Top Artists – Queen

Queen – The Game

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  • This outstanding pressing boasts solid Double Plus (A++) sound from the first note to last
  • Some of the best sound Queen achieved in the studio, thanks to talented engineer Rienhold Mack
  • Plenty of hits here, including Another One Bites The Dust and Crazy Little Thing Called Love, which both sound amazing on this Super Hot Stamper
  • 4 1/2 stars: “… the striking difference with this album is that it finds Queen turning decidedly, decisively pop, and it’s a grand, state-of-the-art circa 1980 pop album that still stands as one of the band’s most enjoyable records.”

Throughout this copy, you get solid bass, Tubey Magic, breathy vocals and BIG BOLD sound.

Compared to most of the copies we played, these sides have more energy, bigger bass and even more present and breathy vocals. This is without a doubt some of the best sound we have ever heard for Queen, no ifs, ands or buts about it.

The quality of bass on this record is often superb. The best copies were Demo Discs in that regard.) You have probably never heard Queen sound this good. 

Take it from us, the guys who play nothing but vintage vinyl all day: not many Queen records sound as good as The Game. (more…)

Queen – A Night at the Opera

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  • This stunning copy of Queen’s Masterpiece boasts Shootout Winning Triple Plus (A+++) sound from start to finish
  • Both sides are exceptionally quiet – this is some of the best sound and quietest vinyl we have ever heard for the album
  • HUGE with WHOMP like nothing you have ever heard – finally, the code has been cracked (but the right British pressings are sure hard to find)
  • 5 stars: “But the appeal of A Night at the Opera is in its detailed, meticulous productions. It’s prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else.”

Although we wish it were not the case, for some reason it’s unusually difficult to find good-sounding Queen albums, which is why you rarely see most of their better titles on the site. (News of the World and The Game are exceptions to that rule; they’re much easier to find with good sound, especially The Game.)

Not to worry. We’ve done our homework (which simply involves finding, cleaning and playing a big stack of British pressings from different eras) and found you the copy that has all of the Queen Magic you heard in your head (and only in your head) while Bohemian Rhapsody was playing on the radio.

Here’s the pressing that finally can let you hear that BIG, BOLD sound in your very own listening room. You can even play it for your audiophile friends now. (more…)

Queen – The Game – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Two SUPERB SIDES with side one beating all comers to achieve White Hot Stamper status! Throughout this copy you get solid bass, tubey magic, breathy vocals and BIG BOLD sound!

But watch out: this side one kicks it up to a whole ‘nother level, with BIGGER energy, BIGGER bass and even more PRESENT and breathy vocals from Mr. Mercury. This is without a doubt some of the best sound we have ever heard for Queen, no ifs, ands or buts about it.

When reading the above it’s best to keep this in mind: The Game may be the BEST SOUNDING record Queen ever made. The Dirty Little Secret of Queen’s recorded output is that they are mostly pretty mediocre, and often downright dreadful.

Do you see a lot of them going up on the site? No? Well, there’s a reason for that. As much as people love Queen, we just can’t seem to find pressings that do their music justice. Take A Night at the Opera for example. Is this a good sounding record? I’ve played twenty of them over the last ten years — imports, domestics, the DCC, the MoFi – and NONE of them sounding particularly good to me. Don’t rely on your memory. Pull out your own copy and listen closely; you should hear the distortion and smearing and transistory grain that’s there on all the copies I’ve played. It’s a record that’s trying to sound good but just doesn’t, so far anyway. Hope springs eternal.

[This is no longer true, the Hot Stampers were discovered a few years back!] (more…)

Queen – A Night at the Opera

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Triple Plus (A+++) on side one and nearly that on side two (A++ to A+++) make this the best copy to ever hit the site. The sound is HUGE with WHOMP like nothing you have ever heard on this album – finally, the code has been cracked.

We noted on the site last time around:

As we are fond of pointing out (although we wish it were not the case), for some reason it’s incredibly tough to find good-sounding Queen albums, which is why you almost never see them on the site. (News of the World and The Game are much easier to find with good sound.)

Most of the copies of this album we played weren’t even worth putting a grade on. We wouldn’t bother trying to sell a record that sounded as bad as those dogs. This copy gets it mostly right and that alone makes it exceptional. For Queen, mostly right is hard to come by.

All that is still true, but here’s the copy that has all of the Queen Magic you heard in your head — and only in your head — while Bohemian Rhapsody was playing on the radio.

