Factory Sealed CS 6734 with the super rare Pioneer spacecraft booklet inside the shrink!
There’s a very good chance this is the last such copy on the planet. I have never seen one before, and I remember when this record came out, so probably few were made with this special booklet included. I’m guessing it has about a dozen pages or so, and probably talks about the Pioneer mission to Jupiter.
“Launched on 2 March 1972, Pioneer 10 was the first spacecraft to travel through the Asteroid belt, and the first spacecraft to make direct observations and obtain close-up images of Jupiter. Famed as the most remote object ever made by man through most of its mission, Pioneer 10 is now over 8 billion miles away.”
You’ll find superb Double Plus (A++) sound on both sides of this relatively quiet UK pressing
Includes two of our favorites: (Gotta Get A) Meal Ticket and the massive hit Someone Saved My Life Tonight
5 stars: “Elton John and Bernie Taupin recalled their rise to power in Captain Fantastic and the Brown Dirt Cowboy, their first explicitly conceptual effort since Tumbleweed Connection. It’s no coincidence that it’s their best album since then, showcasing each at the peak of his power, as John crafts supple, elastic, versatile pop and Taupin’s inscrutable wordplay is evocative, even moving.”
It isn’t easy to find clean early British copies of Captain Fantastic & the Brown Dirt Cowboy these days, let alone ones that actually sound very good, but this copy proves that it can be done. It’s killer on both sides.(more…)
Chesky is one of the WORST AUDIOPHILE LABELS in the history of the world. Their recordings are so artificial and “wrong” that they defy understanding. That some audiophiles actually buy into this junk sound is equal parts astonishing and depressing. Their own records are a joke, and their remasterings of the RCA Living Stereo catalog are an abomination. If there is a more CLUELESS audiophile label on the planet, I don’t know what it could be, and I don’t want to find out.
These are just some of the recordings by Chet Baker that we’ve auditioned recently and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.
A Free Service provided to the Audiophile Public, courtesy of Better Records.+
KEN SCOTT is one of our favorite record engineers and producers. Click on the link to find the albums on our site that Ken worked on, along with plenty of our commentaries about the sound of his recordings.
Ken Scott (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century, Truth, Birds of Fire) is the man responsible for the sound of many of our All Time Favorite Albums here at Better Records.
The kind of Tubey Magical richness, smoothness and fullness he achieved at Trident in the early ’70s has never been equaled elsewhere in our opinion.
In 2008 I had the opportunity to hear Ken speak at an AES meeting here in Los Angeles. I won’t bore you by trying to recap his talk, but if it ever comes out on youtube or the like, you should definitely check it out. The Behind-The-Scenes discussion of these artists and their recordings was a thrill for someone like me who has been playing and enjoying the hell out of most of his albums for more than thirty years.
Many can be found in our Rock and Pop Top 100 List of Best Sounding Albums with the Best Music (limited to titles that we can actually find sufficient copies of with which to do our Hot Stamper shootouts).
You’ll find superb Double Plus (A++) sound or close to it from first note to last on this vastly underrated Rod Stewart classic
One of the few to hit our site in the last four years, and for that we apologize – Atlantic Crossing should be enjoyed by everyone in Hot Stamper form
This is some of the best Muscle Shoals rock- and soul-inflected pop from producer Tom Dowd we know of
AMG raves that “Three Time Loser and Stone Cold Sober catch fire,” and on this copy we guarantee they do
The last consistently good Rod Stewart album? Atlantic Crossing definitely gets my vote.
The copies we liked best were the biggest and richest, the least thin and dry. Many of the brighter copies also had sibilance problems which the richer and tubier ones did not.
What do the best pressings give you?
Energy for starters. What could be more important than the life of the music? The best copies rock like only “The Memphis Horns and three-quarters of Booker T. and the MG’s” can. We’ve been playing this record (at least I have) since it came out in 1975 and love the way it can sound on the better pressings.
The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
Then transient information — fast, clear, sharp attacks for the guitar notes, not the smear and thickness so common to most LPs.
Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Domestic Vs. British Vinyl
On some of the Rod Stewart albums that we happen to know well, the British pressings are clearly superior; the first two Rod Stewart albums come immediately to mind. After that, strange as it may seem, all the best pressings are domestic. This album is certainly no exception.(more…)
Casino Royale under the sway of Bernie’s penchant for bright, gritty, ambience-challenged sound? Not such a good match. There is no reissue, and there will never be a reissue, that will sound as good as a good 3s original. (And I hope it would go without saying that most copies cannot begin to do what a real Hot Stamper original can.)
As is often the case, the Classic Heavy Vinyl Reissue is simply a disgrace.
On a windy and unusually cold night in Los Angeles, each of the three musicians arrived before the session start time of 10 PM on November 28, 1975. At exactly 10 PM, The Doobie Brothers session that was going on since morning ended. Two assistants immediately started setting up for the session. The Steinway concert grand piano, delivered the previous day, was wheeled in to the center of the room and got tuned. Shelly Manne’s drum kit was assembled in a makeshift “booth.” Microphones were set up, checked and positions adjusted.(more…)
Amazing Triple Plus (A+++) sound from beginning to end for the last of Steely Dan’s insanely well recorded Classic Seven Albums
This copy offers tons of ambience, amazing richness, you-are-there immediacy, tight bass, clear guitar transients, silky highs, and truckloads of analog magic
4 stars in the AMG, 4 1/2 in Rolling Stone, and one of their Three Best Sounding Albums – a true Must Own
“Despite its coolness, the music is quite beautiful. With its crystalline keyboard textures and diaphanous group vocals, ”Gaucho” contains the sweetest music Steely Dan has ever made.” New York Times
What do these high grades give you for this album? Mindblowing, DEMO QUALITY, Steely Dan Magic, baby! Tons of ambience, amazing richness, ‘you are there’ immediacy, note-like bass, clear guitar transients, silky highs, and truckloads of analog magic. The bottom end is punchy, and even on this, their most laid-back album, the bass and energy let these songs come alive like they never have before.(more…)
A stunning Triple Plus (A+++) side two backed with a solid Double Plus (A++) side one – a remarkably good sounding early pressing
This Columbia 360 is incredibly big and present, with excellent clarity, wonderfully breathy vocals and low levels of spit (the result of clean cutting)
A Demo Disc for Tubey Magical voices and guitars, as well as a longtime Better Records Top 100 album
4 1/2 stars Allmusic: “[I]t is an achievement akin to the Beatles’ Revolver or the Beach Boys’ Pet Sounds album, and just as personal and pointed as either of those records at their respective bests.”
More superb sound from the legendary CBS 30th street studios in New York!
Turn up the volume, turn down the lights, and you’ll have one of the best — if not THE best — folk duos of All Time performing right there in your listening room for you. The sound is open, spacious, and transparent with breathy vocals and unusually low levels of spit. The strings are more dynamic than we’re used to hearing and the bottom end has a really nice weight to it.(more…)