- An incredible early UK import pressing with Shootout Winning Triple Plus (A+++) sound or close to it throughout – exceptionally quiet vinyl too
- It’s simply BIGGER and RICHER than any other copy we played, with rock solid energy to beat them all
- Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the Tubey Magic on this pressing and the others in our shootout prove again and again that the UK LPs are the only way to fly on Manifesto
- “The songs ending each side fade out with real grace and leave you hanging, wanting more — drenched in a romance out of reach.”
- If you’re a Roxy fan, this title from 1979 surely deserves a place in your collection
- The complete list of titles from 1979 that we’ve reviewed to date can be found here.
[These notes were written many years ago, which means that we ourselves may not agree with some or all of the commentary you see below.]
Sonic Grade: B (I’m guessing)
This version just plain KILLS most domestic copies and probably quite a few Brit ones too. Simply Vinyl did a superb job here.
Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right.
This pressing sounds just like the last import version I had, which sounded great but unfortunately went out of print in the mid-nineties as I remember. Might be mastered by the same guy using the same tape on the same cutter for all I know.
Take it from me, this pressing gets this music right in a way that will not leave the listener wanting more. It really delivers. The sound is superb — sweet, open, with punchy bass and extended highs.
- This excellent UK pressing boasts Double Plus (A++) sound or BETTER from first note to last – exceptionally quiet vinyl too
- Copies that are exceptionally transparent, with three-dimensional depth and a wide soundstage, present this music the way it was meant to be heard
- Credit Rhett Davies with creating the sonic space to allow the singers, instruments and subtle studio effects to be balanced and integrated from front to back, side to side and top to bottom
- 5 stars: “Ferry was never this romantic or seductive, either with Roxy or as a solo artist, and Avalon shimmers with elegance in both its music and its lyrics.”
Records like Avalon get people (often known as audiophiles) to spend wads and wads of money in pursuit of expensive analog equipment good enough to bring this wonderful music to life in their very own listening rooms.
The album rewards a stereo with many of the qualities that audiophiles prize most highly when selecting equipment — spaciousness, transparency, clarity, detail, depth, soundstaging, speed, high frequency extension and the like.
The mix is as dense as any we know. Only the best copies have the ability to show you everything that’s on the tape. Credit must go to the amazingly talented Rhett Davies for creating the space to put so many instruments and sounds in.
We would add to that list presence and energy, along with warmth, fullness, and lack of smear on the transients. Whomp and rock and roll power do not seem to play much part in separating the best from the rest, although it’s nice when the bottom end is big and solid.
- With two seriously good Double Plus (A++) or BETTER sides, this UK copy was one of the best we played in our recent shootout
- Roxy and their engineers and producers manage to capture a keyboard sound on their first two albums few bands in the history of the world can lay claim to
- We’ve been working on this shootout for over ten years – here is one of the better copies we have to show for our effort
- 5 Stars: “… another extraordinary record from Roxy Music, one that demonstrates even more clearly than the debut how avant-garde ideas can flourish in a pop setting.”
- If you’re a Roxy fan, For Your Pleasure has to be considered a Must Own Title of theirs from 1973.
- The complete list of titles from 1973 that we’ve reviewed to date can be found here.
Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on this copy it is. That’s precisely what Hot Stampers are all about.)
Strictly in terms of recording quality, For Your Pleasure is on the same plane as the other best sounding record the band ever made, their self-titled debut.
Siren, Avalon and Country Life are all musically sublime, but the first album and this one are the only two with the kind of dynamic, energetic, powerful sound that Roxy’s other records simply cannot show us (with the exception of Country Life, was is powerful but a bit too aggressive).
The super-tubey keyboards that anchor practically every song on the first two albums are only found there. If you want to know what Tubey Magic sounds like in 1972-73, play one of our better Hot Stamper Roxy albums.
Roxy and their engineers and producers manage to capture a keyboard sound on their first two albums that few bands in the history of the world can lay claim to. I love the band’s later albums, but none of them sound like these two. The closest one can get is Stranded, their third, but it’s still a bit of a step down. (more…)
- An excellent UK pressing of Roxy Music’s debut, with outstanding Double Plus (A++) grades on both sides – this is some of the most dynamic sound the band achieved
- Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects – we think the best pressings of this first album reveal a recording that is superior to any other by the band
- A Top 100 album, Roxy’s Masterpiece, and a Must Own Desert Island Disc of Glamorous Arty Rock
- 4 1/2 stars: “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”
Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these.
The guitar solo at the end of “Ladytron” rocks like you will not believe.
In both music and sound, this is arguably the best record the band ever made. Siren, Avalon and Country Life are all musically sublime, but the first album has the kind of dynamic, energetic, POWERFUL sound that their other records simply fail to show us. And we’ve played them by the dozens, so there’s a pretty good chance we will never find copies with the abundant richness and power we find here.
We hope you will agree with us that it was entirely worth the wait, as this album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one.
AMG calls Roxy Music the “most adventurous rock band of the early ’70s” and I’m inclined to agree with them. Roxy is certainly one of the most influential and important bands in my growth as a listener and audiophile, along with the likes of Supertramp, Ambrosia, 10cc, Steely Dan, Yes, Bowie and others, groups of musicians dedicated to exploring and exploding the conventions of popular music.
