Top Artists – Roxy Music

Roxy Music – Flesh + Blood

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  • With outstanding Double Plus (A++) grades or close to them from top to bottom, you’ll have a hard time finding a copy that sounds remotely as good as this original British pressing (one of only a handful of copies to hit the site in three years)
  • Believe it or not, no copies in our most recent shootout, aside from the two shootout winners, had even Super Hot stampers on both sides, which was surprising since we know the right stampers and there were plenty of them in the shootout
  • If you need top quality sound, and assuming it takes as long to get our next shootout going as it did this last one, please check back with us in 2027
  • No domestic LP or import from any other country has ever been better than passable – we should know, we’ve been cleaning and playing every kind of pressing we could find for this title for forty years
  • Credit as always goes to the brilliant engineering of Roxy’s go-to guy, Rhett Davies
  • Flesh + Blood is the precursor to Avalon, with much the same style and sound – some of Roxy’s best material and biggest hits are here

Best Tracks

This is a transitional album. Some of it sounds like Avalon (“Oh Yeah,” “Over You,” etc) and some of it sounds more like their earlier material. It may not be as consistent as Avalon but it’s well worth owning for its best songs (listed below) and highly recommended for fans of the band.

Standout tracks on side one include In the Midnight Hour / Oh Yeah / My Only Love

Standout tracks on side two include Over You / Eight Miles High / Rain, Rain, Rain

Adventures in Music and Sound

AMG calls Roxy Music the “most adventurous rock band of the early 70s” and I’m inclined to agree with them. Roxy are certainly one of the most influential and important bands in my growth as a music lover and audiophile, joining the ranks of Supertramp, Ambrosia, 10cc, Steely Dan, Yes, Bowie and countless others, musicians and bands who seemed to me dedicated to exploring and exploding the conventions of popular music.

My equipment was forced to evolve in order to be able to play the scores of challenging recordings issued by these groups in the 70s.

You could say that the albums of Roxy Music and others informed not only my taste in music but the actual stereo I play that music on. I’ve had large scale dynamic speakers for the last four decades, precisely in order to play records like this, the kind of music I fell in love with more than forty years ago.

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Roxy Music – For Your Pleasure

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  • With a KILLER Shootout Winning Triple Plus (A+++) side one mated to an outstanding Double Plus (A++) side two, we guarantee you’ve never heard For Your Pleasure sound this good
  • Roxy and their engineers and producers manage to capture a deliciously Tubey Magical keyboard sound on their first two albums that few bands in the history of the world can lay claim to
  • It took us a long time to figure what pressings had the sound we were looking for, more than a decade, bit it was worth the wait because For Your Pleasure now sounds the way you want it to sound – Big and Bold
  • 5 stars: “… another extraordinary record from Roxy Music, one that demonstrates even more clearly than the debut how avant-garde ideas can flourish in a pop setting.”
  • If you’re a Roxy fan, For Your Pleasure has to be considered a Must Own Title of theirs from 1973

Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on this copy it is. That’s precisely what Hot Stampers are all about.)

Strictly in terms of recording quality, For Your Pleasure is on the same plane as the other best sounding record the band ever made, their self-titled debut.

Siren, Avalon and Country Life are all musically sublime, but the first album and this one are the only two with the kind of dynamic, energetic, powerful sound that Roxy’s other records simply cannot show us (with the exception of Country Life, was is powerful but a bit too aggressive).

The super-tubey keyboards that anchor practically every song on the first two albums are only found there. If you want to know what Tubey Magic sounds like in 1972-73, play one of our better Hot Stamper Roxy albums.

Roxy and their engineers and producers manage to capture a keyboard sound on their first two albums that few bands in the history of the world can lay claim to. I love the band’s later albums, but none of them sound like these two. The closest one can get is Stranded, their third, but it’s still a bit of a step down. (more…)

Roxy Music – Import Vinyl? Not So Fast

More of the Music of Bryan Ferry

More of the Music of Roxy Music

Siren is one of our favorite Roxy albums, right up there with the first album and well ahead of the commercially appealing Avalon. After reading a rave review in Rolling Stone of the album back in 1975, I took the plunge, bought a copy at my local Tower Records and instantly fell in love with it.

As is my wont, I then proceeded to work my way through their earlier catalog, which was quite an adventure. It takes scores of plays to understand where the band is coming from on the early albums and what it is they’re trying to do. Now I listen to each of the first five releases on a regular basis.

