_Composers – Debussy

Rachmaninoff and Liszt / Favorite Classics for Piano / Pennario on Capitol

More of the music of Franz Liszt (1811-1880)

More Classical ‘Sleeper” Records We’ve Discovered

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White Hot Stamper sound on side two of this solo piano recording. It’s big, rich and above all REAL sounding, with natural studio space. The legendary soloist Leonard Pennario is presented here at the height of his powers. Superb choice of material, from Clair De Lune to Liebestraum to the Hungarian Rhapsody No . 2.

On the rare Stereo pressing of course — we want to hear all that studio space reproduced, just as your two ears would have heard it (more or less).

Side One

Graded Super Hot for the huge, solid-sounding piano, played with such verve and skill. The musical power on this side is stupendous. 

Side Two

Even better! No smear, with incredible clarity, and no sacrifice in weight or richness. (more…)

Debussy / Prelude & Ravel / Rapsodie / Monteux

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  • With two Nearly Triple Plus (A++ to A+++) sides, this original stereo copy of CS 6248 is hard to beat
  • This copy is HUGE, rich, clear, dynamic, with exceptionally three-dimensional hall space (the snare is WAY back there)
  • Superb 1961 All Tube recordings of groundbreaking masterpieces by Debussy and Ravel
  • The exceptionally natural recording Prelude to the Afternoon of a Faun lets you appreciate the wonder of the piece

Transparent and spacious, wide and naturally staged, clean yet rich, with zero coloration, there is nothing here to fault. Nearly Triple Plus all the way. So relaxed and natural you will soon find yourself lost in the music. (more…)

Debussy / La Mer / Reiner – Reviewed in 2005

The Music of Claude Debussy Available Now

Album Reviews of the music of Claude Debussy

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1S RCA Shaded Dog. This is an exceptionally good sounding copy, full of that RCA Living Stereo magic. Excellent performance from Reiner as well. On a work like La Mer the timbre of the instruments is critical to the enjoyment of the piece, as they often play solo and in small groupings. This record captures those qualities perfectly.

This record also includes Strauss’ Don Juan, which never sounds good on this title and is best left unplayed. 

Satie, Ravel, Debussy / The Impressionists / Herrmann – Phase 4, its Strengths and Shortcomings

More Bernard Herrmann

Bernard Herrmann Records We’ve Reviewed

More Recordings on the London Phase IV Label

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Presenting an exceptionally rare and very good sounding Decca Phase IV pressing (with the textured cover, ooh!), the first to ever hit the site. We have been on the lookout for this album for years and somehow cannot find any clean copies, other than this one of course.

Not to worry; this one will do nicely. Three of the six works here have SUPERB better than Super Hot Stamper sound. We went through them one by one and were rather surprised that the sound quality varied so much from track to track.

One might conclude from the variation in the sound that the album must be a compilation — so many of Herrmann’s albums are — but that is not the case, assuming the liner notes are to be believed.

Here’s what we heard, taken directly from our notes.

Side One

Satie / Gympnopedies I & II

A++ or better. Rich, smooth, sweet, big, natural, clear and very ANALOG. I don’t know when I’ve heard these famous works sounding better than they do here.

Debussy / Clair de Lune

A+, rich but a bit smeary, strings need more texture.

Debussy / Valse ‘la Plus Que Lente

No grade – Too murky.

Ravel / Five O’Clock Fox-Trot

A++ to A+++, with Demo Disc sound! So lively and clear, the sound will jump out of your speakers when you play this track! (more…)

Perhaps This Explains Why This Decca Reissue Sounds So Good

Music of Claude Debussy – Available Now

The Music of Claude Debussy – Album Reviews

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This Decca reissue is spacious, open, transparent, rich and sweet. Roy Wallace was the engineer for these sessions from 1955 to 1961 in Geneva’s glorious sounding Victoria Hall.

