Bad Sounding Digital Recordings on Vinyl

Every Label Made Bad Sounding Records – Columbia Released Mariah Carey’s Debut in 1990

More Bad Sounding Digital Recordings on Vinyl

Very digital sounding, with way too much sizzle on the top end. Best to give this one a pass if you are looking for audiophile sound. If you are looking for audiophile sound quality, this site is full of the best sounding records ever made.

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

You can find this one in our Hall of Shame, along with more than 350 others that — in our opinion — qualify as some of the worst sounding records ever made. (On some records in the Hall of Shame the sound is passable but the music is bad.  These are also records you can safely avoid.) (more…)

Michael Hedges / Aerial Boundaries – Some of the Most Unnatural Digitally Recorded Sound We Have Ever Heard

A Record Better Suited to the Stone Age Stereos of the Past

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It sounds as if someone went into a big room, sat Michael Hedges on a stool in the middle of it, and then aimed the mics at the walls. Roll tape!

And the best part is that it was nominated for an engineering Grammy!

If you think the average music lover today wouldn’t know good sound if it bit him in the ass, this album is proof that nothing has changed, not since 1984 anyway.

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Donald Fagen – Morph The Cat – A Heavy Vinyl Disaster

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Sonic Grade: F

Hall of Shame Pressing and another Heavy Vinyl LP debunked.

Hopelessly murky, muddy, opaque, ambience-free sound, and so artificial I honestly cannot make any sense of it. Pure sludge.

This is someone’s idea of analog? It sure ain’t mine.

Music for robots?  And Kamikiriad from 1993 was musically every bit as bad.

Why waste vinyl on crap like this?

Tchaikovsky / 1812 Overture on Telarc UHQR

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Sonic Grade: D

A Hall of Shame pressing.

This is what we had to say about the UHQR back in 2005 or so:

Having played this record all the way through, I have to comment on some of its sonic qualities. It’s about the most dynamic recording I’ve ever heard. This was the promise of digital, which was never really delivered. On this record, that promise has been fulfilled. The performance is also one of the best on record. It’s certainly the most energetic I can remember. 

[Now that we’ve heard the best pressings of the Alwyn recording on Decca I would have to say that Alwyn’s is certainly every bit as energetic if not more so and dramatically better sounding as well.]

They only made 1000 of these, which makes it 5 times more rare than any MOFI UHQR. I had a sealed copy of this record on the site not too long ago. I couldn’t remember the last time I had seen a sealed copy, as open ones are hard enough to come by.