Record Collecting for Audiophiles – Japanese Pressings

The Great Jazz Trio – Direct From L.A. – Reviewed in 2014

More of The Great Jazz Trio

Albums with Ron Carter on bass / Tony Williams on drums

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A distinguished member of the Better Records Jazz Hall of Fame.

The album features some excellent jazz with outstanding drum work by Tony Williams (one of our favorite drummers here at Better Records).

If you have a good copy of The Three on Eastwind you will note the strong similarity in sound. The music here, however, is clearly more adventurous.  (more…)

Vivaldi, The Beatles – Bad Direct Disc Music & Sound (Which Used to Happen All the Time in the ’70s)

More of the music of Antonio Vivaldi

Vivaldi Ensemble / Vivaldi, The Beatles

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Sonic Grade: F

An awful Direct to Disc recording. The bad sound and pointless music — this is the kind of crap we audiophiles used to put up with back in the ’70s before we had much of a clue — means that it clearly belongs in only one place on our site: the Hall of Shame

The L.A. 4 – Pavane Pour Une Infante Defunte – Reviewed in 2008

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More Pavane Pour Une Infante Defunte

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a Near Mint East Wind Japanese Import Direct-To-Disc LP with SUPERB SOUND. Most copies we come across are quite ticky. Thankfully that ain’t the case here. This is an EXCEPTIONALLY QUIET copy! 

The sound may be good but the music is mostly a snore.

 

Tsuyoshi Yamamoto Trio – Blues to East – Reviewed in 2015

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More Audiophile recordings

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A distinguished member of the Better Records Jazz Hall of Fame.

On this album there’s almost none of that “introspective noodling jazz” that the Japanese are infamous for. I love Midnight Sugar as much as the next guy, but too much of that kind of music is wearying. 

Yamamoto’s Trio wants to show that it can play good old fashioned straight ahead American piano jazz with the best of them. I hear echoes of Bill Evans in Yamamoto’s playing. Supposedly he was a big Errol Garner fan as well. (more…)

Jacques Loussier – Jacques Loussier Plays J.S. Bach Encore – Our Shootout Winner from 2010

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More Jacques Loussier Plays J.S. Bach Encore

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A distinguished member of the Better Records Jazz Hall of Fame.

This is a Brand New, Unplayed Japanese 45 RPM Audiocheck Pressing with DEMO DISC quality sound! This is absolutely one of the best sounding jazz records we have ever played here at Better Records!

For those of you who are not familiar with the Audiocheck 45 RPM series from Japan, these are albums remastered at 45 with some material left off by necessity, since the maximum for each side is closer to 12 minutes than the standard LP limit of 20 minutes. (more…)

Pink Floyd WYWH – … And the winner is: Surprise — The Hot Stamper!

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One of our best customers, Roger, received his $150 Hot Stamper ’Wish You Were Here’ and went straight to work comparing it with the various other pressings he owned: two different CBS Half Speeds. The not-so-shocking results follow … 

Hi Tom,

I received your Pink Floyd ‘Wish You Were Here’ Hot Stamper and compared it to my CBS Half-Speed (I found a bunch of these Half-Speeds in a bargain bin years ago and did a shootout to select the best one) and the pressing that I considered the best, the Japanese Mastersound Half-Speed, for which I paid dearly. Drum roll, please while Vanna hands me the sealed envelope………… and the winner is: Surprise — the Hot Stamper! And it wasn’t even close.

Once I heard the center-of-the-earth bass on the Hot Stamper ‘Shine On You Crazy Diamond’, it was all over. I was amazed at how bright the CBS was, transparent yes, but bright and no bass and no body to the saxophones and voices. The Mastersound was better-balanced in that the highs were tamed, but no real dynamics and bass was flabby. I have heard this record hundreds of times, but never heard the details in the guitars and cymbals and keyboards like this. And did I mention the huge, huge soundstage with a wall of sound like that of other Pink Floyd records? Nice job as usual. (more…)

The Three – The Three (45 RPM) – Our Four Plus Copy from 2013

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More The Three (45 RPM)

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A distinguished member of the Better Records Jazz Hall of Fame.

We had six (yes, six!) of these 45 RPM pressings (and five Inner City’s and a couple of Eastwind 33’s — it was a big shootout), and this side one had the most ENERGY of any of them. This is a quality no one seems to be writing about, other than us of course, but what could possibly be more important? On this record, it took the performances of the players to a level beyond all expectations.

More A++++ Hot Stamper Pressings.

Folks, you are looking at the BEST SOUNDING RECORD we have ever played here at Better Records, and the good news for you dear reader, whether you’re a true believer, a skeptic, or fall somewhere in between, is that it can be yours. There was a time when a record like this would go directly into my collection. If I wanted to impress someone, audiophile or otherwise, with the You-Are-There illusion that only Big Speakers in a dedicated room playing a LIVE recording can create, this would be the clear choice, possibly the only choice. There is simply nothing like it on vinyl in my experience. (more…)

Lee Ritenour – Friendship on JVC Direct Disc

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More Friendship

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A distinguished member of the Better Records Jazz Hall of Fame.

This is one of my all time favorite audiophile discs because this is real music worth listening to! The song Woody Creek is wonderful and reason enough to own this excellent album. The guitar of Lee Ritenour and the saxophone of Ernie Watts double up during a substantial portion of this song and the effect is just amazing. 

Special kudos should go to Ernie Watts on sax, who blows some mean lines. But everybody is good on this album, especially the leader, Lee Ritenour. I saw these guys live and they put on a great show. By the way, looking in the dead wax I see this record was cut by none other than Stan Ricker of Mobile Fidelity fame himself!

The L.A. Four Going Home – Review

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A distinguished member of the Better Records Jazz Hall of Fame.

This East Wind Japanese Direct-to-Disc LP has AMAZING SOUND. The boys do a fantastic version of Greensleeves here, flawlessing switching idioms from swing to bossa nova to bop. 

AMG Biography

Altoist/flutist Bud Shank and Brazilian acoustic guitarist Laurindo Almeida first teamed up in the 1950s to create music that predated but strongly hinted at bossa nova. In 1974, they reunited to form the L.A. Four with bassist Ray Brown and drummer Chuck Flores. With Shelly Manne and later Jeff Hamilton replacing Flores on drums, the L.A. Four recorded eight albums for Concord through 1982, breaking up shortly afterward. Their mixture of cool-toned bop, Brazilian-oriented music, and ballads was quite attractive.

Prokofiev’s Lt. Kije at 45 RPM – An Audiophile Pressing to Shame Them All

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Prokofiev / Lt. Kije / Abbado

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This Japanese 45 RPM remastering of our favorite recording of Prokofiev’s wonderful Lt. Kije Suite has DEMONSTRATION QUALITY SOUND. For starters, there are very few records with dynamics comparable to these. Since this is my favorite performance of all time, I can’t recommend the record any more highly. 

Most of what’s “bad” about a DG recording from 1978 is ameliorated with this pressing. The bass drum (drums?) here must be heard to be believed. We know of no Golden Age recording with as believable a presentation of the instrument as this.

The drum is clearly and precisely located at the back of the stage; even better, it’s as huge and powerful and room-filling as it would have been had you attended the session yourself. That’s our idea of hi-fidelity here at Better Records. (more…)