It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording, with the added benefit of mastering using the more modern cutting equipment of the ’70s, 1972 to be exact. (We are of course here referring to the good modern mastering of 40+ years ago, not the mediocre-at-best modern mastering of today.)

The combination of old and new works wonders on this title as you will surely hear for yourself on both of these superb sides.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.
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Piano Works of Claude Debussy, Maurice Ravel / Ivan Moravec – The Only Good Record Athena Ever Made

Athena, not a label we have ever associated with good sound!

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But they did a great job on this album (or at least I thought so many years ago when I played it last. For purposes of this commentary, let’s assume the sound still holds up).

This is how to make a good audiophile record. Yes, there is such a thing. They may be rare but they do exist.

Take a good tape, hire someone who knows his way around a normal-speed cutting lathe (with 5800+ credits on Discogs I would hope he knows what he’s doing) as well as classical music (he cut a huge number of records for Nonesuch back in the day, which means he also can work fast and cheap), press it on good vinyl and let the audiophiles of the world enjoy it.

The Connoisseur Society original may in fact be better, but where are you going to find one?

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Debussy / Clair de Lune on Stereo Treasury

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The STS is not impressive on the few we’ve played, for no reason other than they are simply not that sonically impressive. British vinyl, British mastering, just not especially good sound. Save your money.

Kenneth Wilkinson engineered in Walthamstow Assembly Hall. (more…)

Debussy / Clair de Lune / Agoult

The Music of Claude Debussy Available Now

Album Reviews of the music of Claude Debussy

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  • A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides 
  • These sides are incredibly rich, sweet and full-bodied yet still very clean, clear and spacious; Demo Disc sound throughout!
  • I can’t imagine a more beautiful record, both in terms of the programme and the sound; this record is a wonderful example of what the Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on tape
  • This is the exact same recording as the famous Living Stereo Clair De Lune, LSC-2326, but with a couple of extra tracks included

Transparent and spacious, wide and naturally staged, clean yet rich, with zero coloration, there is nothing here to fault. Nearly Triple Plus all the way. So relaxed and natural you will soon find yourself lost in the music. (more…)

Britten / Debussy / Schumann / Cello Sonatas / Rostropovich – Our Shootout Winner from 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Both sides of this promo London Blueback pressing of piano and cello music have SUPERB sound. If you’re a fan of the cello, the piano, or chamber works in general, you will have a hard time finding a better sounding recording than this.

Notice especially that there is practically no smear on the piano — the notes are clear, with their transients fully intact, something one rarely hears anywhere but in the live setting. The tonality of the piano is also correct from top to bottom.

But the real surprise here is how unusually natural the cello sounds — more like the real instrument and less like the typical recording of it.

Normally when recording the cello the microphones are placed fairly close to the instrument. This often results in what’s known as the “proximity effect”, which simply describes a boost in the lower frequencies relative to the more linear response of the microphone when placed at a distance.

The famous Starker cello recordings on Mercury — you know the ones, the orginals and even the reissues sell for hundreds and hundreds of dollars — suffer from this effect, which audiophiles seem to prefer. (The Mercury heavy vinyl reissues, at least the ones I played, were ridiculously fat and bloated in the bottom. Audiophiles did not seem to mind much, judging by the apparently strong sales and the rave reviews I read. Bass shy systems, and that means most of the systems owned by audiophiles, probably benefited from the bass boost. Systems with lots of large woofers — at least in our case — would of course make the sound of these pressings positively unbearable. That indeed was our experience.) (more…)

Debussy / La Mer / Reiner – Reviewed in 2005

The Music of Claude Debussy Available Now

Album Reviews of the music of Claude Debussy

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1S RCA Shaded Dog. This is an exceptionally good sounding copy, full of that RCA Living Stereo magic. Excellent performance from Reiner as well. On a work like La Mer the timbre of the instruments is critical to the enjoyment of the piece, as they often play solo and in small groupings. This record captures those qualities perfectly.

This record also includes Strauss’ Don Juan, which never sounds good on this title and is best left unplayed.