Top Artists – Ray Charles

Ray Charles and Betty Carter – DCC Heavy Vinyl Reviewed & Recommended

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Sonic Grade: B+

Folks, I have to hand it to Steve Hoffman — this is the BEST SOUNDING DCC LP we have played in years.

We’ve been harshin’ on DCC for years now. Whenever we do a shootout for The Eagles or The Doors or Bonnie Raitt or Queen or you name it, the DCC pressing almost always gets a serious drubbing from our listening panel. Not so here. This one took TOP HONORS against the other copies we played and was head and shoulders better sounding in practically every way. [The right vintage pressings beat the DCC in more recent shootouts, but we can still recommend the DCC as a very good sounding pressing.]

Do all the copies of the DCC sound this good? I would bet money right now they don’t. Folks, I’m guessing this is a Hot Stamper. It was pressed just right and all the Hoffman magic is in these grooves. But that’s just a guess, and I could easily be wrong. If you have a few copies at home, shoot them out! What, you don’t have a bunch of these? Me neither, so no shootout will probably ever be done. This album is just too rare and pricey these days.

Bottom line: We know a good record when we hear one, and this is a very good record indeed! Bravo to Steve for a job well done. 

Ray Charles – Modern Sounds In Country & Western Music Volume Two

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  • You’ll find incredible Triple Plus (A+++) sound on both sides of this stereo copy of Charles’ 1962 follow up to Modern Sounds In Country and Western Music 
  • Features Ray’s Big Band with the Raelettes on one side and the legendary Jack Halloran Singers on the other
  • Finally, here is the right sound for these acclaimed songs you know well, classics such as You Are My Sunshine; Your Cheating Heart; Oh, Lonesome Me, and nine more
  • 5 stars: “Vol. 2 defied the curse of the sequel and was just as much of an artistic triumph as its predecessor … the miracle is that Charles’ hurt, tortured, soulfully twisting voice transforms the backgrounds as well as the material; you believe what he’s singing.”

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Ray Charles & Betty Carter – Ray Charles & Betty Carter – DCC Clear Vinyl Pressing

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Sonic Grade: F

Hall of Shame pressing and another DCC LP debunked

This Dunhill Compact Classics LP pressed on CLEAR VINYL is one of DCCs earliest forays into analog production. Unfortunately it sounds like a bad CD. In fact, you can be sure that Hoffman’s CD murders it in every way. Don’t waste your money. 

Ray Charles – Soul Meeting

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Soul Meeting

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  • This outstanding pressing of Ray Charles and Milt Jackson’s 1958 collaboration boasts solid Double Plus (A++) grades or close to them on both sides – exceptionally quiet too
  • Wonderful sound from start to finish — full-bodied and warm with wonderfully sweet vocals
  • Kenny Burrell lends his innovative guitar stylings to this soulful jazz collaboration
  • 4 1/2 stars: “With Oscar Pettiford, Connie Kay, and Kenny Burrell in the various lineups, this is bluesy jazz in a laid-back manner; it surprised many hardcore R&B fans when these albums were originally issued.”

This wonderful pressing has superb sound throughout! It’s EXTREMELY rare to find a stereo copy of this title in anything but beat condition. (more…)

Ray Charles – Love Country Style – Rave Reviewed in 2007

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A distinguished member of the Better Records Rock and Jazz Hall of Fame.

This ABC White Label Promo LP is one of the BEST SOUNDING Ray Charles records we have ever heard! This is analog at its best: rich, warm and sweet with tons of TUBEY MAGIC. (more…)

Ray Charles – Have a Smile With Me

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  • With two seriously good Double Plus (A++) sides this copy was one of the best we played in our recent shootout
  • The richness in the vocals and the wonderfully Tubey Magical sound makes this copy especially impressive
  • It’s not easy to find a Ray Charles record from the Sixties that plays this quietly: Mint Minus to Mint Minus Minus
  • AMG writes, “…He elevates the material with soulful vocals and good arrangements, particularly when the Raeletts back him up (as they do on half the tracks).”

Copies with rich lower mids and nice extension up top (to keep the female backup singers, the Raelets. sweet and clear) did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record. We know, we hear practically all of them whenever we sit down to do one of these shootouts. (more…)

Ray Charles – All Time Great Country & Western Hits

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All Time Great Country & Western Hits

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A distinguished member of the Better Records Rock and Jazz Hall of Fame.

EXCELLENT SOUND and mostly quiet vinyl throughout, the big highlights being an A++ side three and an A+++ side four! We finally found enough copies of this album to do another proper shootout, and this one was one of the very best. Drop the needle on side four to find out just how amazing Ray Charles can sound on vinyl when you’ve got a killer pressing. The vocals are silky and breathy with natural texture and amazing presence. You will not believe how much tubey magic you get on this side! (more…)

Ray Charles – Sweet & Sour Tears

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  • You’ll find stunning Triple Plus (A+++) sound or close to it on both sides of this Shootout Winning 1964 pressing – exceptionally QUIET vinyl for a vintage Ray Charles record (!)
  • This stereo pressing is the only way to hear these classic songs sound rich, powerful and free from coloration
  • A concept album filled with an eclectic collection of themed music, this release showcases Charles’ innovative approach to recording
  • “…One is almost tempted to think that Charles was toying with audience expectations by mixing unabashedly sentimental slow tunes with the far more bluesy, satisfying, and upbeat numbers, such as his surprisingly brassy, punchy treatment of “Cry Me a River.”

This ’60s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Ray Charles – The Genius of Ray Charles

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  • One of the few copies to ever hit the site and boy is it KILLER — Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
  • The sound is incredibly rich, full and Tubey Magical with tons of energy and a nice extended top end
  • Robert Christgau noted that “Charles tried many times, but except for Modern Sounds, he never again assembled such a consistent album in this mode.”
  • “Charles’ voice is heard throughout in peak form, giving soul to even the veteran standards.”

Tom Dowd engineered on Ampex 3 Track through an All Tube chain (this is 1959 after all), Quincy Jones did the arrangements, and Ray sang the hell out of this great batch of songs — all the ingredients in a recipe for soul are here.

Top tracks on the first side: Let The Good Times Roll, It Had To Be You and When Your Lover Has Gone. (more…)

Ray Charles – Genius + Soul = Jazz

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  • With stunning Triple Plus (A+++) sound on both sides and Count Basie backing up The Genius himself, this copy is As Good As It Gets! 
  • Most of this album is Ray stretching out with “some pretty mean and lean, cut-to-the-heart-of-the-matter B-3 Hammond organ licks.”
  • Big and rich, clear and Tubey Magical, the 1962 sound of this vintage stereo pressing is just right; quiet vinyl too!
  • Allmusic notes: “…one of those instrumentals, a cover of the Clovers’ “One Mint Julep,” would give Charles one of his most unpredictable (and best) early-’60s hits.”.

This album has long been a personal favorite of mine. It features Ray on the organ playing with every bit as much soul as he sings with, and who sings with more soul than Ray Charles?

Both sides here are open and transparent with HUGE amounts of room-filling bass. (more…)