A very strong copy of this ’60s classic, one of the few to every make it to the site – they’re hard to find!
Both sides earned Double Plus (A++) grades, putting this pressing far ahead of the pack
It’s taken us ages to find this album with anything approaching smooth, full-bodied, musical sound
5 big stars on Allmusic: “The Kink Kontroversy was a considerable leap forward in terms of quality, but it pales next to Face to Face, one of the finest collections of pop songs released during the ’60s.
Side two has four or five bubbles that make 4 or 5 light thumps under the music.
We’ve played plenty of copies of Face To Face over the years and most of them have left us cold. Let’s face it — The Kinks weren’t the most well-recorded band, so only the very best pressings of their albums can deliver sound that is both correct and audiophile-friendly. Not every album needs to be a hi-fi spectacular and that’s not what Kinks albums are about, but as audiophiles we can’t help but hope for copies that will bring the music to life without too many sonic limitations.
Most pressings are too thin, too grainy, and too gritty on the vocals. We’re willing to make some sonic sacrifices for music this good, but we can’t abide sound that leaves us wondering if the record on our table was previously played by someone with a bad needle. Of course, after hearing that same sound on so many copies, we recognized that the grit and grain were cut right on to the records.
Face To Face will never be a demo disc, but at least with our Hot Stampers is can finally sound mostly right. If you’re a Kinks fan, I’m sure you’ll agree that it’s been worth the wait.(more…)
An outstanding copy of the band’s 1973 release with solid Double Plus (A++) sound on both sides
This one knocks it out of the park – it’s lively and rich, with plenty of deep punchy bass, a nicely extended top and a huge three-dimensional soundfield
If you enjoy the classic late ’60s Kinks albums such as Village Green, Arthur, and Lola, you are going to love this album
4 1/2 stars: “An aptly titled collection; out of print for many years, there are even some Kinks cultists who have never been able to hear this ragtag but worthy collection of late-’60s and early-’70s outtakes and rarities… Kinks fans will find it quite worthwhile, and should be on the lookout for it…”
The Kinks’ 1994 live release makes its Hot Stamper debut with outstanding Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
The sound on this rare UK pressing is full-bodied and lively, with solid, present vocals, as well as excellent clarity all around
“… the bandmembers financed their acoustic greatest-hits record To the Bone themselves, releasing it on the U.K. independent label Grapevine. Naturally, Ray Davies’ songs work well in such a stripped-back setting… featuring a lovely version of “Waterloo Sunset,” possibly the most beautiful song of the rock & roll era.”
Very good Hot Stamper sound on both sides of this original STEREO copy of The Kinks’ sophomore release
There’s a healthy dose of the Tubey Magical Richness these recordings need in order to work on this copy
The monos win the shootouts but the better original stereo pressings can sound quite good on their own terms
“…this album showcased a much more sophisticated sound… it also put them right in the front of the British Invasion pack for seriousness and complexity, out in front of where the Beatles or almost any of the competition were in early 1965…”
This Original Reprise Tri-Color Steamboat Label pressing is one of the best sounding Kinks records we’ve ever had the pleasure of playing here at Better Records. It sounds nothing like the typically dull and smeary domestic Kinks LPs we are used to hearing. The overall sound is lively, musical, and natural. Drop the needle on No Return for wonderful sound and music — it’s got a bit of a Jobim vibe.
After dropping the needle on a wonderful sounding copy a few months back, we started pursuing these in the hopes of getting a proper shootout together. It didn’t happen easily or inexpensively — clean looking copies of this one go for as much as $50 in the local bins, and that’s obviously with no guarantee of good sound or quiet vinyl. We found a few good ones and a few stinkers, but this copy went beyond our expectations. It’s got punchy bass, great energy, and real texture to everything. Most copies tend to be too smooth and veiled, but this one passed our tests with flying colors.
Play David Watts or No Return on side one for the best sound, and Afternoon Tea or Waterloo Sunset on side two for the same.(more…)
A superb copy of the Kinks triumphant return to the charts, with Nearly Triple Plus (A++ to A+++) sound on side two and a solid Double Plus (A++) side one
It’s the first copy to hit the site in a year, and it plays on relatively quiet vinyl, Mint Minus to Mint Minus Minus throughout
The sound is full-bodied, lively and smooth – RL’s mastering contributes the big bottom end you want for this music
Juke Box Music represents Ray Davies’ fun and engaging pop sensibilities at their best
Rolling Stone raved that “The Kinks’ playing on Sleepwalker is easily their most powerful since ‘Lola.'”
We really enjoy the music of The Kinks here at Better Records, but most of the time the sound of their records is too mediocre (or worse) for serious audiophile listening. I love You Really Got Me as much as the next guy, but it’s insanely tough to find killer copies of old records like that. (Every now and then we manage, but regular visitors to the site know how infrequent that is.)(more…)
Here’s a rare one — a wonderful copy of an early Kinks album, in mono no less, with solid Double Plus (A++) sound or BETTER throughout
Both sides here are clean, clear, full-bodied and dynamic with excellent bass and tons of energy
Till the End of the Day was the big hit, and Where Have All the Good Times Gone is also a classic
Allmusic raves, “The Kinks came into their own as album artists — and Ray Davies fully matured as a songwriter — with The Kink Kontroversy…
We discovered the hard way that mono is the only way to go for The Kinks’ third album. The stereo version may in fact be the worst sounding stereo record compared to the mono that we have ever played.(more…)
This outstanding pressing of The Kinks excellent third album boasts solid Double Plus (A++) sound or BETTER throughout
This Reprise Pink and Green original mono pressing is lively, balanced and vibrant, with a healthy dose of the Tubey Magical Richness these tracks need in order to sound their best
Fairly quiet vinyl for a vintage Kinks record – they don’t come much quieter or sound much better than this one
“There are some terrific numbers here — not just ‘A Well Respected Man’ and ‘Dedicated Follower of Fashion,’ but the exuberant ‘Who’ll Be the Next in Line’ and ‘I Need You,’ the menacing ‘I’m Not Like Everybody Else,’ and the haunting ‘See My Friends.'”
This original mono pressing has the kind of Midrange Magic that modern records cannot begin to reproduce. Folks, that sound is gone and it ain’t coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage All Tube Analog recordings are known for — this sound.(more…)
This outstanding copy of The Kinks’ sophomore release has Shootout Winning Triple Plus (A+++) sound on the second side and solid Double Plus (A++) sound on the first
This Pink and Green Reprise original MONO pressing is lively, balanced and vibrant, with a healthy dose of the Tubey Magical Richness the Kinks’ recordings need in order to sound the way they should
4 1/2 stars: “…this album showcased a much more sophisticated sound… it also put them right in the front of the British Invasion pack for seriousness and complexity, out in front of where the Beatles or almost any of the competition were in early 1965…”