Two rare Donald Byrd albums in one, both with outstanding Double Plus (A++) sound or BETTER on all sides – exceptionally quiet vinyl too
The Tubey Magic is fully intact, making these two albums sound just the way 1956 RVG jazz should
Composed of two superb LPs, 2 Trumpets and The Young Bloods, these wonderful pressings capture some of Byrd’s best sound
“Art and Donald are in fine form, and if there is any competition it serves only to increase the musical yield.”
“… These blowing sessions (typical of Prestige’s albums of the 1950s) have their enjoyable moments with Farmer and Woods taking overall solo honors.
This reissue is spacious, open, transparent, rich and sweet. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s in this case. We are of course here referring to the good modern mastering of 40+ years ago, not the generally opaque, veiled and lifeless mastering so common today.
The combination of old and new works wonders on this title as you will surely hear for yourself on both of these superb sides.
We were impressed with the fact that these pressings excel in so many areas of reproduction. What was odd about it — odd to most audiophiles but not necessarily to us — was just how rich and Tubey Magical the reissue can be on the right pressing.
This leads me to think that most of the natural, full-bodied, lively, clear, rich sound of the recording was still on the tape decades later, and that all that was needed to get that vintage sound on to a record was simply to thread up the tape on the right machine and hit play.
The fact that practically nobody seems to be able to make a record nowadays that sounds remotely this good tells me that I’m wrong to think that such an approach tends to work, if our experience with hundreds of mediocre Heavy Vinyl reissues is relevant.
Black Pearls returns to the site with STUNNING Shootout Winning Triple Plus (A+++) sound from first note to last
It takes us years to find a copy that plays as quietly as this one, and since this is the only one that took Top Honors, it will be quite a while before another of its kind comes our way
It’s big, lively, tubey, present and very transparent – nothing we played could compete with it
A great Rudy Van Gelder recording that hits a whole ‘nother level on a copy that was mastered and pressed as well as this one
4 stars: “. . . Black Pearls indeed captures Coltrane at the height of perfecting the intense volley that would garner the name “sheets of sound.”
A killer copy of this wonderful 1958 Coltrane recording (released in 1964), unbeatable on either side! We heard one that blew us away a few years big, so we picked up a bunch more and finally had the chance to evaluate them. The music was always enjoyable, but on a copy like this things really get going. Coltrane is joined here by Donald Byrd, Red Garland, Paul Chambers and Art Taylor — a top lineup, the same crew behind the great Lush Life.
The sound here is wonderfully natural and clear. You get incredible presence, impressive transparency, real size and space between the players. It’s also amazingly rich and full-bodied with lots of energy. Most of the copies we’ve collected didn’t come close, so if you’re looking for some late ’50s Coltrane magic, this is the hot ticket right here!(more…)
The Riverside pressings we’ve auditioned of both The Thelonious Monk Orchestra – At Town Hall and Thelonious Monk Quartet Plus Two – At The Blackhawk were just awful sounding. The OJC reissues from the ’80s, although better, were not overflowing with the rich, natural, relaxed sound we were looking for either.
Ah, but a few years back we happened to drop the needle on one of these good Milestone Two-Fers. Here was the sound we were looking for and had had so little luck in finding.
Which prompts the question that should be on the mind of every audiophile: What are the rules for collecting records with the best sound quality?
The answer, of course, is that there are no such rules and never will be.
There is only trial and error. Our full-time staff has been running trials — we call them shootouts and needle drops — for more than twenty years now, with far more errors than successes. Such is the nature of records. It may be a tautology to note that the average record has mediocre sound, but it nevertheless pays to keep that rather inconvenient fact in mind.
Even worse, if you make the mistake of pinning your hopes on a current reissue — and you unfortunately find yourself a member of that small minority of audiophiles with reasonably high standards and two working ears — your disappointment is almost guaranteed.(more…)
Fancy Free makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from top to bottom
The overall sound here is Tubey Magical, lively and clear, with three-dimensionality that will fill your listening room from wall to wall
Credit must go to Rudy Van Gelder once again for capturing the jazz energy and performance space of this superbly sympathetic ensemble
“1969’s Fancy Free marked the beginning of Donald Byrd’s move away from hard bop, staking out fusion-flavored territory… the rare Donald Byrd album that holds appeal for rare-groove fanatics and traditionalists alike.”
If you’re ready to take a mindblowing jazz fusion trip with sonics to match, you should definitely check this one out.(more…)
Tjader’s 1965 Latin Cool Jazz release – dubbed “Mambo Without a Migraine” – arrives with Shootout Winning Triple Plus (A++) sound throughout
Rich, smooth and Tubey Magical, this pressing was simply bigger, livelier and more palpable than any of the other copies we played
Superb engineering by Rudy Van Gelder – Soul Sauce features jazz legends Kenny Burrell, Donald Byrd, and Jimmy Heath
4 stars: “Soul Sauce is one of the highlights from Tjader’s catalog with its appealing mixture of mambo, samba, bolero, and boogaloo styles… he dodged the “Latin lounge” label with an album full of smart arrangements, subtly provocative vibe solos, and intricate percussion backing.”
Donald Byrd’s 1975 release makes its Hot Stamper debut with outstanding Double Plus (A++) sound from top to bottom
Byrd’s trumpet sounds wonderful here, with just the right amount of bite – credit must go to Val Garay and Dave Hassinger (among others), two of our favorite engineers working at The Sound Factory
4 stars: “… maybe some of those who sniffed at the straightforward nature of some of the rhythms and riffing were won over by the supreme layering of the many components (the way in which “Think Twice” lurches forward, peels back, and gathers steam is nothing short of heavenly), not to mention some deeply evocative playing from Byrd himself.”
Incredible sound throughout for this later Blue Note pressing with both sides earning Shootout Winning Triple Plus (A+++) grades
Both of these sides are clean, clear and natural sounding with a lovely bottom end and lots of space around all of the players
Exceptionally quiet vinyl throughout — Mint Minus to Mint Minus Minus
Donald Byrd’s transitional sessions from 1969-1971 are actually some of the trumpeter’s most intriguing work, balancing accessible, funky, Davis-style fusion with legitimate jazz improvisation. Electric Byrd, from 1970, is the best of the bunch, as Byrd absorbs the innovations of Bitches Brew and comes up with one of his most consistent fusion sets of any flavor… indisputably challenging, high-quality fusion.” – 4 1/2 Stars