Top Artists – Al Kooper

Mike Bloomfield & Al Kooper – The Live Adventures Of…

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  • All FOUR sides here were doing everything right — clean, clear, spacious and present with a big bottom end, just the right sound for this raw live blues-rock music
  • Great material to be found here, including covers of well-known tracks by Paul Simon, The Band, and Traffic
  • 4 stars: “One of the seminal live albums of the late ’60s… The idea of musical spontaneity both in live performance and in the recording studio had reached a certain apex in 1968… But it was the union of Bloomfield and Kooper that can truly claim an origination of the phenomenon, and this album takes it to another level entirely.”

Vintage covers for this album are hard to find in clean shape. Most of them have quite a bit of ringwear, some seam wear and some edge wear. If you are picky about your covers, we probably cannot supply you with a nice cover for this album, they are just too rare.

Outstanding sound for this double LP of superb live blues-rock! We rarely have a copy of this title on the site, so if you’re a fan of Super Session, you should jump on this one right away. There’s some great material to be found here, including covers of well-known tracks by Paul Simon, The Band, and Traffic. Some of the tracks here (recorded on the second night) feature none other than Carlos Santana! (more…)

Bob Dylan – Blonde On Blonde

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More Vintage Columbia Pressings

  • With outstanding Double Plus (A++) sound or BETTER on ALL FOUR sides, this 360 stereo pressing was one of the better copies of Blonde On Blonde we played in our last shootout
  • You won’t believe how big, rich and full this album can sound on a copy this good
  • Includes tons of quintessential Dylan classics: Rainy Day Women, I Want You, Just Like A Woman, and more – they all sound phenomenal
  • 5 stars: “Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play… It’s the culmination of Dylan’s electric rock & roll period — he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.”

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Blood, Sweat and Tears / Child Is Father to the Man – What to Listen For

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Reviews and Commentaries for Blood, Sweat and Tears

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At the end of a long day of listening at loud levels to multiple copies of this album you may want to run yourself a nice hot bath and light some candles. If you have an isolation tank so much the better.

You could of course turn down the volume, but what fun is that? This music wasn’t meant to be heard at moderate levels. Playing it that way is an insult to the musicians who worked so hard to make it.

The Right Balance

Every once in a while you hear a pressing in which the right balance has been struck, and this one clearly belongs to that group. It’s not perfect; you have to put up with a few rough patches to get the sound that serves most of the music properly. No copy will do it all; with this album the goal is to do the best you can.
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The Tubes – The Tubes

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  • An outstanding copy of The Tubes self-titled debut with solid Double Plus (A++) sound from start to finish
  • We guarantee the sound is dramatically bigger, richer, fuller, and livelier than any pressing you have ever heard
  • Their music is definitely not for everyone – I saw them live many years ago and they did put on one helluva show, but you have to be a fan of eccentric pop or none of it will make any sense
  • “Produced by Al Kooper, this debut by the notorious San Francisco group is best known for the blazing anthem “White Punks on Dope.” Although the Tubes’ raison d’être was their shock-rock stage dynamic, Bill Spooner, Fee Waybill, and company could, on occasion, deliver some offbeat pop splendor.

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Two Reviews of Child Is Father to the Man – Fremer Vs. Better Records – You Be the Judge

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Reviews and Commentaries for Blood, Sweat and Tears

In 2010 MF reviewed both the Sundazed and Speakers Corner Heavy Vinyl pressings of the album. I think his review is mistaken on a number of counts, and mostly unhelpful. The commentary below will discuss his errors in detail, in the hopes that you, dear reader, will not make the same mistakes yourself. 

He talks about his history with the album for a while, and then notes:

Anyway, the original “360 Sound” edition of this record sounds fantastic. It’s a high quality Columbia studio recording, with vivid harmonics, impressive transparency and dynamics, shimmering highs and tight extended bass. The soundstage is expansive and the images tightly presented. I’m not sure it can get much better than the original given how well-pressed Columbia records were in those days, especially if you have a clean original.

We, however, seem to hold precisely the opposite view. I quote from our review:

Why did it take us so long [to do a Hot Stamper shootout]? Let me ask you this: have you ever played this album? The average copy of this record is a sonic MESS. Even the best copies have problems.

We then go on to discuss in detail what most copies do wrong and what to listen for in order to find a copy that gets it right. (More on that later.) (more…)

Bloomfield-Kooper-Stills – Super Session

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  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • Engineered by Roy Halee, the man behind one of the best sounding rock records of all time, the self-titled Blood, Sweat and Tears album, the oh-so-analog sound here is especially rich, dynamic and spacious
  • For fans of BS&T’s first album (and everybody else) Super Session is a Must Own – Season of the Witch is crazy good on this 360 LP
  • 4 1/2 stars: “This is one of those albums that seems to get better with age… This is a super session indeed.”

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Lynyrd Skynyrd – Pronounced ‘Leh-‘nérd…

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  • Amazing sound from start to finish with both sides coming in just shy of our big Shootout Winner — nearly White Hot (A++ to A+++) throughout
  • Both sides here are incredibly big, full-bodied and spacious with a punchy bottom end and tons of energy 
  • “The Allman Brothers came first, but Lynyrd Skynyrd epitomized Southern rock… Produced by Al Kooper, there are few records that sound this raw and uncompromising, especially records by debut bands… the band rocks like a motherf*cker. It’s the birth of a great band that birthed an entire genre with this album.” – All Music, 5 Stars

These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

This vintage original Sounds of the South/MCA yellow label pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Bloomfield / Kooper / Stills – Super Session – A MoFi Winner

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Sonic Grade: B

Another MoFi LP reviewed.

Super Session is one of the best-sounding MoFi pressings. The midrange sounds wonderful — silky sweet and transparent. Not having been cut by Stan Ricker, the top end doesn’t have that SR/2 boost. Overall it’s a very nice sounding record, and the music just can’t be beat. 

Letter of the Week – Child is Father to the Man “it’s mind blowing!”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I just received my shipment and played Blood Sweat and Tears – it’s mind blowing! Exquisite and pristine with no surface noise.

Absolutely worth it. 

Thanks

Sujay

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Reviews and Commentaries for Child Is Father to the Man

Bob Dylan – Blonde On Blonde and Some Bad Side Fours

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More Blonde On Blonde

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  • With outstanding Double Plus (A++) sound on all four sides, this was one of the better copies we heard in our most recent shootout – quiet vinyl too!
  • You won’t believe how big, rich and full this album can sound on a copy this good
  • Includes tons of quintessential Dylan classics: Rainy Day Women, I Want You, Just Like A Woman, and more – they all sound phenomenal
  • 5 stars: “Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. It’s the culmination of Dylan’s electric rock & roll period — he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.” 

This album is an essential addition to any Dylan collection, and we work hard to find worthy copies. It’s not easy. In fact, it’s tough to find great pressings of any of Dylan’s 60’s albums, really. It takes a well-mastered copy to get the vocals and the harmonica — key elements of course — to sound smooth, full-bodied and clear. Any pinched quality will be obvious to the listener. You lose a lot of points for that shortcoming here at Better Records. (more…)