s without a doubt the nicest copy we have ever seen, the acquisition of which was purely a matter of luck, as early pressings are virtually impossible to find in anything but beat-to-death condition. (more…)
One of the better Simply Vinyl recuts. We haven’t played a copy of it in years, but back in the day we liked it, so let’s call it a “B” with the caveat that the older the review, the more likely we are to have changed our minds. Not sure if we would still agree with what we wrote back in the ’90s when this record came out, but here it is anyway.
“This 180 gram LP comes recommended, with very good English sound (smooth, rich) for this early Richard Thompson folk music, with the wonderful Sandy Denny on vocals. Happily, not your standard audiophile fare.”
A 5 Star Rave Review in the All Music Guide!(more…)