Somehow they never seem to get old, even after more than forty years.

Of all the Roxy albums (with the exception of Avalon) this is probably the best way “in” to the band’s music. The earlier albums are more raucous, the later ones more rhythmically driven — Siren catches them at their peak, with, as other reviewers have noted, all good songs and no bad ones.

Imports? Not So Fast

The British and German copies of Siren are clearly made from dub tapes and sound smeary, small and lifeless.

To be fair, Siren has never impressed us as an exceptionally good sounding recording. Like other middle period Roxy, records such as Country Life and Manifesto (the albums just before and after), it simply does not have Demo Disc analog sound the way Avalon, Stranded or the Self-Titled albums do (the latter two clearly being the best sounding in their catalog).

One would be tempted to assume that the import pressings of Siren would be better sounding, the way the imports of the first four Roxy albums are clearly better sounding. (There has never been a domestic Hot Stamper pressing of any of those titles and, since we never buy them or play them, there probably never will be.)

But in the case of Siren it’s the imports that are made from dubs. It may be a British band, recorded in British studios with a British producer, but the British pressed LPs are clearly made from sub-generation tapes, whereas the domestic copies sound like they’re made from the real masters.

Go Figure. And another thing: when it comes to records, never assume anything.

The typical domestic pressing is flat, bass-shy and opaque, sounding more like compressed cardboard than analog vinyl. Unsurprisingly, the CD, whether imported or produced domestically, is clean and clear and tonally correct but lacks the warmth and richness of the better vinyl pressings.

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Roxy Music – The First Two Albums Are the Band’s Best Sounding

More of the Music of Roxy Music

More of the Music of Bryan Ferry

This album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one. AMG calls Roxy Music the “most adventurous rock band of the early ’70s” and I’m inclined to agree with them.

Spacious, dynamic, present, with HUGE MEATY BASS and tons of energy, the sound is every bit as good as the music. (At least on the best copies it is. That’s precisely what Hot Stampers are all about.)

Strictly in terms of recording quality, For Your Pleasure is on the same plane as the other best sounding record the band ever made, their first.

Siren, Avalon and Country Life are all musically sublime, but the first album and Pleasure are the only two with the kind of dynamic, energetic, POWERFUL sound that Roxy’s other records simply cannot show us (with the exception of Country Life, was is powerful but a bit too aggressive).

The super-tubey keyboards that anchor practically every song on the first two albums are only found there. If you want to know what Tubey Magic sounds like in 1972-73, play one of our better Hot Stamper Roxy albums. Roxy and their engineers and producers manage to capture a keyboard sound on their first two albums that few bands in the history of the world can lay claim to.

I love the band’s later albums, but none of them sound like these two. The closest one can get is Stranded, their third, but it’s still a bit of a step down.

Chris Thomas and John Punter

With all the latest technological advances in playback I can tell you that these records sound a whole lot better than I ever thought they could.

For Your Pleasure is an amazing recording. Chris Thomas produced side one; he produced the rest of their albums (and engineered The Beatles and Badfinger and mixed Dark Side of the Moon and on and on).

The album has many of his trademark qualities: an enormous, 3-Dimensional soundstage; tons of bass; tremendous dynamics; and energy to rival anything around. John Punter‘s engineering is superb in all respects — virtually faultless.

Big Rock Records with Big Rock Sound

Both of these albums are the very definition of big speaker albums. The better pressings have the kind of ENERGY in their grooves that are sure to have most audiophile systems begging for mercy.

This is The Audio Challenge that awaits you. If you don’t have a system designed to play records with this kind of SONIC POWER, don’t expect to hear them the way the band and those involved in their productions wanted you to.

This album wants to rock your world, and that’s exactly what our Hot Stamper pressings are especially good at doing.

Roxy Music is one of the most influential and important artists/bands in my growth as a music lover and audiophile, joining the ranks of Steely Dan, 10cc, Ambrosia, Yes, Bowie, Supertramp, Eno, Talking Heads, Jethro Tull, Elton John, The Beatles, Crosby, Stills and Nash, The Cars, Led Zeppelin, Cat Stevens and countless others, musicians and bands who dedicated themselves to making the highest quality recordings they could, recordings that could only come alive in the homes of those with the most advanced audio equipment.

My system was forced to evolve in order to reproduce the scores of challenging recordings issued by these groups in the ’70s.

