_Conductors – Stokowski

Richard Wagner – The Sound of Stokowski and Wagner

More Richard Wagner

More Orchestral Spectaculars

  • With a nearly Triple Plus (A++ to A+++) side one and a seriously good Double Plus (A++) side two, our Shaded Dog pressing of this sought-after classic of the Living Stereo canon will be very hard to beat/li>
  • Lewis Layton engineered this blockbuster recording, and after hearing his brilliant work for The Pines of Rome with Reiner we can see why they gave him the job
  • The rich, textured sheen of the strings that Living Stereo made possible in the ’50s and early ’60s is clearly evident throughout these pieces, something that the Heavy Vinyl crowd will never experience, because that sound just does not exist on modern records
  • These shorter pieces are ideal for those who want to listen to Wagner’s music and don’t have the two hours one of his famous operas requires of the audience

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Liszt, Enesco, Smetana / Rhapsodies – Stokowski – Reviewed in 2010

More Franz Liszt’s music

Rhapsodies – Stokowski

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This RCA Living Stereo White Dog LP has SUPERB SOUND!

I’m a big fan of this title. The string tone is rich and dark and just wonderful. If you want an exciting record with outstanding Living Stereo sound — dynamic, with strings to die for, and an energetic performance, this is the one! Don’t let the White Dog fool you. I doubt if the average Shaded Dog is any better. This record sounds just right to me. Listen to how clear and correct the triangle is.  (more…)

Liszt, Enesco, Smetana / Rhapsodies – Stokowski – Classic Records Reviewed

More Franz Liszt’s music

Rhapsodies – Stokowski

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP debunked. (The cover is clearly the original Living Stereo cover by the way.)

The lower strings are wonderful on the original — wall to wall, with that rosiny texture we love. I wrote at the time — this is twenty or so years ago — that the Classic pressing took that rich, dark sound and brightened it up, naturally ruining it in the process. Cellos and double basses just don’t sound like that. On the best pressings of LSC 2471 their timbre is Right On The Money. Of course, that’s is the real thing, not some audiophile rebutchering. 

Now if you’re a Classic Records fan, and you like that brighter, more detailed, more aggressive sound, the original is probably not the record for you.

We don’t like that sound and we don’t like most Classic Records. They may be clean and clear but where is the RCA Living Stereo Magic that made people swoon over these recordings in the first place? Bernie manages to clean that sound right off the record, and that’s just not our idea of high-fidelity, sorry. (more…)