_Composers – Vivaldi

The Four Seasons – Tubes Versus Transistors

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In 2007 we did a shootout for this album and noted the following:

For those with better tube gear, the string tone on this record is sublime, with that rosin-on-the-bow quality that tubes seem to bring out in a way virtually nothing else can, at least in my experience.

Our experience since 2007 has changed our view concerning the magical power of tubes relative to transistors to bring out the rosiny texture of bowed stringed instruments. We have in fact changed our minds completely with respect to that common belief.

Our transistor equipment — and by ours we mean the mysterious low-powered ’70s integrated amp we use, mated with the EAR 324P phono, making no claims whatsoever for any other transistor equipment of any kind — is dramatically faster, more transparent, dynamic and resolving than any tube equipment we have ever heard.

It is, simply put, much more TRUTHFUL. It is precisely this quality that is hardest to find in all of audio. It is also the one quality of our system that, more than any other, allows us to do our job accurately and efficiently.

Our equipment lets us hear the sound of the record being played, uncolored and unadorned. It also has the added benefit of sounding to us more like live music. 

Yes, we know, we haven’t heard every piece of tube gear in the world. There may indeed be something out there with even more of the qualities we recognize in live music than we are currently capable of reproducing with our transistor equipment.

We remain open-minded as always, but intensely skeptical — a combination that has certainly served us well over the 33 years we have been in business selling records.

Yes, for a while I actually owned a pari of Mac 30 amps from circa 1954!

They were not 99.% perfect by any stretch of the imagination. They were the most Tubey Magical, most colored amp I ever heard in my life, and I have heard my share.

Vivaldi / The 4 Seasons / Munchinger – Reviewed in 2011

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This Hot Stamper London Whiteback is certainly no Demo Disc by any means. That said, the sound is quite good, with correct tonality from top to bottom. The perspective is somewhat recessed and the sound could use more top end extension, but the instruments sound natural and musical and that alone puts it well ahead of the pack in the world of classical recordings. Relaxed and enjoyable throughout.

As I recall the performance here is a bit more lively than it is on the famous RCA (LSC 2424).

Vivaldi, The Beatles – Bad Direct Disc Music & Sound (Which Used to Happen All the Time in the ’70s)

More of the music of Antonio Vivaldi

Vivaldi Ensemble / Vivaldi, The Beatles

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Sonic Grade: F

An awful Direct to Disc recording. The bad sound and pointless music — this is the kind of crap we audiophiles used to put up with back in the ’70s before we had much of a clue — means that it clearly belongs in only one place on our site: the Hall of Shame

The Four Seasons and More Orchestral Recordings Featuring the Violin

Recordings in Stock

Recordings We’ve Auditioned

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Vivaldi / The Four Seasons / Societa Corelli

This excellent RCA Shaded Dog has the kind of clarity, harmonic texture and freedom from smear that few Golden Age recordings can claim.

Through the effort and skill of the RCA engineers, that striking openness in the recording is combined with an immediacy in the sound of the lead string players, no mean feat. One rarely hears both, except of course in live performance.

Both Sides

Both sides are big, rich, and natural, with lovely string texture.

We Was Wrong in 2007 About Tubes

In 2007 we did a shootout for this album and noted the following:

For those with better tube gear, the string tone on this record is sublime, with that rosin-on-the-bow quality that tubes seem to bring out in a way virtually nothing else can, at least in my experience.

Our experience since 2007 has changed our view concerning the magical power of tubes relative to transistors to bring out the rosiny texture of bowed stringed instruments. We have in fact changed our minds completely with respect to that common belief. (more…)