- Carney as a recording is classic analog from 1972 – the best vintage copies are exceptionally rich, solid and smooth
- Russell’s highest charting album, making it all the way to Number Two if you can believe that, no doubt on the strength of the hit single, “Tight Rope,’ but “This Masquerade” is on here too
- “The music is good, the lyrics are entertaining, the album worthwhile. Leon Russell – the only man around that can pull it off when he’s not trying.” – Cameron Crowe (San Diego Door, Aug. 1972)
- More Must Own titles from 1972 can be found here.
- The overall sound here is rich, full-bodied and musical with lots of Tubey Magic and a solid bottom end; the perfect sound for this laid-back blues-rock
- If you like Dire Straits, try this one – J.J. Cale and Mark Knopfler have a lot in common, probably more than you think
- “While Cale remains the ultimate laid-back Blues artist, he still manages to conjure up the spirit of Country, Soul and subdued Funk in each of the tracks on 5, making this album one of the best loved in his catalog.”
This commentary was written way back in 2011 after playing the best sounding copy of the album we had ever heard up to that point.
For those who may be interested, we offer some unsolicited audio advice toward the end of our review regarding what kind of stereo is not appropriate for Tom Petty’s albums..
Our story from 2011:
This Minty looking Shelter original LP has THE TWO BEST SOUNDING SIDES we have ever heard for this album! It’s a freak in the world of Tom Petty records, which tend to have NO good sounding sides.
And this is the band’s MASTERPIECE to boot, with four or five of their best and Hardest Rockin’ songs.
Both sides come flyin’ out of the gate with straight ahead rockers that have the Big Sound we go crazy for here at Better Records.
Side one was so unbelievable that we had to award it the rare Four Plus (A++++) rating.
Of course the sound is punchy and alive — with Hot Stampers, what else would they be? — but where did all that studio ambience come from?
Simple: the best copies have the RESOLUTION that’s missing from the average pressing. You know the kind of run-of-the-mill LP I’m talking about: punchy but crude and just a bit too aggressive to really enjoy.
Oh, but not this bad boy. Sweetly textured guitars, breathy vocals — all the subtleties of a Top Quality Recording are here, along with prodigious amounts of bass and powerful dynamics. (Check out that drum sound!)
If you can play this one good and loud you will be shocked at how good it sounds.
I’ve paraphrased a bit of commentary from Aja for this listing where we discussed the kind of changes we needed to go through here at Better Records to make it possible to play a hard-drivin’ rock record like this one and get it to sound the way we always wanted it to.
We Now Return to The Revolution, Which Is Already in Progress
As audiophiles we all know that when it sounds this good, it makes you appreciate the music even more. We had to make quite a few improvements in the system before that reality hit home. The third pair of Hallographs and the new EAR 324P phono stage we brought on board since the last shootout made a HUGE difference in the sound. Aja is now without a doubt a real DEMO DISC, and I wouldn’t want to live without it. It’s a THRILL to finally hear this album sound the way it should have sounded, but for various and sundry reasons never quite did.
A World of Sound Awaits You
That’s what the Recent Revolutionary Changes in Audio link (seen at left) is all about. If you haven’t taken advantage of all the new technologies that make LP playback dramatically better than it was even five years ago, Aja won’t do what it’s supposed to do. Trust me, there’s a world of sound lurkng in the grooves of the best Aja’s that simply cannot be revealed without Disc Doctor cleaning fluids, Aurios, Hallographs, top quality front ends, big speakers and all the rest. Our playback system is designed to play records like Aja with all the size, weight and power of the real thing. We live for this kind of Big Rock sound here at Better Records. We’re prepared to do whatever it takes to play records like this with Maximum Fidelity, secure in the knowledge that a system that can play Aja can play ANYTHING.
Substitute You’re Gonna Get It! for the word Aja in the paragraphs above and you will get what I’m driving at.
Any system that can’t play a good Tom Petty album has no business being owned by anyone, let alone an audiophile.
That meaty bottom end, those perfectly distorted guitars — find equipment that can play that stuff right and buy it.
Don’t settle for some wimpy audiophile bullshit system.
Get a system that lets you play the music YOU love, not the music your stereo dealer likes to play in his showroom.
His first and best album, engineered by our man Glyn Johns, but it only sounds this brilliant on these UK original pressings – the domestic LPs are dead on arrival
Delta Lady, A Song for You and Roll Away the Stone are all here, which makes this a true Must Own for fans of the Classic Era.
The best copies of Russell’s debut album have excellent sound, as expected from a record engineered by Glyn Johns in 1970. Surprisingly, a number of copies suffered from somewhat dry sound, especially in the vocals. Our best copies are rich and Tubey Magical, which is the sound these songs need in order to sound their best.
Domestic Vs. Import
The domestic pressings of Leon Russell’s debut that we’d auditioned over the years always seemed flat, dry, and closed-in. We know that sound well; it’s the sound you hear on records that have been made from dubbed tapes (and it’s the hallmark of the modern Heavy Vinyl reissue, truth be told). That sound bores us to tears, and had us questioning what we could possibly have seen in the album in the first place. What happened to the glorious sound of early ’70s analog we were expecting to find?
