Hot Stamper Pressings of the Music of Loggins and Messina Available Now
The best news we have to report concerning this compilation is that it does not sound at all like a compilation, and by that we mean that the best copies don’t sound “dubby”, flat, small or compressed. The best copies, in fact, ROCK, with all the energy that the band is capable of.
You may have noticed that we do very few Greatest Hits albums here at Better Records, for the simple reason that most greatest hits albums don’t sound very good. This is one of the few exceptions to that rule that we’ve come across in our record playing travels over the years.
The best originals may be better, but the difference between our Hot Stampers of this album and whatever original pressing you own should be pronounced, in our favor of course.
What to listen for on side one.
Angry Eyes
If you have good weight on your side one, the place you can hear it most clearly is in the toms on Angry Eyes, the first track. They are big and solid and really punch through the mix, staying in the lower part of the soundfield below the vocals.
The lightweight pressings make the toms sound anemic. The copies with poorly defined bass will make the toms sound fat and blobby.
No two copies of the record should have the toms sounding the same; they don’t on our system and they shouldn’t on yours.
What to listen for on side two.
Danny’s Song
You want Kenny Loggins to be front and center. Ideally his voice will be both sweet and breathy (and heartfelt of course). If your copy has its high end intact, and is cut clean, the sibilance from the master tape will be much less gritty on your side two than it is on other copies.
This is where you can hear how present, tonally correct and distortion-free your copy is.
