Since when did Concord learn to make a record that sounds as good as this one, with inspired, energetic performances from this solid group of veterans of the jazz wars no less.
Where is the typical Concord sub-gen, opaque, closed-in, compressed and lifeless sound we’ve been hearing all our lives? This is one jazz label that has done almost nothing of any real interest from the very start, and yet somehow they not only managed to get Gene Harris and his band of All Stars to play with tremendous enthusiasm and skill, they actually managed to capture, with considerable fidelity I might add, the prodigious big band energy they produced onto a reel of analog tape. I wouldn’t have believed it if I hadn’t heard it with my own two ears.
Not only is the sound EXCELLENT, but the big band really swings. They pull out all the stops. Gene Harris, one of my favorite pianists, leads an all star crew on a series of tracks performed in the spirit of Count Basie. Not a slavish recreation, but an inspired performance in his style. This has to be one of the best sounding Concord records I’ve ever heard. Without a doubt one of the real sleepers from that label.(more…)
April in Paris makes its Hot Stamper debut with outstanding Double Plus (A++) sound fon this vintage mono pressing
This pressing showed us the sound we were looking for – big, bold, full-bodied mono, the kind they knew how to record in 1957
Here is the MIDRANGE MAGIC that’s surely missing from whatever modern reissue has been made from the 60+ year old tapes (or, to be clear, a modern digital master copied from those tapes)
5 stars: “April in Paris is one of those rare albums that makes its mark as an almost instant classic in the jazz pantheon… The title track has come to define elegance in orchestral jazz… Recorded in 1955 and 1956, April in Paris proved Count Basie’s ability to grow through modern jazz changes while keeping the traditional jazz orchestra vital and alive.”
Torme’s 1962 release makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
This is not one of Mel’s better known albums, but we found it to be prime Velvet Fog, right up there with the best of his work auditioned to date – if you haven’t heard the man in his prime, this would be a great place to start
Val Valentin did the engineering – as he often did over the course of his long and storied career, he knocked this one out of the park
4 1/2 stars: “Recorded with the Johnny Mandel Orchestra at sessions in Los Angeles, it includes one half Duke Ellington and one half Count Basie… With all these things going for it, how can Tormé do wrong?”
*NOTE: A small mark in the middle of track 3, I Like The Sunshine, makes 12 moderate pops.
Sometimes the copy with the best sound is not the copy with the quietest vinyl. The best sounding copy is always going to win the shootout, the condition of its vinyl not withstanding. If you can tolerate the problems on this pressing you are in for some killer Mel Torme music with exceptional sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.
The sound of this superb jazzy ensemble is big, lively, open and clear, with Tubey Magical richness you will not find anywhere but on these early Verve stereo LPs.
Why is that? Well, for starters, this vintage pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.(more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
This double album presents Sinatra and Basie at the height of their powers, in a setting especially conducive to both men’s music, the big room at the Sands Hotel in Vegas. If you missed it — and I’m sure most all of us did — here’s your chance to go back in time and be seated with the beautiful people, front row center. This two disc all tube-mastered analog set is practically the only way you’ll ever be able to hear the greatest vocalist of his generation — in his prime no less — performing with one of the swingingest big bands of the time.
There is some edge on Sinatra’s voice on every side of every copy; it’s so common it’s got to be on the tape. Those copies with less edge and grit on the vocals that are at the same time not overly smooth or dull tend to do very well in our shootouts.(more…)
Another amazingly well recorded Count Basie album, and this one is killer with Triple Triple grades. It’s bigger, more solid and rich, with extension on both ends of the frequency spectrum that no other copy could match. First time on the site – a great session with a fresh sound for Basie, with Milt Jackson on vibes and Joe Pass on guitar.
I was not familiar with this record until recently. We pick up all the Pablo Basie titles we can get our hands on, and when we needle dropped a copy of this album we were amazed at the sound. Don’t know much about the engineer but he did a great job at Kendun for this session.
This was the first of a series of smaller ensemble recordings under the heading of Kansas City. We have more coming, including the superb Kansas City piano trio album entitled “For the Second Time” with Louis Bellson and Ray Brown, a record that can have superb sound on the Pablo pressing (but steer clear of the OJC which is thin and opaque, the opposite of the sound you want).(more…)
It’s pretty good. Compressed and veiled, but the tonality is correct. I give it a B. It will beat the vast majority of reissues, which tend to be thin, gritty, and woefully lacking in Tubey Magic. And the vinyl will be quiet, which is something not many of the best pressings can offer.
But who wants to listen to a B grade record when we you can buy A and A+ pressings from us?(more…)
Side two of this wonderful Basie Peterson record has nearly White Hot Stamper Demo Disc sound — jazz records don’t get a whole lot bigger, clearer or more full-bodied. Man, that is the sound of glorious ANALOG. A++ to A+++ is our conservative grade. It might be worth the full Three Pluses but we just can’t find enough copies to know if this side could get any better. There is not a single critical comment of any kind in the notes, so that ought to tell you that you are in for a real sonic treat with this side two. (more…)
A KILLER sounding copy with Triple Plus (A+++) sound from the first note to the last
These side are doing it all right — big, rich and Tubey Magical yet still clean, clear and present with lovely breathy vocals
“It Might as Well Be Swing, was a more structured, swing-oriented set than Sinatra-Basie, and in many ways the superior album… , what makes [it] more successful is the consistently high level of the performances. On their previous collaboration, both Sinatra and Basie sounded a bit worn out, but throughout this record they play with energy and vigor.”
With two seriously good Double Plus (A++) sides, this copy was one of the best we played in our recent shootout – fairly quiet vinyl too
A Top Basie Big Band title in every way – musically, sonically, you name it, this album has got it going on!
This is the way it must have sounded in 1976, in the New York studios where the famous RCA engineer Bob Simpson was still behind the board
4 stars: “This is one of Count Basie’s best big-band studio recordings for Norman Granz during his Pablo years. The arrangements by Bill Holman are both challenging and swinging, containing enough surprises to make this session a real standout.”
On the best pressings, the horns are so present and high-rez, not to mention full-bodied, this could easily become a favorite big band album to demo or test with — or just to enjoy the hell out of.
I never noticed until just now that the album cover picture for Farmer’s Market Barbecue and this album are exactly the same! Wow, Pablo, that takes balls.(more…)