_Composers – Vivaldi

An RCA Direct Disc with Bad Music & Bad Sound, Like Most Audiophile Albums from the ’70s

Hot Stamper Classical and Orchestral Pressings Available Now

More of the Music of Antonio Vivaldi (1678-1741)

Hey, the records being marketed to audiophiles these days may have second- and third-rate sound, but at least now they have good music That’s progress, right?

Sonic Grade: F

An awful Direct to Disc recording. Bad sound and pointless music.

This is the kind of crap we newbie audiophiles used to put up with back in the ’70s before we had anything resembling a clue.

It clearly belongs in only one place on our site: the Hall of Shame,

Actually, it also belongs on our complete list of Bad Sounding Audiophile Records

What Kind of Audio Fool Was I? The kind that would buy a record like this and expect it to have good music or good sound. Of course it had neither. Practically none of these kinds of records ever did. As clueless as i was, even back in the day I could tell that much.

But over the course of the last forty years I have been wrong about a great deal when it comes to records and audio.

You can read more about many of the things we got wrong under the heading: Live and Learn.

Because Audio Progress is real and anyone can achieve it.


FURTHER READING

Record Collecting for Audiophiles – 45 RPM Pressings

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Vivaldi / 4 Bassoon Concertos in Living Stereo

Living Stereo Titles Available Now

200+ Reviews of Living Stereo Records

If you’re a fan of Vivaldi, this Living Stereo from 1959 belongs in your collection. The complete list of titles from 1959 that we’ve reviewed to date can be found here.

This rare and mostly quiet Shaded Dog pressing has SUPERB sound on side one, earning a sonic grade of A++. To our surprise side two was even better; we called it A++ to A+++.

It was surely one of the best sounding records we played in our classical shootouts that day.

This is Golden Age Living Stereo sound at its Tubey Magical best.

Side One

A++, with tonality that is Right On The Money (ROTM). Huge stage as well, deep and wide. Not as transparent as some of the other Golden Age pressings we played that day, we call this one Super Hot.

Side Two

A++ to A+++, and here the music seems to be better as well as the sound, which is more open and even sweeter and smoother (in a good way). (more…)

Vivaldi, Bach, et al. / Concertos for Cello / Janigro

Living Stereo Classical and Orchestral Titles Available Now

200+ Reviews of Living Stereo Records

  • A glorious Living Stereo recording from 1960 of cello concertos on the early Shaded Dog label – this copy had Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • It’s also fairly quiet at Mint Minus Minus, remarkably quiet for a record that is 60 years old
  • Janigro’s cello is immediate, real and lively here – you are in the presence of greatness with this copy
  • This record will have you asking why so few Living Stereo pressings actually do what this one does. The more critical listeners among you will recognize that this is a very special copy indeed. Everyone else will just enjoy the hell out of it.

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Vivaldi – The Four Seasons / Munchinger

More of the Music of Antonio Vivaldi (1678-1741)

More Classical and Orchestral Recordings

  • An original London stereo LP with STUNNING Shootout Winning Triple Plus (A+++) sound or very close to it from the first note to the last
  • We have to give the performance honors to our London here over the Living Stereo – there is more energy and drive to the playing with Muchinger at the helm
  • Impossibly quiet vinyl for a vintage Wideband London pressing from the ’50s – how this one survived for so many years in such lovely playing condition is something we will never know
  • This superb recording is big, clear, rich, dynamic, transparent and energetic – HERE is the sound we love
  • The Tubey Magical richness is exceptional on this copy (and the Living Stereo pressing we sell is even more Tubey Magical)

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Vivaldi / The Four Seasons / I Solisti di Zagreb – Reviewed in 2012

More of the Music of Antonio Vivaldi

More Hot Stamper Violin Recordings

Reviews and Commentaries for The Four Seasons

Folks, we have some good news for those of you who have been waiting for one of the best sounding, most beautifully performed Four Seasons ever recorded. THIS IS IT! White Hot on both sides, I can’t say the sound is better than the White Hot Shaded Dog pressing we heard in our recent shootout. It’s certainly different, and one could easily make the case for either. Of course one’s taste enters into the calculation, so choosing a clear winner is simply not possible with markedly superior pressings such as these.

Let’s just say that this small ensemble recording is as close to perfect as any we have ever heard. The harpsichord is especially good on the Vanguard recording, better than the RCA I would venture. Its placement in the soundfield is subtly natural, precisely the way one would expect to hear it in performance.

All four movements are performed with great spirit, and other than a sour note right at the start — listen for it! — the playing is of the highest quality. I prefer the performance — slightly — to the famous RCA. 

