Demo Discs for Dynamics

Caldera – Carnavalito! Louder Is Better

Records You Can Buy that Sound Best on Big Speakers at Loud Levels

Carnavalito is a track that really comes ALIVE when you Crank Up the Volume. I played it FULL BLAST on two different occasions for audiophile friends of mine just to show them what happens when a Big Speaker Stereo meets a Large Scale Recording with absolutely AMAZING audiophile quality sound — BIG and BOLD, wall to wall and then some!

It’s my favorite track not only for the album as a whole but for the band’s entire recorded output. It just doesn’t get any better than this if you have the system for it.

Hearing the megawatt energy in the section when the soprano saxophonist jumps in, right into an ongoing orgy of wild percussion, who then proceeds to blow his brains out — now that is a thrill beyond belief. Played REALLY LOUD it’s about the closest to The Real Thing, the Live Event, that you will ever hear in your living room. (Unless you have a very large living room and lots of latin jazz musician friends.)

Even a year ago there was no way I could get that music to play that LOUD, that CLEANLY, and that tonally CORRECT, from the deepest bass to the highest highs, with the wild swings in dynamics that the recording captures so well. The Audio Revolution Is Alive and Well and making progress all the time. It’s never too late to join in the fun.

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10cc – Deceptive Bends

More 10cc

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A Demo Disc for Bass

A Demo Discs for Dynamics

A Demo Discs for Energy

  • With outstanding Double Plus (A++) sonic grades on both sides, this huge, lively copy of Deceptive Bends will be very hard to beat – exceptionally quiet vinyl too
  • A longstanding member of our Top 100 – it’s one of the most DYNAMIC, ENERGETIC, well recorded pop albums we know of
  • “Eric Stewart and Graham Gouldman kept the group alive and turned in a surprisingly solid album with 1977’s Deceptive Bends. It may lack the devil-may-care wackiness that popped up on previous 10cc albums, but it makes up for it by crafting a series of lush, catchy pop songs that are witty in their own right. All in all, Deceptive Bends is the finest achievement of 10cc’s post-Godley and Creme lineup and well worth a spin for anyone who enjoyed Sheet Music or The Original Soundtrack.”

This is an AMAZINGLY WELL RECORDED album, a record I would have no problem ranking in the Top Rock Recordings of All Time! We’re tough graders on this album because we know how good it can sound, which is SHOCKINGLY GOOD. (more…)

Thelma Houston – I’ve Got The Music In Me

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  • This Sheffield direct-to-disc pressing boasts outstanding Double Plus (A++) sound or BETTER from start to finish – fairly quiet vinyl too
  • Loads of presence, with richness and fullness that showed us just how good the Direct to Disc medium at its best can be. It had everything going for it from top to bottom, with big bass, dynamics, clarity, top end extension (so silky up there!) and ENERGY
  • Make no mistake, this here is a real Demo Disc. The sound is Wall to Wall!
  • Unlike most Direct to Disc recordings this album actually contains real music worth listening to

In our recent Shootout this wonderful pressing sounded far better than most other copies we played. It fulfills the promise of the direct to disc recording approach in a way that few direct to disc pressings do. To be honest, most copies of this title were quite good. Few didn’t do most things at least well enough to earn a Hot Stamper grade. This has not been the case with many of the Sheffield pressings we’ve done shootouts for in the past. Often the weaker copies have little going for them. They don’t even sound like Direct Discs!

Some copies lack energy, some lack presence, most suffer from some amount of smear on the transients. But wait a minute. This is a direct disc. How can it be compressed, or lack transients? Aren’t those tape recorder problems that are supposed to be eliminated by the direct to disc process?

“Supposed to be eliminated” is a long way from “were eliminated.” Even though the mastering is fixed at the live event, there are many other variables which affect the sound. The album is pressed in three different countries: the United States, Japan and Germany. Many mothers were pulled from the plated acetates (the “fathers”) and many, many stampers made from those mothers.

