- This outstanding pressing of Spirit boasts solid Double Plus (A++) sound throughout – exceptionally quiet vinyl too
- Big, clear, tubey, sweet ANALOG sound – we played it good and loud and it was ROCKIN’!
- If you like Pop Music, Soul Music, or EWF’s groundbreaking hybridization of the two, you have to love these classic albums from the ’70s
- 4 1/2 stars: “… the soul powerhouse didn’t let anyone down (either commercially or creatively) on the outstanding Spirit, which boasted hits ranging from the optimistic “On Your Face” and the passionate funk classic “Getaway” to the poetic ballad “Imagination”… even if one didn’t take EWF’s calls for unity, hard work, self-respect, and faith in God to heart, they had no problem with their solid grooves.”
Every track Maurice White ever produced was a testimony to his deep understanding and prodigious talent for crafting the perfect pop song, complete with arrangements for nine pieces as tight as the matching sequined suits the band wore. Fortunately for we analog types, EWF was an audiophile-oriented band, producing some of the best sounding ’70s multi-track recordings of the day. “Getaway” is killer on this copy.
There may in fact be a few too many multi-tracks, causing the typical copy of the record to get strident and congested in the loud vocal passages, contributing to the somewhat hot upper mids in some of the mixes (which is no doubt the fault of George Massenburg, whose engineering on even his best days tends to be somewhat sparkly).
Even though we are not in the business of selling typical copies — what we offer are very good ones at the very least, and superb ones at the upper end of the range — we should be clear that these problems can be heard to some degree on even the best copies we auditioned.
What we’re looking for is sound that is as rich, smooth, sweet, and tonally correct as we can find. It doesn’t have to be perfect; it really can’t be, anyway. It just has to be the best we can find after going through a big pile of copies, because if we can’t find it I don’t know how anyone else can. It’s the same process no matter who does it, and who else does it at this scale but us? It may not take a village, but it at least takes a sizeable crew to sort through a dozen or more copies of the same album time and time again.
Fortunately we did manage to find copies in which the sound was big — “wall to wall” as we like to say — and on the best of them the presence of the vocalists puts them right in front of you. For the most part you can clearly make out each of the voices that make up the harmonically-complex choruses. What a sound! Nobody harmonizes better than these guys, partly because no other band has anyone remotely as talented as the preternaturally gifted Philip Bailey to sing the superhuman falsetto parts the way he does.
For audiophiles who like to play their music loud, the sound on the best copies can be GLORIOUS!