Demo Discs for Dynamics

Mussorgsky et al. / Danse Infernale / Fiedler – Our Favorite Night On Bald Mountain

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  • Shootout Winning Triple Plus (A+++) grades on both sides make this the consistently best sounding batch of Orchestral Showpieces we have ever played
  • After a two year hiatus, our favorite performance of Night on Bald Mountain is back, and it’s guaranteed to blow your mind (and maybe a woofer or two)
  • Side one also boasts an excellent Danse Macabre, with a powerful finish that may remind you of the thrill of live orchestral music
  • Side two contains a wonderfully exciting Sorcerer’s Apprentice
  • Both sides are clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Watch your levels – this pressing is dramatically more DYNAMIC than most Golden Age recordings

If you like Orchestral Spectaculars, have we got the record for you!

This pressing clearly has DEMONSTRATION QUALITY SOUND — not in every way, but in some important ways. The ENERGY of both the sound and the performances of these barnburning showpieces is truly awesome. Fiedler brings this music to LIFE like no other conductor we have heard.

This pressing boasts relatively rich, sweet strings, especially for a Deutsche Grammophon LP. Both sides really get quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy (and the reason it is so hard to find a copy that plays better than Mint Minus Minus. We do have a quieter copy with lower grades if you are interested though.) (more…)

Lincoln Mayorga & Distinguished Colleagues – Volume III – The Best Sounding Copy We’ve Ever Heard

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  • A KILLER copy with DEMO DISC Shootout Winning QUADRUPLE Plus (A++++) sound on the second side and Triple Plus (A+++) sound on the first
  • This Limited Edition Sheffield Lab Direct Disc recording has some of the best sound we have ever heard for this title
  • It doesn’t get any better than this, with CLARITY and that JUMP OUT OF THE SPEAKERS quality we desire from a Hot Stamper
  • Many copies of this album tend to sound a bit thin and somewhat bright; on this copy, the sound is rich, full, and tonally correct from top to bottom and the horns sound especially wonderful

Please note: we award the Four Plus A++++ grade so rarely that we don’t have a graphic for it in our system to use in the grading scale shown above. So the side two here shows up on the chart as A+++, but when you hear this copy you will know why we gave it a fourth plus!


What do Hot Stampers give you for this album? It’s very simple. Most copies of this album are slightly thin and slightly bright. They give the impression of being very clear and clean, but some of the louder brass passages start to get strained and blarey. This copy is rich and full. The sound is balanced from top to bottom. You can play it all the way through without fatigue.

Trumpets, trombones, tubas, tamborines, big bass, drums — everything has the true tonality and the vibrancy of the real thing. The reason this record was such a big hit in its day because the recording engineers were able to capture that sound better than anybody else around. That’s also the reason this is a Must Own record today — the sound holds up!

Just listen to that amazing brass choir on Oh Lord, I’m On My Way. It just doesn’t get any better than that. If ever there was a Demo Disc, this is one! (more…)

Tsuyoshi Yamamoto – Misty – Reviewed in 2010

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This is a Factory Sealed 33 RPM Three Blind Mice 180g LP which comes highly recommended! This was the first Three Blind Mice recording I ever heard, over 20 years ago. A fellow audiophile who went on to become sort of an audio guru for me (George Louis) played me this record to demonstrate his stereo. It had to be the most dynamic piano recording I had ever heard in my life. 

Yamamoto likes to tinkle the keys very softly, and then really pound them. And the Three Blind Mice engineers were able to capture both the quiet tinkling because of the Japanese vinyl, and the full-on pounding because of the audiophile recording equipment they used. It was an ear-opening experience.

Over the course of the next year or two, I sold off my Fulton Premiers and my Audio Research Electronics, because no matter how hard I tried, I couldn’t get Misty to sound like it did at George’s house. I realized that it takes better equipment than those companies ever produced to get the sound of that record right, and that put me on, to quote Cat Stevens, ”the road to find out’.’ (more…)

Harry James & His Big Band – The King James Version

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  • This KILLER Sheffield pressing has insanely good Shootout Winning Triple Plus (A+++) sound from start to finish
  • Both sides here fulfill the promise of the direct to disc recording technology in a way that few – very, very few – direct to disc pressings can
  • Big Band energy and enthusiasm unlike any other copy we played, as well as the most natural sounding ambience of any copy in our shootout
  • This one has everything going for it from top to bottom, with big bass, dynamics, clarity, top end extension and more – it’s a real Demo Disc, make no mistake about it

On the best pressings, the horns are so lively and high-rez, not to mention full-bodied, this could easily become a favorite big band album to demo or test with — or just to enjoy the hell out of.