Here’s the pressing that finally can let you hear that BIG, BOLD sound in your very own listening room. You can even play it for your audiophile friends now. (more…)

Queen / Jazz – Rockin’ Out with Fat Bottomed Girls

More Queen

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There is a tendency in the recording to be a little “hot” tonally on the vocals and snare. The better copies like this one keep it under control, with the lesser copies getting much too lean and gritty to play loudly. What good is a raver like Fat Bottomed Girls if you can’t turn it up and really rock out with it? 

Roy Thomas Baker is back on the scene here for Jazz, his first production with the band since 1975’s A Night at the Opera, and the last time he would work with Freddie and the boys.

On side one check out the low harmony vocal on the first track. The big kick drum is also a treat. RTB loves his bass, that’s for sure.

Both sides should have an open, extended top end and a solid, rich bottom. Our best copies were big and clear with plenty of rock bottom end and Whomp Factor.

We Love Dynamic Choruses, and These Are Amazing

This is one of the rare pop/rock albums that dramatically changes levels as it moves from the verses to the choruses of many its songs, especially the anthemic Fat Bottomed Girls. Mustapha, the first track on side one, has a huge finish as well. It can take a record like this to open your ears to how compressed practically every rock album you own is.

The sad fact of the matter is that most mixes for rock and pop recordings are just too safe. The engineers and producers believe that the mixes have to be safe for the average (read: crap) stereo to play the record.

We like when music gets loud. It gets loud in live performance — why shouldn’t most of that wonderful energy make it to the record? (more…)

Queen – Queen

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  • With a seriously good Double Plus (A++) side two and a side one that’s close to it, this original pressing has the analog magic in its grooves
  • Both sides here are big, full-bodied, clear and spacious with a nice bottom end and plenty of rock energy
  • “Almost every one of Queen’s signatures are already present, from Freddie Mercury’s operatic harmonies to Brian May’s rich, orchestral guitar overdubs and the suite-like structures of “Great King Rat”… It showcases the band in all their ornate splendor yet it’s strangely lean and hard, revealing just how good the band was in their early days as a hard rock band.”
  • Plays with surfaces as quiet as any we can find on both sides – Mint Minus to Mint Minus Minus

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Queen – News Of The World – Stomping and Clapping with the Fans

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of NOTW.

Side one starts out with Queen’s back-to-back anthemic classics, “We Will Rock You” and “We Are the Champions”. Does it get any better for a Queen fan? Hell no! 

The stomps and claps that introduce the former should make you feel like you are in a stadium full of people with a single goal – to rock you. Those stomps and claps need weight and clarity, an unusual combination. One without the other is not going to cut it.

The record needs to be able to reproduce the room everybody is in, while still conveying the tremendous impact and power. Most domestic pressings are severely lacking in these areas. This kind of anemia can be frustrating — you want to rock but the sound won’t let you.

Another quality our best copies excelled in was the sound of Brian May’s guitar during his solo toward the end of the song. Here his tone is very boxy with no real highs or lows, but when that sound is exaggerated by bad mastering, it sounds like there are mattresses sitting in front of his amplifiers. The best copies had extension on the high end, restoring the clarity and complimenting his distinctive technique. (more…)

Queen – Hot Space


Our White Hot Shootout Winner for 2017

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  • Triple Plus (A+++) on side one, Double Plus (A++) on side two, this copy took top honors in our recent shootout
  • The best copies – like this one – have plenty of bass and are smoother and fuller than the others
  • Disco, funk, rhythm and blues, dance and pop music all found their way onto this 1982 release
  • The monster hit Under Pressure with none other than Mr David Bowie closes out side two

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Queen – Hot Space

More Queen

More Hot Space

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  • With Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus (A++) side two, this copy of Hot Space took top honors in our recent shootout
  • The best pressings – like this one – have plenty of bass and are smoother and fuller than the rest
  • Disco, funk, rhythm and blues, dance and pop music all found their way onto this 1982 release -the monster hit Under Pressure with none other than Mr. David Bowie closes out side two
  • “Hot Space is an essential cog for Queen completists… [it] has invention and ideas to spare.”

Queen albums in general are notoriously hard to find good sound for, and Queen albums from 1982 are probably even harder.

We’re guessing this album’s appeal is probably limited to fans of the band, but for those of you who want something different, or to hear Under Pressure sound good, we offer Hot Space with White Hot Stamper sound. (more…)

Queen – A Day At the Races

More Queen

More A Day At the Races

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  • With two seriously good Double Plus (A++) sides, this copy was one of the best we played in our recent shootout
  • Tie Your Mother Down and Somebody to Love are both wonderful sounding on this EARLY British pressing
  • It’s incredibly difficult to find big, bold, lively sound like this for Queen – it takes us years to do the shootout
  • “Its sleek, streamlined finish is the biggest indication that Queen has entered a new phase, where they’re globe-conquering titans instead of underdogs on the make.”

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