It should be noted that this is only the second time we have heard a good pressing of this Vanguard title. Normally the vinyl is abysmal — not just noisy, but grainy and lacking in top end. (You can listen for the sound of the vinyl itself on the lead-in grooves before the music starts.) This pressing is an absolute FLUKE. It gets all the sound of the tape onto the vinyl in a way that we have never heard before and would not have thought possible. But, as we never tire of saying, hearing is believing! (more…)

Trying to Get at the Truth of The Four Seasons with Transistors

More of the Music of Antonio Vivaldi

Reviews and Commentaries for The Four Seasons

In 2007 we did a shootout for this album and noted the following:

For those with better tube gear, the string tone on this record is sublime, with that rosin-on-the-bow quality that tubes seem to bring out in a way virtually nothing else can, at least in my experience.

Our experience since 2007 has changed our view concerning the magical power of tubes to bring out the rosiny texture of bowed stringed instruments. We have in fact changed our minds completely with respect to that unquestioned belief.

Our transistor equipment — and by ours we mean the unnamed low-powered ’70s integrated amp we use, mated with the EAR 324P phono, making no claims whatsoever for any other transistor equipment of any kind, almost all of which in my experience is not very good — is dramatically faster, more transparent, dynamic and resolving than any tube equipment we have ever heard.

It is, simply put, much more TRUTHFUL. It is precisely this quality that is hardest to find in all of audio.

It is also the one quality of our system that, more than any other, allows us to do our job correctly and efficiently.

Our equipment lets us hear the sound of the record being played, uncolored and unadorned. It also has the added benefit of sounding to us more like live music. 

A classic case of Live and Learn

More on Tubes in Audio

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Vivaldi / The Four Seasons / I Solisti Di Zagreb / Janigro

More of the Music of Antonio Vivaldi (1678-1741)

More Classical and Orchestral Recordings

  • This superb Vanguard recording of one of our favorite performances of the work boasts outstanding Double Plus (A++) sound throughout
  • This pressing has all the qualities that make analog so involving and pleasurable — the warmth, the richness, the naturalness, and above all the realism
  • The sound here has the power to transport you completely, with solid imaging and a real sense of space, qualities that allow us to forget we are in our listening rooms and not in the concert hall

Folks, we have some good news for those of you who have been waiting for one of the best-sounding, most beautifully performed Four Seasons ever recorded. Let’s just say that this small ensemble recording is as close to perfect as any we have ever heard. The harpsichord is especially good on the Vanguard recording, better than the RCA I would venture. Its placement in the soundfield is subtly natural, precisely the way one would expect to hear it in performance.

All four movements are performed with great spirit, and other than a sour note right at the start — listen for it! — the playing is of the highest quality. I prefer the performance — slightly — to the famous RCA. (more…)

Milstein Miniatures – Milstein / Pommers

More Violin Recordings

  • With two seriously good Double Plus (A++) sides, this copy is guaranteed to sound better than any vintage pressing of violin pieces you’ve heard, and it plays as quietly as any copy ever will (and far better than most)
  • We are big fans of Nathan Milstein here at Better Records and it’s records like this that justify our enthusiasm
  • Works for violin and piano by Chopin, Vivaldi, Smetana, Brahms, Stravinsky and others – and each is played with the feeling and skill as would be expected from one of the greatest performers of his generation
  • The appeal for the casual listener may not warrant the expense, but those who seek out these kinds of vintage ’50s pressings should find much to like here

A wonderful batch of short violin pieces with piano accompaniment: Previously we had written: (more…)

Vivaldi / The Four Seasons – Societa Corelli – Reviewed in 2009

zzz

 

This AMAZINGLY QUIET RCA Shaded Dog has SUPERB SOUND. It’s also without a doubt one of the finest small string ensemble recordings on this site. Which is only fitting for the most famous string music ever recorded.

For those with better tube gear, the string tone on this record is sublime, with that rosin-on-the-bow quality that tubes seem to bring out in a way virtually nothing else can, at least in my experience.

The spaciousness and three-dimensionality of the recording here is also exceptional. Through the efforts and skill of the RCA engineers, that striking openness in the recording is somehow combined with an immediacy in the sound of the lead string players, no mean feat. One rarely hears both, except of course in live performance.

There may be other performances of merit, but I know of no recording of this music with better sound. Truly a DEMO DISC. (more…)

Vivaldi – Cello Concertos — Paul Tortelier – Reviewed in 2011

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This is a minty EMI British Pressing from 1981 featuring Paul Tortelier on the cello. The sound is very good in the EMI tradition, but even better, the music is WONDERFUL. These Vivaldi concertos are lovely. I was unfamiliar with them, so discovering this music today was a joy. 

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