Top Artists – Michael McDonald

Christopher Cross / Self-Titled

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  • The best pressings fuller, bigger, more lively and more Tubey Magical, in the best tradition of glossy late-’70s pop productions
  • This one swept the Grammy awards, with great songs including Sailing, Ride Like The Wind and Never Be The Same – Michael McDonald’s gorgeous harmonies are the icing on the cake
  • “While the hits like the dreamy “Sailing” and the surging “Ride Like the Wind” deserved all the attention, they’re hardly the only highlights here — to borrow a sports metaphor, this has a deep bench, and there’s not a weak moment here

If you like Michael McDonald, Toto, The Doobies, Hall and Oates, The Bee Gees and countless other bands we have lovingly found a home for on our site, you will no doubt find much to like here. A guilty pleasure you say? When a record sounds this good there is nothing to feel guilty about.

Besides Michael McDonald’s amazing background vocals, listen for the contribution Michael Omartian (the producer) makes on the keyboards. The keyboards more than the guitars are really the driving force behind these songs. If you hear some Aja in his playing, that’s because he played on Aja too. He was also instrumental in many of the Direct to Discs Sheffield made, I’ve Got the Music in Me probably being the best known of the batch. (more…)

Christopher Cross – Listening for Choruses that Are Big, Clear, and Lively

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Hot Stamper Albums with Choruses that Are Big and Clear

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

There’s one test on side two that few copies do well on. The mostly instrumental section in the middle of Ride Like the Wind has a huge chorus singing in a wonderfully reverberant studio. Only the most transparent, most distortion-free copies let you clearly hear all their voices bouncing off the walls.

Take any two copies and listen for just this one effect and you will soon see that no two copies reproduce the reverberations identically, and many barely reproduce them at all.

Overall

The sound is full, rich, lively and even Tubey Magical in the best tradition of the glossy Pop Productions that were all the rage in the late-’70s. If you like Michael McDonald, Toto, The Doobies, Hall and Oates, The Bee Gees and countless other bands we have lovingly found a home for in our Hot Stamper sections you will no doubt find much to like here.

A guilty pleasure you say? When a record sounds this good there is nothing to feel guilty about!

(more…)

The Doobie Brothers – Takin’ It To The Streets

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
  • With the awesome Michael McDonald contributing a batch of great songs, not to mention some Blue Eyed Soul-ful vocals, this has long been a favorite Doobies album here at Better Records
  • Credit must go to Donn Landee for the full-bodied, rich, smooth, oh-so-analog sound of Hot Stamper pressings such as this one
  • 4 1/2 stars: “…shows off the new interplay and sounds that were to carry the group into the 1980s, with gorgeous playing and singing all around.”

Who in his right mind thought this record could sound this good? We’ve been buying pressings for years, with very little to show for it. Most copies have no real top or bottom; that’s what separates the men from the boys on Takin’ It to the Streets. That shrunken, flat, two-dimensional, lifeless, compressed, midrangy sound you’re so used to hearing on Doobies Brothers albums is the rule, and these sides are the exceptions.

Why go to all the trouble? Because we love the album! This is the first album to feature Michael McDonald’s infusion of white soul into what was otherwise just another radio-friendly boogie rock band, and ’70s soul is precisely the Doobies sound we love here at Better Records.

Most copies of this record are such a letdown, it’s hard to imagine that many audiophiles could be bothered to take it seriously. But they should; the band cooks on practically every song, and the writing is some of their best, with essential Doobies tracks like Losin’ End and It Keeps You Runnin’ and no real dogs in the bunch. (more…)

The Doobie Brothers – Livin’ On The Fault Line

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  • An excellent copy that earned Double Plus (A++) sonic grades on both sides – it’s big, rich and solid
  • Exceptionally quiet vinyl too – we can’t find them any quieter
  • The best songs here can hold their own with anything from Minute by Minute and Takin’ It to the Streets
  • A sophisticated, soulful pop album from the Michael McDonald era with far too many great songs to list
  • 4 stars: “Some of the most challenging and well-developed music of the band’s career.”

If you’re a fan of this brand of sophisticated, soulful pop music, this is as good an album as any from the Michael McDonald era. We think the best songs here can hold their own with anything from Minute by Minute and Takin’ It to the Streets. And with Hot Stamper sound, now you can actually enjoy the album as an audiophile quality recording. (more…)

Michael McDonald – If That’s What It Takes

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  • Insanely good Shootout Winning Triple Plus (A+++) sound from start to finish for Michael McDonald’s Masterpiece and on fairly quiet vinyl to boot
  • Both of these sides are incredibly clean, clear, spacious and dynamic with excellent clarity, tons of energy and a big punchy bottom end
  • One of the All Time Great Jeff Porcaro Drum Exhibition Records (with the equally amazing Steve Gadd handling the other tracks)
  • Some of the best Pop Rock engineering of all time, courtesy of Lee Herschberg and Donn Landee
  • 4 1/2 stars on Allmusic – more importantly, this is a dramatically better album than anything the Doobies ever released

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Steely Dan – Katy Lied – Our Four Plus Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This White Hot Stamper side one is an ABSOLUTE KNOCKOUT. Even our usual top grade of A Triple Plus was not enough to tell the story, so we awarded this side one the rare Four Plus (A++++) grade. The sound is HUGE — big, bold, dynamic, and lively. The clarity and transparency exceeded all our expectations; we felt as if we were hearing every last Steely Dan-sweated detail. The overall sound is natural, relaxed, and musical. The highs are as sweet as they come (which is not as sweet as they should have been, more about that later) and the bottom end has the weight and punch this music needs to rock.