It was only when we dropped the needle on a good British copy that the scales fell from our eyes. We found ourselves dumbfounded by the truly wonderful Tubey Magical richness, space and clarity of the real master tape. Finally, the key to the mystery had been found.
American artist, American pressing? A good rule of thumb but one that breaks down badly on this album, and for one obvious reason: the very British engineering of Glyn Johns.
- Cale fans take note: this early Shelter pressing was doing almost everything right — rich, full and musical with great bass
- Eric Clapton described the man as “one of the most important artists in the history of rock.”
- 4 1/2 Stars: “J.J. Cale’s albums are so steeped in his introspective style that they become interchangeable. If you like one of them, chances are you’ll want to have them all.”
If you’re hankerin’ to hear Cocaine on the authentic original, you will really have to work hard to hear it sound any better than it does on this pressing.
Wikipedia lists his many styles as “Americana, Cajun, blues, swamp rock, country rock, Red Dirt, Tulsa Sound” but we think Americana is probably all you really need.
- Musically it’s surely the best record Tom Petty ever made – a late ’70s Rock Classic
- Three of Petty’s best songs are on this one – Restless, I Need To Know and Listen To Her Heart – and they sound amazing
- “Overall, the current LP boasts an impressive stylistic cohesiveness with its predecessor, but what makes the album exciting are the fresh hints of openness and expansion just beneath the surface. The rhythms are a bit looser, and there’s a new emphasis on Petty’s rough, driving, rock & roll guitar in the mix.” Rolling Stone
Vintage covers for this album are hard to find in exceptionally clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG.
Sweetly textured guitars, breathy vocals — all the subtleties of a High Quality Recording are here, along with prodigious amounts of bass and powerful dynamics. Check out that drum sound! If you can play this one at the levels it demands you might just be shocked at how good it sounds. (more…)
- You’ll find excellent Double Plus (A++) from first note to last on this original British pressing
- Engineered by Andy and Glyn Johns, this is his best sounding album, especially on a copy that sounds as good as this one does
- No other Leon Russell album has the richness, the sweetness, and the Tubey Magic of this, his second album from 1971
- “Russell practically invented what might as well be called Okie rock — with that shit-kicker Gospel sound, heavy on Baptist-revival piano and chorus [a template Elton John found more than a little useful for his first ten albums or so] – and it gets as good on this album as you’ll ever hear.”
Stranger in a Strange Land, which leads off side one, might just be the best song the man ever wrote. What a joy it is to hear it sound so big and powerful.
Domestic Vs. Import
The domestic pressings of Leon Russell and the Shelter People that we’d auditioned over the years always seemed flat, dry, and closed-in. We know that sound well; it’s the sound you hear on records that have been made from dubbed tapes (and it’s the hallmark of the modern Heavy Vinyl reissue, truth be told). It bores us to tears, and had us questioning what we could possibly have seen in the album in the first place. What happened to the glorious sound of early ’70s analog we were expecting to find? (more…)
- You’ll find outstanding Double Plus (A++) sound from first note to last on this superb copy of the Tom and the band’s debut album – exceptionally quiet vinyl too
- The sound is present and punchy with excellent bass, freedom from grain and real rockin’ energy
- 4 1/2 stars: “Petty & the Heartbreakers feel underground on this album, at least to the extent that power pop was underground in 1976… the highlights — ‘Rockin’ Around (With You),’ ‘Hometown Blues,’ ‘The Wild One, Forever,’ the AOR staples ‘Breakdown’ and ‘American Girl’ — still illustrate how refreshing Petty & the Heartbreakers sounded in 1976.”
This is the classic first album, with two of their best songs: Breakdown and American Girl. It’s straight ahead rock and roll, with sonics to match. This is not purely an audiophile album. But when you find a copy with Hot Stampers, the elements start to work together, and the good far outweighs the bad. If somebody tried to EQ this album differently, they’d probably end up taking away some of the Raw Rock Energy. (more…)
- This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
- His first and best album, engineered by our man Glyn Johns, but it only sounds as brilliant as it should on the right UK original pressings – the domestic LPs are dead on arrival
- Delta Lady, A Song for You and Roll Away the Stone are all here, which makes this a true Must Own for fans of the Classic Era
- 4 1/2 stars: “Leon Russell never quite hit all the right notes the way he did on his eponymous debut. He never again seemed as convincing in his grasp of Americana music and themes, never again seemed as individual, and never again did his limited, slurred bluesy voice seem as ingratiating.”
*NOTE: On side one, Track 1, A Song For You, plays M– to EX++.
Forget the dubby domestic pressings and whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of Leon’s wonderful debut album, a vintage UK pressing like this one is the only way to go.
The best copies of Russell’s debut album have excellent sound, as expected from a record engineered by Glyn Johns in 1970. Surprisingly, a number of UK copies suffered from somewhat dry sound, especially in the vocals. Our best copies are rich and Tubey Magical, which is what these songs need to have in order to sound their best. (more…)
- This pressing boasts very good Hot Stamper sound from the first note to last – fairly quiet vinyl too
- Plenty of top notch songs that were later covered by other artists — I Got The Same Old Blues, Anyway The Wind Blows and Cajun Moon, to name a few.
- If you’re a fan of the low-key bluesy vibe of Troubadour and Naturally, you’ll find much to like here
This vintage Shelter Recording pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)