A distinguished member of the Better Records Orchestral Music Hall of Fame.
A dynamic and excellent pressing. This record has lovely string tone. Lots of tubey magic. Not one of the rarest Londons, but certainly one of the most enjoyable.
[This is a very old commentary so take it for what it’s worth.]
Sonic Grade: C or Better
Probably a fairly good Classic Records album. When I played this record years ago I thought it was one of the better Classic RCA titles. You can be sure it won’t sound like the original — [almost] no Classic record does — but it might be pretty good all things considered (since the original sells for well over a thousand dollars!). Ansermet is the king of the ballet here and the Decca engineers do him proud. (more…)
A distinguished member of the Better Records Orchestral Music Hall of Fame.
This RCA Plum Label Victorla has an AMAZING SOUNDING side one — it’s unbelievably spacious and three-dimensional with depth that goes on for DAYS.
Side one earned its two pluses with the kind of spacious, rich, sweet sound you’ve come to expect from Super Hot Stampers. Note the correct sounding tape hiss — a dead giveaway that the highs are going to be correct. (Funny tape hiss is the hallmark of Classic Records and Mobile Fidelity, a dead giveaway that their highs will be phony and boosted.)
Side two would earn an A++ grade for the Delibes work that starts out the side. The strings are ever so slightly steely compared to side one, but in most respects the two sides sound quite similar. Giselle, the other work on side two, is not as good. It suffers from compressor distortion in the loud passages. It would earn about an A+ grade if we graded the two works separately. (more…)
A distinguished member of the Better Records Orchestral Music Hall of Fame.
This is a QUIET RCA Soria Shaded Dog Box Set with some of the BEST SOUND I HAVE EVER HEARD for this music on Disc One. This is truly DEMONSTRATION QUALITY SOUND if what you are demonstrating is not the merely Hi-Fi, but the relaxed beauty and naturalness of what many consider to be the finest example of Living Stereo Magic brought to the greatest performances of ballet music ever committed to tape.
Allow me to paraphrase some commentary from another Shaded Dog (8972307) we currently have up on the site:
This record shows off Living Stereo sound at its best. The full range of colors of the orchestra are here presented with remarkable clarity, dynamic contrast, spaciousness, sweetness, and timbral accuracy. If you want to demonstrate to a novice listener why modern recordings are unsatisfactory, all you have to do is play this record for them. No CD ever sounded like this.
I don’t think the RCA engineers can cut this record any better — it has all the Living Stereo magic one could ask for, as well as the bass and dynamics that are missing from so many other vintage Golden Age records. This is pretty much as good as it gets, folks.
All of which is true. The interesting thing about the Royal Gala Ballet Box is how FEW of them sound as good as their press would have you think. And the little shootout we conducted for this set was more evidence of this very fact. (more…)
A distinguished member of the Better Records Orchestral Music Hall of Fame.
Very good sound from the Master Ballet Conductor, Ernest Ansermet, with only a few slightly bright passages marring an otherwise wonderful recording.
A distinguished member of the Better Records Orchestral Music Hall of Fame.
[This is a very old commentary so take it for what it’s worth.]
DEMO QUALITY SOUND for this early London Mono pressing.
Side one of this record sounds incredible! The sound is absolutely top notch. Check out the brass — it has the solid weight of the real thing.
This is the kind of record that the mono cartridge owners of the world worship. And for good reason. But you don’t need to have a mono cartridge to hear how good — in fact, how much BETTER — this copy sounds than the stereo pressing.
I found out about mono classical records one day when I got a mono copy of The Power Of The Orchestra, VCS 2659. It sounded better than any stereo recording of that work I had ever heard. All the instruments were so much more solid sounding, so palpable, so free from distortion, that it made me recognize for the first time what the mono record lovers of the world were talking about. That was ten years ago. Since then many high end mono cartridges have come on the market, specifically to bring out that sound. (more…)
A distinguished member of the Better Records Orchestral Music Hall of Fame.
DEMO DISC QUALITY SOUND. This record was thoroughly enjoyed by its previous owner and I know why: it’s great! This title is also extremely rare for some reason. One of the top five Vics. Look for a clean one; you won’t be disappointed.
[This is a very old commentary so take it for what it’s worth.]
A distinguished member of the Better Records Orchestral Music Hall of Fame.
Once again, the right Decca reissue blows the doors off the original we played. This has lately become a pattern, but keep in mind it’s a pattern that’s reliable less than half the time, if memory is any guide. Many of the Decca reissues we’ve played over the last few years have failed badly in a head to head with their earlier-mastered and -pressed counterparts. But the ones that beat all comers are the ones that stick in our minds and show up on our site. Clearly a case of confirmation bias, but at least we know something about our own biases.
Record collectors and record collecting audiophiles will tell you it shouldn’t happen, but fools like us, who refuse to accept the prognostications of those supposedly “in the know,” have done the work and come up with the experimental data that’s proven them wrong again and again.
Sort of. We had one, and only one, pressing of the original London (CS 6185), and boy was it a mess — crude as crude can be. It sounded just like an “old record” — we’ve played them by the thousands, so we know that sound fairly well at this stage of the game — not the Decca engineered and mastered vintage collectible we know it to be. (more…)
