- Another stunning classical release makes its Hot Stamper debut, here with Nearly Triple Plus (A++ to A+++) sound throughout – just shy of our Shootout Winner
- Our first Hot Stamper for a recording of Wagner’s music – it took us a very long time to find a recording of his music that had the audiophile goods that this one does
- Clear and transparent, with huge hall space extending wall to wall and floor to ceiling, this is a sound that the Modern Reissue fails to reproduce utterly
- If you don’t have an amazing sounding Wagner record — the low brass is to die for here — this record needs to find a home in your collection
- Some old record collectors (like me) say classical recording quality ain’t what it used to be – if you need proof, here it is
- Wagner for Band finally makes its Hot Stamper debut with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
- There is plenty on offer for the discriminating audiophile, with the spaciousness, clarity, tonality and freedom from artificiality that are hallmarks of the best Mercury recordings of Fennell leading the EWE
- Far richer, smoother and livelier than every other pressing we played, with Tubey Magic and space we guarantee you have never heard on any Fennell record before
- An incredibly rare TAS List recording, now replaced on the list by a Speakers Corner LP – from the looks of it, The Absolute Sound is going deaf in its old agestere
This VERY RARE 2 LP Shaded Dog pressing has Super Hot Stamper sound. Much of what’s good about Golden Age recordings is heard here, with side one for example having the sound of a HUGE hall and that Three-Dimensional quality that the best vintage recordings are able to convey so well.
We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as this by the score every month and can hear what they do so well. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.
Such qualities allow this record to sound — in some ways, to be sure not all — like live music. Heavy Vinyl just plain doesn’t. (more…)
A distinguished member of the Better Records Orchestral Music Hall of Fame.
This London UK pressing (not the Decca as shown in the picture) from 1967 has Hot Stamper sound on both sides. Some of what we’ve always liked about Decca/London from the period (mid- to late-’60s, in this case 1967) can be heard on this pressing: transparency; the texture on the strings; the natural timbre of the instruments.
These London pressings are quite hard to find in our experience. The music is wonderful throughout, perhaps the reason that so few of these have found their way to the record bins here in L.A. (more…)