Bottom line? You got to play ’em, just like any other record. If no two records sound the same, it follows that no two audiophile records sound the same, a fact that became abundantly clear very early on in the listening. Of course not many audiophiles are in a position to shootout eight or ten copies of I’ve Got The Music In Me, and I’m not sure most audiophiles would even want to. Here at Better Records we have a whole system set up to do exactly that, so we waited until we had a pile of them gathered together, cleaned them all up, and off to the races we went. (more…)

Sergei Prokofiev – Scythian Suite and Lt. Kije / Abbado

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  • You’ll find Shootout Winning Triple Plus (A+++) sound on both sides of this superb pressing – mostly quiet vinyl too
  • This wonderful LP boasts our favorite performances for both of these popular 20th century works
  • Big, clear, present and transparent, with a HUGE bottom end, this is some Demo Disc sound all right
  • When the brass is the way it is here – rich and clear, not thin and shrill – you have yourself a top quality DG pressing

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Bonnie Raitt / Sweet Forgiveness – Bonnie’s Best?

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  • With a nearly Triple Plus (A++ to A+++) side one and a seriously good Double Plus (A++) side two, this copy will be very hard to beat – exceptionally quiet vinyl too
  • Full-bodied and warm, with harmonically rich guitars as well as real immediacy to Bonnie’s heartfelt vocals, this is the classic sound of Seventies Rock
  • The sound is big, bold, clear, rich and dynamic, which wouldn’t mean anything if the music weren’t good, but this actually happens to be Bonnie’s best album in our opinion, with Home Plate a close runner-up

I learned recently that Jack Haeny is one of the two engineers on this album, which goes a long way toward explaining the excellent ’70s analog sound. He worked on The Pretender, Don’t Cry Now, and many of the early and quite wonderful sounding albums Judy Collins did for Elektra in the earlier part of the decade. This guy knows sound.

(A good copy of The Pretender is an amazing Demo Disc that will put 99% of all the rock records you’ve ever played to shame. But the truly Hot Stamper pressings are few and far between, so most audiophiles have no idea how well recorded that album is. The piano is HUGE.) (more…)

Santana / Abraxas – A True Demo Disc in the World of Rock Recordings

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  • Abraxas UNBOUND – this “Triple Triple” (A+++) copy has two mindblowing sides – at loud volumes it’s like Live Music in your very own listening room – exceptionally quiet vinyl too
  • When a record is this tonally correct, huge, powerful and energetic, the music has power you never imagined
  • AMG gives it 5 stars for its music, and we call it a Top 100 Demo Disc – the blistering solos that soar into the huge space of the studio on pressings like this
  • “America was never the same after Carlos Santana discovered the smoldering Afro-Cuban magic of Tito Puente. A sinuous cha cha cha that sounds as if it had been waiting for Santana’s soulful guitar licks to reinvent it, the Puente-penned “Oye Como Va” became the pillar of U.S. Latin rock.”

This copy is smooth, sweet, rich, full-bodied, and SUPER dynamic. The vocals are shockingly present and clear, with breath and body like nothing you have ever heard. Just listen to all that room around the drums!

The sound is transparent, open, and spacious, with life and rhythmic energy to spare. The bass is deep, tight, and note-like, exactly what this music needs to REALLY ROCK!

Both sides have an exceptionally big soundfield, which opens up and allows you to appreciate all of the players’ contributions. That’s a BIG deal for this music. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better than Abraxas.

Abraxas Rocks

This is a true Demo Disc in the world of rock records. It’s also one of those recordings that demands to be played LOUD. If you’ve got the the big room, big speakers, and plenty of power to drive them, you can have a LIVE ROCK AND ROLL CONCERT in your very own house.

When Santana lets loose with some of those legendary monster power chords — which incidentally do get good and loud in the mix, unlike most rock records which suffer from compression and “safe” mixes — I like to say that there is no stereo system on the planet that can play loud enough for me. (Horns maybe, but I don’t like the sound of horns, so there you go.)

You may have heard me say this before, but it’s important to make something clear about this music. It doesn’t even make sense at moderate listening levels. Normal listening levels suck the life right out of it. You can tell by the way it was recorded — this music is designed to be played back at LOUD levels, and anything less does a disservice to the musicians, not to mention the listener, you. (more…)

Supertramp – Breakfast In America

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  • With outstanding Double Plus (A++) grades or BETTER on both sides, this copy is guaranteed to have the best sound you have ever heard for Breakfast in America
  • A truly superb recording with huge, spacious, dynamic, lively sound – Tubey Magical richness is a big plus too  
  • A Top 100 title and True Demo Disc – turn it up and this recording gets LOUD like nothing you have ever experienced
  • 4 1/2 stars: “The majority of the album consisted of tightly written, catchy, well-constructed pop songs, like the hits ‘The Logical Song,’ ‘Take the Long Way Home,’ and ‘Goodbye Stranger.'”