It’s clear that these albums informed not only my taste in music, but the actual stereo I play that music on. It’s what progress in audio is all about. I created the system I have in order to play demanding recordings such as these, the music I fell in love with all those years ago.

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Roxy Music – Rhett Davies, Yanick Etienne and the Making of Avalon

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Reviews and Commentaries for Avalon

I consider Roxy Music to be one of the greatest Art Rock bands in the history of the world. The general public and most audiophiles would no doubt cast their vote for Avalon as the band’s masterpiece. I much prefer their eponymous first album, along with Stranded, Country Life and Siren to the more “accessible” music found on Avalon. To be fair, that’s splitting hairs, because any of those five titles are absolute Must Own albums that belong in any serious popular music collection.  

Roxy Music’s “Avalon”

By Rick Clark

When asked in 1982 about the concept of Avalon, Ferry responded, “I’ve often thought I should do an album where the songs are all bound together in the style of West Side Story, but it’s always seemed like too much bother to work that way. So instead, I have these 10 poems, or short stories, that could, with a bit more work, be fashioned into a novel.

“Avalon is part of the King Arthur legend and is a very romantic thing,” Ferry added. “When King Arthur dies, the Queens ferry him off to Avalon, which is sort of an enchanted island. It’s the ultimate romantic fantasy place.”

Regardless, the entire album sustains a cohesive mood that isn’t just a product of Ferry’s lyrical thematic vision. It was a product of the process that Davies and the band employed in laying down grooves and having players interact with them, and then shaping those performances in a way that would ultimately inspire Ferry to articulate his melodies and words.

“We were creating tracks back then,” Davies says. “We didn’t have the songs. The songs were virtually the last things to go on there. We were very much creating a musical atmosphere that we wanted the musicians to respond to.

“In those days, Bryan and Roxy would have a musician in for a day or two and they would want that musician to play on all the songs and see what came out of that,” Davies continues. “I would have to be able to throw the tracks up pretty quickly and they had to sound the same every time. Rather than spending half-an-hour putting the track up and then another half-an-hour getting the bass sound, we wanted to work fast. In the initial stage of throwing a track at somebody, it was always that first response that you got when someone was fresh that was very important. Then we would spend days and weeks agonizing over it and fiddling around with it,” he adds with a laugh. “But the initial process we wanted to keep fast.” (more…)

Roxy Music – Avalon

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  • Boasting top quality sound throughout, this UK pressing is guaranteed to blow the doors off any other Avalon you’ve heard – fairly quiet vinyl too
  • Copies that are exceptionally transparent, with three-dimensional depth and a wide soundstage, present this music the way it was meant to be heard
  • Credit Rhett Davies with creating the sonic space to allow the singers, instruments and subtle studio effects to be balanced and integrated from front to back, side to side and top to bottom
  • The sound may be a bit too heavily processed for some, but we find that on the best copies that sound really works for this music, some of the best ever produced by the band
  • 5 stars: “Ferry was never this romantic or seductive, either with Roxy or as a solo artist, and Avalon shimmers with elegance in both its music and its lyrics.”

Records like Avalon get people (often known as audiophiles) to spend wads and wads of money in pursuit of expensive analog equipment good enough to bring this wonderful music to life in their very own listening rooms.

The album rewards a stereo with many of the qualities that audiophiles prize most highly when selecting equipment — spaciousness, transparency, clarity, detail, depth, soundstaging, speed, high frequency extension and the like.

The mix is as dense as any we know. Only the best copies have the ability to show you everything that’s on the tape. Credit must go to the amazingly talented Rhett Davies for creating the space to put so many instruments and sounds in.

We would add to that list presence and energy, along with warmth, fullness, and lack of smear on the transients. Whomp and rock and roll power do not seem to play much part in separating the best from the rest, although it’s nice when the bottom end is big and solid.

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Listening in Depth to Avalon

More of the Music of Roxy Music

Reviews and Commentaries for Avalon

The best British original Super De Luxe pressings of Avalon are sweet and silky, big and lively, with the kind of sound that drives us audiophiles wild — which of course is the main reason this album was on Extra Heavy Rotation at most stereo stores back in the day.

It’s records like this that get people (otherwise known as audiophiles) to spend wads and wads of money in pursuit of expensive analog equipment good enough to bring this wonderful music to life.

This album rewards a stereo with the qualities that audiophiles prize most highly when selecting equipment — spaciousness, transparency, clarity, detail, depth, soundstaging, speed, high frequency extension, and the like. Those qualities are important but not enough for big speaker rock and roll guys like us here at Better Records, but on this record they are key to reproducing the best of what Avalon has to offer.