This album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one. Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on this copy it is. That’s precisely what Hot Stampers are all about.)
Strictly in terms of recording quality, For Your Pleasure is on the same plane as the other best sounding record the band ever made, their first.
Siren, Avalon and Country Life are all musically sublime, but the first album and this one are the only two with the kind of dynamic, energetic, POWERFUL sound that Roxy’s other records simply cannot show us (with the exception of Country Life, was is powerful but a bit too aggressive).
The super-tubey keyboards that anchor practically every song on the first two albums are only found there. If you want to know what Tubey Magic sounds like in 1972-73, play one of our better Hot Stamper Roxy albums. Roxy and their engineers and producers manage to capture a keyboard sound on their first two albums that few bands in the history of the world can lay claim to.
I love the band’s later albums, but none of them sound like these two. The closest one can get is Stranded, their third, but it’s still a noticeable step down.
- This killer early British Island import pressing had two amazing sides, each rating a Triple Plus (A+++) or very close to it
- This one is simply bigger, richer, more clear and more Tubey Magical than almost every other copy we heard in our shootout
- As quiet as any Island original we’ve ever heard – Mint Minus to Mint Minus Minus – they don’t come quieter
- AMG raves that “…Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. Roxy Music rarely sounded as invigorating as they do here.”
Many of the best songs Bryan Ferry ever wrote and Roxy Music ever played are on this album. Musically it’s right up there with the first album and Siren. All three represent the high watermark of early- to mid-’70s Arty Rock. (more…)
The British Original Polydor Super Deluxe pressings are the only way to go on this album. No domestic pressing or other import in our experience has ever been better than passable; we know, we’ve been cleaning and playing them for more than thirty years.
This British LP is cut by one of my favorite mastering houses in England, which no doubt accounts for the excellent sound. The estimable Robert Ludwig cut the domestic pressings. Unfortunately for us Americans it sounds to us like they gave him a dub tape to master from. (The same thing happened on Avalon by the way.)
This is a transitional album. Some of it sounds like Avalon (Oh Yeah, Over You, etc.) and some of it sounds more like their earlier material. It may not be as consistent as Avalon but it’s well worth owning for its best songs (listed below) and comes highly recommended for fans of the band.
Standout tracks on side one include In the Midnight Hour / Oh Yeah / My Only Love
Standout tracks on side two include Over You / Eight Miles High / Rain, Rain, Rain
- The sound here is richer, with much less transistory grain, and more of the All Important Tubey Magic than most other copies we played
- Some of Bryan Ferry’s strongest and most consistent songwriting – Love Is The Drug, End of the Line, Sentimental Fool and more
- 5 stars: “Abandoning the intoxicating blend of art rock and glam-pop that distinguished Stranded and Country Life, Roxy Music concentrates on Bryan Ferry’s suave, charming crooner persona for the elegantly modern Siren.”
Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon. After reading a rave review in Rolling Stone of the album back in 1975 I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it.
As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do. Now I listen to each of the first five releases on a regular basis. Even after more than thirty years the band’s music never seems to get old. That seems to be true of a lot of the records from the era that we offer on our site. Otherwise, how could we charge so much money for them?
Imports? Not So Fast
The British and German copies of Siren are clearly made from dubbed tapes and sound smeary, small and lifeless.
To be fair, Siren has never impressed us as an exceptionally good sounding recording. Like other middle period Roxy, records such as Country Life and Manifesto (the albums just before and after), it simply does not have Demo Disc analog sound the way For Your Pleasure, Stranded or the eponymous first album do (the latter two being the best sounding in their catalog).
One would be tempted to assume that the import pressings of Siren would be better sounding, the way the imports of the first four Roxy albums are clearly better sounding. There has never been a domestic Hot Stamper pressing of any of those titles and, since we never buy them or play them, there probably never will be.
But in the case of Siren it’s the imports that are made from dubs. It may be a British band, recorded in British studios with a British producer, but the British pressed LPs are clearly made from sub-generation tapes, whereas the domestic copies sound like they’re made from the real masters.
Go Figure. And another thing: when it comes to records, never assume anything.
The typical domestic pressing is flat, bass-shy and opaque, sounding more like compressed cardboard than analog vinyl. Unsurprisingly, the CD, whether imported or produced domestically, is clean and clear and tonally correct but lacks the warmth and richness of the better vinyl pressings. (more…)
The domestic, German, Japanese and Dutch pressings are not remotely competitive with the Brits on this album (which is not true for all Roxy’s albums but clearly true for this one, Siren being the obvious exception to the rule).
Now for those of you who are not big Roxy Music fans and don’t know this music, this album may take a bit of getting used to. We assure you it will be well worth your while. We think it’s brilliant.
And if you do consider yourself a fan of Art Rock, every Roxy album should be on your shelf, right up there with your Bowie, Pink Floyd, Supertramp, Eno, Peter Gabriel, 10cc and too many others to list. (Most are personal favorites of mine, albums I have played hundreds of times over the last 40 years and plan to keep playing until my ears give out.)
The Thrill of It All
Three and Nine
On the best copies this track is the very definition of Tubey Magical richness and smoothness.
All I Want Is You
A little thinner and brighter than the other tracks on this side as a rule.
Out of the Blue
The best guitar solo ever played on the violin. Go Eddie!
If It Takes All Night