Unlike most Direct to Disc recordings, this album actually contains real music worth listening to — but only when the pressing lets the energy of the musicians through, with actual fidelity to the sounds of the real instruments. Brass without bite is boring. Drummers who are too delicate in their drumming will put you to sleep. (more…)

Steely Dan – Pretzel Logic – Our Four Plus Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

This BEYOND White Hot side one (A++++) has nothing less than MASTER TAPE SOUND. Our Four Plus ranking is rare enough, but in this case it has the added benefit of conferring upon this very pressing the status of the BEST SOUNDING STEELY DAN RECORDING we have ever heard.

There is no recording better in the Steely Dan catalog, and I don’t think there’s a copy anywhere that’s any better than this one. (more…)

Roxy Music – Roxy Music – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock Hall of Fame.

The legendary first Roxy Music album returns to the site in tip top White Hot Stamper form, boasting no less than an incredible A+++ White Hot Side Two coupled with a superb A++ Super Hot Side One! Folks, it doesn’t get much better than this!

In considering both music and sound, this is arguably the best record the band ever made. Siren, Avalon and Country Life are all musically sublime, but the first album has the kind of dynamic, energetic, POWERFUL sound that their other records simply never show us. And we’ve played them by the dozens, so there’s a pretty good chance we will never find copies with the abundant richness and power we found here. (more…)

War – Why Can’t We Be Friends?

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  • A stunning sounding copy and the best to hit the site in many years — Triple Plus (A++) sound throughout
  • Both sides here are incredibly lush, big and spacious with a huge bottom end, no smear and tons of energy
  • Extremely quiet for this title — Mint Minus to Mint Minus Minus
  • “Cut from the same cloth as the band’s 1973 Deliver the Word LP, War’s 1975 Why Can’t We Be Friends? is a masterpiece in its scope and breadth.” – All Music, 4 Stars

Low Rider sounds AWESOME on this one. This is the kind of record you can take to any stereo store or audiophile friend’s house and bring their stereos to their knees. Audiophile systems are rarely designed to play this kind of music at the levels it demands, but that doesn’t mean they shouldn’t be. Records like this are the challenge we audiophiles need to make our stereos even better. When the music is this good it’s worth the effort! (more…)

Thoughts on a Direct to Disc Recording – Side One Vs. Side Two

I’ve Got The Music In Me

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In our last shootout this White Hot Stamper tied for the best side two we have ever heard! In the final round it simply came down to the fact that the other copy was a little more clear, this one is a little richer. They were both so amazing we couldn’t decide which we preferred so we gave them both White Hot Stamper grades.

In our experience this rarely happens. Most of the time one side of one of the records in the shootout will show itself to be the clear winner, doing everything (or almost everything; there is no such thing as a perfect record) right. When you play enough copies, eventually you run into the one that shows you how the music wants to be heard, what kind of sound seems to work for it the best. The two side twos we liked were variations, and fairly subtle ones at that, on a theme — a little richer here, a little clearer there, but both SO GOOD!

Side two fulfills the promise of the direct to disc recording approach in a way that few — very few — direct to disc pressings do. To be honest, most copies of this title were quite good. Few didn’t do most things at least well enough to earn a Hot Stamper grade. This has not been the case with many of the Sheffield pressings we’ve done shootouts for in the past. Often the weaker copies have little going for them. They don’t even sound like Direct Discs! (more…)

Prokofiev / Lt. Kije / Abbado – Our Shootout Winner from 2011

More Sergei Prokofiev (1891-1953)

Lt. Kije / Abbado

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This German 33 RPM White Hot Stamper pressing of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to those found here. As this is my favorite performance of all time, with this kind of Demo Disc sound I cannot recommend the record any more highly. (more…)

Emmylou Harris – Pieces Of The Sky – Our Shootout Winner from 2014

More Emmylou Harris

Pieces Of The Sky

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This album has the real Country Sound, with plenty of top players sitting in on these sessions, musicians who know country music as well as anyone alive. The legendary guitarist for Elvis (and half the stars of Nashville), James Burton, lends a hand on Electric and Dobro. On vocals and guitar Herb Pederson, who still plays locally. (Together with Chris Hillman they put on a great show of old Country and Honky Tonk favorites. If they come to your town check them out.) Ricky Skaggs on fiddle, Billy Payne on piano, Bernie Leadon on banjo — no doubt a good time was had by all in the studio and that spirit of like-minded musicians who love this music comes through in the recording. 

The presence of the vocals here is startling — Emmylou is IN THE ROOM with you, belting out these heartfelt, emotional songs. If her voice here doesn’t give you chills, I don’t know what will!

Dynamic Vocals!

One quality we heard on this album really took us by surprise. The vocals are shockingly DYNAMIC — it’s almost as if Emmylou’s mic has no limiter on it at all. If there’s any compression on her track it is very very subtle, that’s for sure. (more…)