We would add to that list presence and energy, along with warmth, fullness and lack of smear on the transients. Whomp and rock and roll power do not seem to play much part in separating the best from the rest, although it’s nice when the bottom end is big and solid.

That said, the copies that are exceptionally open, clear and big are the ones that do a better job of presenting this music the way we think it was meant to be heard.

The mix is as dense as any we know. Only the best copies have the ability to show you everything that’s on the tape. Credit must go to the amazingly talented Rhett Davies for creating the space in which so many instruments and sounds can fit comfortably.

What to Listen for — The Title Track

The marvelous female vocalist Yanick Etienne, who sings so beautifully at the end of the title song, is standing in her own space at about the 10 o’clock position in the soundfield. At moderate levels she sounds very small and distant, but turn up your volume and she really starts to take on the attributes of a full-size, real, live person standing just to the left and back a bit from the main proceedings.

This level may be too loud on other songs; we noticed that Ferry’s vocals are very high up in the mixes as a rule, on the first track especially if I recall correctly, and at louder volumes — the ones we like to listen at — he’s going to get too hot.

It’s a bit of a balancing act to find the right level for the music, but as loud as you can stand Ferry singing is probably a good place to start.

Only the most transparent copies will have you “seeing” Miss Etienne at the end of the song. Click on The Making of Avalon to read the story of how the album and her contribution to it came about. (more…)

Roxy Music – Manifesto

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  • An incredible early UK import pressing with Shootout Winning Triple Plus (A+++) sound or close to it throughout – exceptionally quiet vinyl too
  • It’s simply BIGGER and RICHER than any other copy we played, with rock solid energy to beat them all
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the Tubey Magic on this pressing and the others in our shootout prove again and again that the UK LPs are the only way to fly on Manifesto
  • “The songs ending each side fade out with real grace and leave you hanging, wanting more — drenched in a romance out of reach.”
  • If you’re a Roxy fan, this title from 1979 surely deserves a place in your collection
  • The complete list of titles from 1979 that we’ve reviewed to date can be found here.

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Roxy Music / Avalon – A Simply Vinyl Mastering Success? Or Is It?

More of the Music of Roxy Music

Reviews and Commentaries for Avalon

Reviews and Commentaries for the Music of Roxy Music

[These notes were written many years ago, which means that we ourselves may not agree with some or all of the commentary you see below.]

Sonic Grade: B (I’m guessing)

This version just plain KILLS most domestic copies and probably quite a few Brit ones too. Simply Vinyl did a superb job here.

Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right.

This pressing sounds just like the last import version I had, which sounded great but unfortunately went out of print in the mid-nineties as I remember. Might be mastered by the same guy using the same tape on the same cutter for all I know.

Take it from me, this pressing gets this music right in a way that will not leave the listener wanting more. It really delivers. The sound is superb — sweet, open, with punchy bass and extended highs.

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Roxy Music / Self-Titled

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  • An excellent UK pressing of Roxy Music’s debut, with outstanding Double Plus (A++) grades on both sides – this is some of the most dynamic sound the band achieved
  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects – we think the best pressings of this first album reveal a recording that is superior to any other by the band
  • A Top 100 album, Roxy’s Masterpiece, and a Must Own Desert Island Disc of Glamorous Arty Rock
  • 4 1/2 stars: “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”

Folks, this is a true Demo Disc in the world of Art Rock. It’s rare to find a recording of popular music with DYNAMICS like these.

The guitar solo at the end of “Ladytron” rocks like you will not believe.

In both music and sound, this is arguably the best record the band ever made. Siren, Avalon and Country Life are all musically sublime, but the first album has the kind of dynamic, energetic, POWERFUL sound that their other records simply fail to show us. And we’ve played them by the dozens, so there’s a pretty good chance we will never find copies with the abundant richness and power we find here.

We hope you will agree with us that it was entirely worth the wait, as this album is a MASTERPIECE of Art Rock, Glam Rock and Bent Rock all rolled into one.

AMG calls Roxy Music the “most adventurous rock band of the early ’70s” and I’m inclined to agree with them. Roxy is certainly one of the most influential and important bands in my growth as a listener and audiophile, along with the likes of Supertramp, Ambrosia, 10cc, Steely Dan, Yes, Bowie and others, groups of musicians dedicated to exploring and exploding the conventions of popular music.

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