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If you’re a fan of Elvis Costello, Graham Parker, Nick Lowe, Joe Jackson and even quite a few other lesser-knowns from this era, Squeeze is the band for you. I put them right up there with Elvis Costello and Peter Gabriel in the pantheon of Best British Pop Music of All Time.
If you think you might enjoy the mashup of Pub Rock and New Wave that this group unleashed on the pop music scene of the ’70s and ’80s I could not recommend any album of theirs more highly than Argybargy. It’s a MASTERPIECE.
Squeeze’s prime period with Jools Holland on keyboards encompasses four albums, any of which is worth owning. The band really gets going with their second album, Cool for Cats (1979), then pulls it all together and takes it to another level for their breakthrough third, Argybargy (1980).
The band then produces two more of high quality, East Side Story (1981, produced mostly by Elvis Costello) and the darker but equally brilliant Sweets from a Stranger (1982).
I’m a huge fan of all four, as well as two from their later days, the amazing-to-this-day Cosi Fan Tutti Frutti (1985) and the weaker but still enjoyable Babylon and On (1987).
I play all of them on a regular basis and enjoy the hell out of them whenever I do.
Squeeze Background
Squeeze are a British band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording successfully in the 1980s and 1990s.
They are known in the UK for their hit songs “Cool for Cats”, “Up the Junction”, “Tempted”, “Labelled with Love”, “Black Coffee in Bed”, “Another Nail in My Heart”, “Pulling Mussels (from the Shell)” and “Hourglass”. Though not as commercially successful in the United States, Squeeze had American chart hits with “Tempted”, “Hourglass” and “853-5937”, and they have a dedicated following there and continue to attract new fans.
All of Squeeze’s hits were written by band members Chris Difford and Glenn Tilbrook, with the former penning the lyrics and the latter handling the composition. The duo were hailed as “the heirs to Lennon and McCartney’s throne” during their peak of popularity in the early 1980s.
Wikipedia