Top Artists – Al Kooper

Mike Bloomfield & Al Kooper – The Live Adventures Of…

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  • This Columbia 360 label pressing boasts outstanding Double Plus (A++) sound from first note to last – fairly quiet vinyl too
  • All FOUR sides here were doing everything right — clean, clear, spacious and present with a big bottom end, just the right sound for this raw live blues-rock music
  • Great material to be found here, including covers of well-known tracks by Paul Simon, The Band, and Traffic
  • 4 stars: “One of the seminal live albums of the late ’60s… The idea of musical spontaneity both in live performance and in the recording studio had reached a certain apex in 1968… But it was the union of Bloomfield and Kooper that can truly claim an origination of the phenomenon, and this album takes it to another level entirely.”

Outstanding sound for this double LP of superb live blues-rock! We rarely have a copy of this title on the site, so if you’re a fan of Super Session, you should jump on this one right away. There’s some great material to be found here, including covers of well-known tracks by Paul Simon, The Band, and Traffic. Some of the tracks here (recorded on the second night) feature none other than Carlos Santana!

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Bloomfield-Kooper-Stills – Super Session

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  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • Engineered by Roy Halee, the man behind one of the best sounding rock records of all time, the self-titled Blood, Sweat and Tears album, the oh-so-analog sound here is especially rich, dynamic and spacious
  • For fans of BS&T’s first album (and everybody else) Super Session is a Must Own – Season of the Witch is crazy good on this 360 LP
  • 4 1/2 stars: “This is one of those albums that seems to get better with age… This is a super session indeed.”

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Lynyrd Skynyrd – Pronounced ‘Leh-‘nérd…

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  • Amazing sound from start to finish with both sides coming in just shy of our big Shootout Winner — nearly White Hot (A++ to A+++) throughout
  • Both sides here are incredibly big, full-bodied and spacious with a punchy bottom end and tons of energy 
  • “The Allman Brothers came first, but Lynyrd Skynyrd epitomized Southern rock… Produced by Al Kooper, there are few records that sound this raw and uncompromising, especially records by debut bands… the band rocks like a motherf*cker. It’s the birth of a great band that birthed an entire genre with this album.” – All Music, 5 Stars

These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

This vintage original Sounds of the South/MCA yellow label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Bloomfield / Kooper / Stills – Super Session – A MoFi Winner

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Sonic Grade: B

Another MoFi LP reviewed.

Super Session is one of the best-sounding MoFi pressings. The midrange sounds wonderful — silky sweet and transparent. Not having been cut by Stan Ricker, the top end doesn’t have that SR/2 boost. Overall it’s a very nice sounding record, and the music just can’t be beat. 

Bob Dylan – Blonde On Blonde

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Blonde On Blonde

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  • With 10.5 pluses out of a possible 12, this copy was one of the best we heard in our recent shootout — exceptionally quiet vinyl too  
  • You won’t believe how big, rich and full this album can sound on a copy this good
  • Includes tons of quintessential Dylan classics: Rainy Day Women, I Want You, Just Like A Woman, and more – they all sound phenomenal
  • 5 stars: “Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play… It’s the culmination of Dylan’s electric rock & roll period — he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.”

It takes a properly mastered, properly pressed copy like this one to get both Dylan’s voice and harmonica — two of the most critically important elements on any of his recordings — to sound smooth, full-bodied and clear. Any pinched quality will be painfully obvious to the listener, and for that shortcoming you lose a lot of points here at Better Records. That said, upper-midrangy sound on any vintage Dylan record to one degree or another is almost always audible. The less the better, but none is really not an option. (more…)

Letter of the Week – Child is Father to the Man “it’s mind blowing!”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I just received my shipment and played Blood Sweat and Tears – it’s mind blowing! Exquisite and pristine with no surface noise.

Absolutely worth it. 

Thanks

Sujay

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Bob Dylan – Blonde On Blonde and Some Bad Side Fours

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  • With outstanding Double Plus (A++) sound on all four sides, this was one of the better copies we heard in our most recent shootout – quiet vinyl too!
  • You won’t believe how big, rich and full this album can sound on a copy this good
  • Includes tons of quintessential Dylan classics: Rainy Day Women, I Want You, Just Like A Woman, and more – they all sound phenomenal
  • 5 stars: “Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. It’s the culmination of Dylan’s electric rock & roll period — he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.” 

This album is an essential addition to any Dylan collection, and we work hard to find worthy copies. It’s not easy. In fact, it’s tough to find great pressings of any of Dylan’s 60’s albums, really. It takes a well-mastered copy to get the vocals and the harmonica — key elements of course — to sound smooth, full-bodied and clear. Any pinched quality will be obvious to the listener. You lose a lot of points for that shortcoming here at Better Records. (more…)

Highway 61 Revisited – Not So Good on Sundazed in Mono

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Sonic Grade: D

Hall of Shame Pressing and another Sundazed record debunked.

I don’t think mono works for this album, so we never carried this pressing nor recommended it.

Here are some other records that we don’t think sound very good in MONO.

Here are some we think can sound amazing in MONO.

Listening in Depth to The Rolling Stones – Let It Bleed

 

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Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

Love In Vain on a copy like this is one of the best sounding Rolling Stones songs of all time. In previous listings I’ve mentioned how good this song sounds — thanks to Glyn Johns, of course — but on these amazing Hot Stamper copies it is OUT OF THIS WORLD. It’s also our favorite test track for side one. The first minute or so clues you into to everything that’s happening in the sound.

Listen for the amazing immediacy, transparency and sweetly extended harmonics of the guitar in the left channel. Next, when Watts starts slapping that big fat snare in the right channel, it should sound so real you could reach out and touch it. (more…)