We just conducted another shootout for Breakfast, the band’s biggest charting success, and once again we were blown away by just how good the best copies can sound – huge, spacious, punchy sound we can never get enough of around here. If you have big speakers a great copy will blow your mind, and it will probably blow your mind even if you don’t.

We are not the least bit ashamed to say that we LOVE this album here at Better Records, and a copy like this will certainly help to show you why. Drop the needle on Gone Hollywood, The Logical Song or Take The Long Way Home to hear how powerful this music can sound when you have a great pressing.

Most copies of this record are grainy, thin, shrill and aggressive. When you get a Hot Stamper like this one the highs are sweet and silky. This recording has plenty of top end, so if the highs aren’t correct it pretty much ruins the sound of the record. (more…)

Jethro Tull – Thick As A Brick

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  • This superb copy of Thick As A Brick offers outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
  • A Top 100 title and the BEST SOUNDING ALBUM Jethro Tull ever recorded – allow us to make the case
  • A stunning Demo Disc to Rule Them All — sure to be the best you’ve ever heard Tull sound if you have the system for it
  • 4 1/2 stars: “A masterpiece in the annals of progressive rock – a dazzling tour de force, at once playful, profound, and challenging, without overwhelming the listener.”

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Queen – A Night at the Opera

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  • This stunning copy of Queen’s Masterpiece boasts Shootout Winning Triple Plus (A+++) sound from start to finish
  • Both sides are exceptionally quiet – this is some of the best sound and quietest vinyl we have ever heard for the album
  • HUGE with WHOMP like nothing you have ever heard – finally, the code has been cracked (but the right British pressings are sure hard to find)
  • 5 stars: “But the appeal of A Night at the Opera is in its detailed, meticulous productions. It’s prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else.”

Although we wish it were not the case, for some reason it’s unusually difficult to find good-sounding Queen albums, which is why you rarely see most of their better titles on the site. (News of the World and The Game are exceptions to that rule; they’re much easier to find with good sound, especially The Game.)

Not to worry. We’ve done our homework (which simply involves finding, cleaning and playing a big stack of British pressings from different eras) and found you the copy that has all of the Queen Magic you heard in your head (and only in your head) while Bohemian Rhapsody was playing on the radio.

Here’s the pressing that finally can let you hear that BIG, BOLD sound in your very own listening room. You can even play it for your audiophile friends now. (more…)

The Turn Up Your Volume Test – Blood Sweat and Tears

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

 

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In my opinion this is the BEST SOUNDING rock record ever made. I may be biased because I like the music so much, but played on a Big Speaker System a Hot Stamper pressing is nothing less than ASTOUNDING, the ultimate Demo Disc. It has the power of LIVE MUSIC.

You don’t find that on a record too often, practically never in fact. I put this record at the top of The Best Sounding Rock Records of All Time link (seen on the left) and said it was in a class of its own for good reason — IT IS IN A CLASS OF ITS OWN.

As I’ve noted before, this record is a milestone in the history of popular music. Not only is it The Most Successful Fusion of Rock and Jazz Ever. It’s also One of the Finest Recordings of Popular Music Ever.

The sound is nothing short of amazing. Just the drums alone are enough to win awards: the kick drum has real kick, the snare may actually be the best rock snare ever recorded, the cymbals shimmer like real cymbals; almost everything is right with this record. Especially the music.

Good Demo Disc, Good Test Disc Too

This is the kind of record that doesn’t fall into the “Good Demo Disc, Bad Test Disc” trap. It’s both a good Demo Disc and a good Test Disc; not too many records can make that claim. (Especially the kinds of records audiophiles tend to like.) The good copies of this album sound good on almost any system. But the better systems reveal qualities to this recording that you are very unlikely to have ever heard on another record. That’s the Demo side.

On the Test side, no matter what level your system is at, any change you make will be instantly obvious on this recording, for good or bad. Nothing can fool it. It’s too tough a test, the toughest I know of bar none. For this record to sound right, truly right, every aspect of its reproduction has to be at the highest level. Any shortcoming will be glaringly obvious. The record may still sound good, but it won’t really sound right. (Knowing what “right” means in this context makes all the difference in the world of course.)

If you want to improve your stereo, this is the record that will show you whether or not you’re making progress. (more…)