_Composers – Debussy

Debussy / Images For Orchestra / Munch

The Music of Claude Debussy Available Now

Album Reviews of the Music of Claude Debussy

  • This is one of the most magnificent Golden Age Classical titles we have played in longer than I can remember – we put it in the top 1-2% of their best sounding releases, a nice place to be
  • This spectacular Demo Disc recording combines amazing richness with transparency, and even at its loudest, it is still smooth and sweet
  • It is very unlikely that all but a few of our best customers have any records in their collections that sound as good as this one!
  • The rich, textured sheen of the strings that Living Stereo made possible in the ’50s and early ’60s is clearly evident throughout these pieces, something that the Heavy Vinyl crowd will never experience, because that sound just does not exist on modern records
  • It’s also fairly quiet at Mint Minus Minus, and for recordings of Debussy, that is quiet indeed

DEMONSTRATION QUALITY SOUND! It’s also a better performance than the famous Reiner. Munch understands this music perfectly.

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Debussy / Images Pour Orchestre – Argenta

More of the music of Claude Debussy (1862-1918)

More Orchestral Spectaculars

  • Outstanding Double Plus (A++) sound throughout this London Stereo pressing
  • Both the Ansermet on London and the Munch on RCA are better recordings, but both sell for quite a bit more money than this Stereo Treasury, so if can’t see spending the kind of bread they command, here is a much more affordable alternative that is guaranteed to satisfy
  • These sides are open, airy and sweet, with a lovely extended top end and spaciousness for days
  • You’d be hard-pressed to find a copy that’s this well balanced, yet big and lively, with such wonderful clarity in the mids and highs
  • It’s also fairly quiet at Mint Minus Minus, and for recordings of Debussy, that is quiet indeed

Argenta is the man for this music; he brings out the folky quality in the work. We much prefer Argenta’s performance to Reiner’s on LSC 2222, which was one of the early releases from Classic Records as well; poorly remastered, of course, and best avoided. The Classic may be on Harry’s TAS list — sad but true — but that certainly has no bearing on the fact that it’s not a very good record. This STS LP will show you exactly what’s missing from that Heavy Vinyl pressing.

Brilliantly performed by the L’Orchestre de La Suisse Romande under the direction of Ataulfo Argenta.

The famously huge hall The Suisse Romande recorded in immeasurably contributes to the wonderful sound to be found here and on their other recordings. The Classic of LSC 2222 with Reiner, on the other hand, is all but unlistenable on a high-resolution system. The opacity, transient smear and loss of harmonic information drives us up a wall. Who can stand that sound? All the way back in 1994, long before we had anything like the system we do now, we were disparaging the “Classic Records Sound” in our catalogs. With each passing year — nearly 30 and counting — we like it less.

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Debussy – Images for Orchestra / Ansermet

More of the music of Claude Debussy (1862-1918)

More of the music of Maurice Ravel (1875-1937)

  • Superb Double Plus (A++) sound throughout this Unboxed Decca Stereo pressing, cut by none other than Ted Burkett
  • These sides are Tubey Magical, full-bodied and three-dimensional, with plenty of space around all the players, the unmistakable sonic hallmark of the properly mastered, properly pressed vintage analog LP
  • The London pressing of this recording is also very good, but for those of you who simply must have the original Decca, you will have a hard time finding one that sounds as good and plays as quietly as this copy
  • It’s also fairly quiet at Mint Minus Minus, and for recordings of Debussy, that is quiet indeed

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The Bloated Cello Sound Some Audiophiles Find Appealing

The Music of Claude Debussy Available Now

Reviews and Commentaries for the Music of Claude Debussy

On this pressing we were a bit surprised at how natural the cello sounded — more like the real instrument and less like the typical recording of it. 

Normally when recording the cello, the microphones are placed fairly close to the instrument. This often results in what’s known as the “proximity effect,” which simply describes a boost in the lower frequencies relative to the more linear response of the microphone when placed at a distance.

The famous Starker cello recordings on Mercury — you know the ones, the originals and even the reissues sell for hundreds and hundreds of dollars — suffer from this effect, which audiophiles seem to prefer. (The Mercury heavy vinyl reissues, at least the ones I’ve played, were ridiculously fat and bloated in the bottom.)

Audiophiles did not seem to mind much, judging by the apparently strong sales and the rave reviews I read. Bass shy systems, and that means most of the systems owned by audiophiles, probably benefited from the bass boost. Systems with lots of large woofers — at least in our case — would of course make the sound of these pressings positively unbearable. That indeed was our experience.)

Getting back to the record at hand, it presents a more natural cello if only because the instrument has been miked from a greater distance.

Side two is a bit fuller sounding than side one, and one of them is going to sound more correct on your system than the other. I would not even want to say for sure which one actually is more correct, as the slight difference between them might be subtle enough to play into room and system non-linearities that plague all stereos and rooms.

Both sides here will sound the way these real instruments sound when played in the kinds of rooms that one might hear them in, practicing perhaps. That makes this recording unusual in the world of “audiophile recordings,” if I can call this one, and no less refreshing and enjoyable for it.