(Although rocking is not quite what Steely Dan are up to here. Cameron Crowe calls it “…absolutely impeccable swing-pop”, a four word description that gets to the heart of the music far better than any combination of words containing the word “rock”. )

One quality this copy had that no other copy in our shootout managed to convey: on Chain Lightning the voices stretch from wall to wall and fill out the space between the speakers like we have never heard before! Wow. On this copy that song is a Demo Disc Quality Thrill like you will not believe.

A Tough Nut? You Better Believe It

This is one of the TOUGHEST NUTS TO CRACK in the entire Steely Dan catalog, if not THE toughest. We manage to do this album about once a year; it takes us at least that long to find a dozen or so clean, decent-sounding original copies. Most copies are beat and most copies don’t sound good anyway.

It’s easy to blame DBX for the bad sound of so many copies, but this is a cop-out. Most of the bad sound comes from ABC’s bad pressings. This music can sound awfully good; more than enough proof can be provided by simply playing this amazing side two.

Side Two

This side two earned an A++ gradfe. It was one of the few copies we played with real extension on the top end, a serious shortcoming on practically every copy we auditioned. The music on this side comes ALIVE like nobody’s business.

You will have no trouble hearing why we fell in love with this copy. The sound is so RICH and FULL. This is, more than anything else, what Katy Lied really gets right. The pianos and congas and toms have tremendous weight and body, along with plenty of rhythmic energy to drive the music. Everything is working so well you may find yourself singing along with abandon to classics like Everyone’s Gone to the Movies and Chain Lightning. We did.

Michael McDonald is a wonderful accompanist. His soaring harmonies on this album are breathtaking, even more so here than on Aja.

Of special note is Phil Woods’ sax solo on Doctor Wu. On most copies it is too thin, with not enough body, too much bite and sourness or hardness, but here it is smooth and natural — easy on the ears you might say. (more…)

Letter of the Week – Troubadour and Christopher Cross

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

As a coda, I just played my existing copies of Troubador and Christopher Cross against new arrivals from the South. [That’s us.]

Troubador was a new heavy vinyl pressing. Cross was my ‘shootout’ winning copy out of 4. Both times I played my copy and said, “Man that’s gonna be tough to beat.”

Then I put on the Better Records – and proceeded to repeat the word “Wow!” about fifty times.

D


Troubadour

Christopher Cross

The Doobie Brothers Minute By Minute – Nautilus Reviewed

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Sonic Grade: D

A Hall of Shame pressing and another Half Speed debunked.

You may remember reading on the site that we used to like the Nautilus Half-Speed of this title. Playing our Nautilus copy against the better domestic pressings made us wonder what the hell we must have been smoking. The Nautilus was awful — veiled and compressed, with a lightweight bottom end. (The Nautilus of Threshold of a Dream is another one we used to like and boy does that record sound awful these days.)

Maybe we had played a better copy years ago, or maybe we had played some really bad domestics back then, who can say? A lot of water has gone under the bridge since then. All we can say for now is that our Hot Stampers are going to blow that audiophile piece of junk — and any other pressing of the album that might exist — right out of the water. (Or your money back.)

And the gold CD too of course. I have never in my life heard a CD sound like this record does, and I don’t think anyone else has either. CDs do some things reasonably well, but few of them have the kind of richness, sweetness and tubey magic that the best vinyl copies of this album do, cleaned right and played on a proper stereo of course. (more…)

The Doobie Brothers – Takin’ It To The Streets

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  • You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this 1976 release – exceptionally quiet vinyl too 
  • With the awesome Michael McDonald contributing songs and vocals, this is the kind of Doobies album we can get behind 
  • Credit must go to Donn Landee for the full-bodied, rich, smooth, oh-so-analog sound of the best pressings such as this one 
  • 4 1/2 stars: “…shows off the new interplay and sounds that were to carry the group into the 1980s, with gorgeous playing and singing all around.”

Who in his right mind thought this record could sound this good? We’ve been buying pressings for years, with very little to show for it. Most copies have no real top or bottom; that’s what separates the men from the boys on Takin’ It to the Streets. That shrunken, flat, two-dimensional, lifeless, compressed, midrangy sound you’re so used to hearing on Doobies Brothers albums is the rule, and these sides are the exceptions.

Why go to all the trouble? Because we love the album! This is the first album to feature Michael McDonald’s infusion of white soul into what was otherwise just another radio-friendly boogie rock band, and ’70s soul is precisely the Doobies sound we love here at Better Records.

Most copies of this record are such a letdown, it’s hard to imagine that many audiophiles could be bothered to take it seriously. But they should; the band cooks on practically every song, and the writing is some of their best, with essential Doobies tracks like Losin’ End and It Keeps You Runnin’ and no real dogs in the bunch. (more…)

The Doobie Brothers – Minute By Minute

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Minute By Minute

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  • Incredible sound on both sides and the first “Triple Triple” (A+++) copy to hit the site in years!
  • Open Your Eyes, What A Fool Believes and the title track all sound wonderful here
  • The sound is dramatically bigger, richer, livelier and smoother than every other copy we played it against   
  • An Audiophile Quality Pop Music Production as close to perfect as one can ask for, thanks to Ted Templeman and Donn Landee  

This is undoubtedly the band’s masterpiece, assuming you’re a Michael McDonald fan, and we very much are fans here at Better Records. We can now definitively say that the quality of the sound matches the quality of the music. What a wonderful sounding pop record. This is Donn Landee at his best — tonally correct, spacious, clear and sweet, with big bass and vocal choruses that can really take off when called upon. With Ted Templeman running the show this is an Audiophile Quality Pop Music Production that’s as close to perfect as one has any right to expect. (more…)