These are just some of the recordings of the music of Edvard Grieg that we’ve auditioned and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place on our site, in your collection, and may even belong in our Hall of Shame.
A Free Service provided to the Audiophile Public, courtesy of Better Records.
We recently gave the Heavy Vinyl pressing from Speakers Corner, the same one that we had previously recommended back in the ’90s, a sonic grade of C+ in our current Heavy Vinyl Scorecard section. To our ears now it has many more shortcomings than it did back then, which we discuss below.
So often when we revisit the remastered pressings we used to like on Heavy Vinyl we come away dumbfounded — what on earth were we thinking? These are not the droids sounds we are looking for. Perhaps our minds were clouded at the time. (more…)
This is an EXCELLENT SOUNDING London pressing of the famous TAS list LP. I’ve never heard a quieter copy. Usually these are noisy as hell and this one plays dead quiet most of the time, and Mint Minus the rest.
HP was right: the Grieg here has the best sound. The piano is amazingly well recorded; the sound is rich and powerful. The orchestra sound better on the Grieg as well; it’s slightly more compressed and leaner on the Schumann side.
This is an original Mercury LP with an AMAZING sound and EXTREMELY quiet vinyl! This has got that Mercury LIFE to it! The sound may be slightly on the dry side, but all the instruments have wonderful texture and tonality.
And of course, this is music that belongs in any collection. It’s some of the greatest and most accessible classic music ever written. (more…)
Fiedler is wonderful here, which is to be expected. What’s unusual about this Red Seal is how good the sound is. It’s extremely transparent and tonally correct. It sounds to me like a flat transfer. Some tubey colorations would be nice, especially in the louder passages. The sound also lacks a bit of weight in the bottom end. But these faults are mostly made up for by the tremendous clarity and freedom from distortion that this pressing has. I doubt if the Shaded Dog has those qualities.
This is an EXCEPTIONALLY GOOD SOUNDING Shaded Dog pressing with fairly quiet vinyl. What’s surprising about this is how transparent and low distortion it is. Just as with Destination Stereo (LSC 2307), the excerpts here frequently sound better than they do on the original complete performances. Rubinstein’s piano is solid and clear sounding, which is rarely the case, especially for his Beethoven concertos. Those almost never sound good, but the excerpt here for Concerto #3 is excellent.
This is overall the best sounding pressing of the Fjeldstad / LSO we have ever played, with BETTER than Super Hot Stamper sound on both sides. For those of you who know your Londons, when you see the label on this LP you will no doubt be shocked: This is the last pressing in the world that one would expect to sound good.
Of course we here at Better Records don’t give a sh*t about any such conventional wisdom / collector bias. We like audiophile quality sound and we don’t give a damn where we find it. Up against the competition this copy was superb in practically every way, excelling with orchestral size, weight and energy like virtually no other.
This is to be expected from a recording of its renown. What was not to be expected was the actual pressing that delivered those sonic qualities
We’ve loved the Blueback pressings in the past; this time not so much (too crude and opaque with jello for bass.(more…)
The strings are RICH in the best Living Stereo tradition, but unlike so many classical pressings we play, the tubey magical string tone comes with virtually no tube smear. The textures and overtones are fully intact. This side may in fact be pretty much as good as it gets; we don’t have enough copies to know just how good the recording can be, but it can’t be too much better than this, because this side puts most Golden Age classical recordings to shame.
This side one earned a grade of A++ (or better).
Side two, which contains the third movement of the Grieg and the complete Liszt Piano Concerto no. 1, is not quite as rich as we would have liked. It’s cut lower than side one, so turn up the volume if you want it to come to life. It’s also not nearly as transparent. We grade it about A Plus — a step up over the average Shaded Dog but not the equal of this wonderful side one.(more…)