- It’s an extraordinary recording, and so amazing on this pressing that after playing it, you may agree with us that few other classical Demo Discs are in its league
- The bottom end of this record is powerful and solid like no other classical LP we’ve played in a very long time – this is the way to record tympani!
- On a pressing this good, the sound is dynamic, lively and BIG – jumping out of the speakers and bringing not only the power but the vibrant colors of the symphony right into your listening room
WHITE HOT stampers on side one of this CRAZY FUN 20th Century Percussion Music album, featuring classical works which rely almost exclusively on percussion (piano and voice also make appearances). My favorite piece here may be Ionisation, which uses real sirens (the Old School ones cranked by hand) as part of Varese’s uniquely specialized instrumental array.
But the main reason audiophiles will love this album is not the music, but the SOUND. Ionisation has amazing depth, soundstaging, dynamics, three-dimensionality and absolutely dead-on tonality — it’s hard to imagine a recording that allows your speakers to disappear more completely than this one. And the bottom end is BIG and powerful, probably the main reason the album has been on the TAS Super Disc for decades. If you’ve got full range speakers with big woofers and like to play your music loud, this record will give your system quite a workout.
With the invention of new instruments and increased cross-cultural exchange in the 20th century, composers’ interest in writing for percussion exploded, creating a uniquely modern genre that embraced both the future and the ancient past. The New Jersey Percussion Ensemble was founded in 1968 to perform this new literature, here performing works by Varèse, Cowell, and others.
It also makes a superb test disc. Subtle changes in your equipment can have a big effect on recordings like this. The instrumental palette is large and colorful, giving the critical listener plenty to work with.
And this copy is perfect for testing because is is nearly FLAWLESS in its sound on side one. No other copy could touch it. Many copies are not especially transparent, spacious or three-dimensional, and lack extension on both ends of the frequency spectrum.
The SPEED of the percussion is also critical to its accurate reproduction. No two pieces of electronics will get this record to sound the same, and some will fail miserably. If vintage tube gear is your idea of good sound, this record may help you to better understand where its shortcomings lie. (more…)
Subtitled: Christmas Music from England & Early America. This is an original 1978 pressing in excellent condition, about as quiet as Nonesuch vinyl gets.
This is a famous TAS List recording with superb sound. (more…)