This VERY RARE 2 LP Shaded Dog pressing has Super Hot Stamper sound. Much of what’s good about Golden Age recordings is heard here, with side one for example having the sound of a HUGE hall and that Three-Dimensional quality that the best vintage recordings are able to convey so well.
We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as this by the score every month and can hear what they do so well. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.
Such qualities allow this record to sound — in some ways, to be sure not all — like live music. Heavy Vinyl just plain doesn’t.(more…)
With a nearly Triple Plus (A++ to A+++) side one and a seriously good Double Plus (A++) side two, our Shaded Dog pressing of this sought-after classic of the Living Stereo canon will be very hard to beat/li>
Lewis Layton engineered this blockbuster recording, and after hearing his brilliant work for The Pines of Rome with Reiner we can see why they gave him the job
The rich, textured sheen of the strings that Living Stereo made possible in the ’50s and early ’60s is clearly evident throughout these pieces, something that the Heavy Vinyl crowd will never experience, because that sound just does not exist on modern records
These shorter pieces are ideal for those who want to listen to Wagner’s music and don’t have the two hours one of his famous operas requires of the audience
Wagner for Band finally makes its Hot Stamper debut with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
There is plenty on offer for the discriminating audiophile, with the spaciousness, clarity, tonality and freedom from artificiality that are hallmarks of the best Mercury recordings of Fennell leading the EWE
Far richer, smoother and livelier than every other pressing we played, with Tubey Magic and space we guarantee you have never heard on any Fennell record before
An incredibly rare TAS List recording, now replaced on the list by a Speakers Corner LP – from the looks of it, The Absolute Sound is going deaf in its old agestere
This London UK pressing (not the Decca as shown in the picture) from 1967 has Hot Stamper sound on both sides. Some of what we’ve always liked about Decca/London from the period (mid- to late-’60s, in this case 1967) can be heard on this pressing: transparency; the texture on the strings; the natural timbre of the instruments.
These London pressings are quite hard to find in our experience. The music is wonderful throughout, perhaps the reason that so few of these have found their way to the record bins here in L.A. (more…)