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Debussy & Ravel / String Quartets – Quartetto Italiano

More of the music of Claude Debussy (1862-1918)

More of the music of Maurice Ravel (1875-1937)

  • This wonderful classical release has long been a favorite of ours here at Better Records, and this pressing is outstanding, offering Double Plus (A+++) sound throughout
  • The stereo sound here is Tubey Magical, lively and clear, with the kind of three-dimensionality that will fill your listening room from wall to wall that only the best vintage vinyl can offer
  • A rare title and a very difficult one to find with audiophile quality playing surfaces – this is about as quiet as we can find them, folks
  • “From the opening bars, Quartetto Italiano distinguish themselves as eminent interpreters of Debussy… The Ravel quartet also receives an outstanding treatment: atmospheric, rhythmically secure and supple.”

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Debussy on Classic Records – What, Specifically, Are Its Shortcomings?

Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked.

The Classic of LSC 2222 is all but unlistenable on a highly resolving, properly set-up hi-fi system.

The opacity, transient smear and loss of harmonic information and ambience found on Classic’s pressing was enough to drive us right up the wall. Who can sit through a record that sounds like that?

The Classic reissue has plenty of deep bass, but the overall sound is shrill and hard and altogether unpleasant, so the better bass comes at a steep price.

Way back in 1994, long before we had anything like the system we do now, we were finding fault with the “Classic Records Sound” and said as much in our catalogs.

With each passing year — 28 and counting — we like that sound less.  The Classic may be on Harry’s TAS list — sad but true — but that certainly has no bearing on the fact that it’s not a very good record.

For a better sounding recording of Iberia, click here.

The Music of Claude Debussy Available Now

Album Reviews of the music of Claude Debussy

MORE RECORDS GOOD FOR JUDGING THESE QUALITIES

Ambience, Size and Space

Smear

String Tone and Texture

Transparency Vs Opacity

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Saint-Saens – The Best Danse Macabre on Record

More of the music of Camille Saint-Saens (1835-1921)

More of the music of Paul Dukas (1865-1935)

More of the music of Emmanual Chabrier (1841-1894)

This White Hot EMI pressing has some of the loveliest orchestral music reproduction we’ve ever heard. Man, this copy sure has it going on: it’s super clean and clear, tonally correct from top to bottom, with all of the weight of the orchestra down low on both sides.

If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.

Debussy – Prelude A L’apres-midi D’un Faune is excellent here as well – it’s a piece we rarely have on the site.

Orchestral Showpieces

Who can resist these sublime orchestral works? To quote an infamous (around here) label, they are an audiophile’s dream come true. The tabs above have extensive background information on each of the works.

The sound is clear, with wonderful depth to the stage. These recordings may just be the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made.

Both sides were just more “real” sounding, BIGGER and RICHER than any other sides we played, hence the superlative grade. Clean bottom and lower mids. Zero smear. They’re so full-bodied and rich, yet clear and clean, and spread out on such a huge stage, these sides may become your go-to reference disc for Orchestral Reproduction.

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Rachmaninoff and Liszt / Favorite Classics for Piano / Pennario on Capitol

More of the music of Franz Liszt (1811-1880)

More Classical ‘Sleeper” Records We’ve Discovered

White Hot Stamper sound on side two of this solo piano recording. It’s big, rich and above all REAL sounding, with natural studio space. The legendary soloist Leonard Pennario is presented here at the height of his powers. Superb choice of material, from Clair De Lune to Liebestraum to the Hungarian Rhapsody No . 2.

On the rare Stereo pressing of course — we want to hear all that studio space reproduced, just as your two ears would have heard it (more or less).

Side One

Graded Super Hot for the huge, solid-sounding piano, played with such verve and skill. The musical power on this side is stupendous. 

Side Two

Even better! No smear, with incredible clarity, and no sacrifice in weight or richness. (more…)

Debussy / Prelude & Ravel / Rapsodie / Monteux

  • With two Nearly Triple Plus (A++ to A+++) sides, this original stereo copy of CS 6248 (similar to the Decca above) is hard to beat
  • This copy is HUGE, rich, clear, dynamic, with exceptionally three-dimensional hall space (the snare is WAY back there)
  • Superb 1961 All Tube recordings of groundbreaking masterpieces by Debussy and Ravel
  • The exceptionally natural recording Prelude to the Afternoon of a Faun lets you appreciate the wonder of the piece

Transparent and spacious, wide and naturally staged, clean yet rich, with zero coloration, there is nothing here to fault. Nearly Triple Plus all the way. So relaxed and natural you will soon find yourself lost in the music. (more…)

Debussy / La Mer / Reiner – Reviewed in 2005

The Music of Claude Debussy Available Now

Album Reviews of the music of Claude Debussy

1S RCA Shaded Dog. This is an exceptionally good sounding copy, full of that RCA Living Stereo magic. Excellent performance from Reiner as well. On a work like La Mer the timbre of the instruments is critical to the enjoyment of the piece, as they often play solo and in small groupings. This record captures those qualities perfectly.

This record also includes Strauss’ Don Juan, which never sounds good on this title and is best left unplayed.