Looking for 5 Star Albums with Hot Stampers? We’ve Got More than 50 in Stock

beck_truth_1610_1302710570Hot Stamper Pressings of Allmusic Five Star Albums in Stock

From Cannonball Adderley’s sonic Masterpiece Somethin’ Else to X’s Under the Big Black Sun.

Including one and done albums like Truth here. If I were to make a list of the best albums from 1968, this album would definitely be on it.

That said, it’s a one and done album for me, but probably not for many of you reading this. It all depends on how much you like Jeff Beck’s music I suppose. I can take him or leave him. But that first album is as big and bold a musical statement as he would ever make. That makes it a Must Own in my book. (The complete list can be found here.)

Below are some excerpts from our review of the album.

One of the most surprising things we learned in our first big shootout from 2014 was how well recorded the album is. It’s yet another triumph from one of our favorite engineers, Ken Scott.

In many ways it sounds like the first Zep album, and that’s a good thing. The sound is a perfect fit for the music. (more…)

Pentangle – Reflection

More British Folk Rock

  • Reflection debuts on the site with a KILLER Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one of this original UK Transatlantic pressing
  • We shot out a number of other imports and the midrange presence, bass, and dynamics on this outstanding copy placed it head and shoulders above most others we played
  • Exceptionally present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone – past, present and future
  • “Pentangle were always great at creating musical fusions, and on this album, they once again came through. The opening song, Wedding Dress,is a fabulous meeting of Celtic, country, and, believe it or not, funk. It’s one of the few songs of theirs that actually rocks. The rest of the record is classic Pentangle, with Bert Jansch’s and John Renbourn’s acoustic guitars intermingling so well that it would make even Neil Young and Stephen Stills a little envious.”

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Listening in Depth to Songs for Beginners

Hot Stamper Pressings of the Music of Graham Nash Available Now

Presenting another entry in our extensive listening in depth series with advice on what to listen for as you critically evaluate your copy of Song for Beginners.

(Here are some other albums currently on our site with similar track by track breakdowns.)

This is one helluva well recorded album. Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby, Stills, Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best.

Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.

Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlely is highlighted by the big productions surrounding them. This is that rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale.

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Cannonball Adderley Quintet – In Chicago

More of the Music of Cannonball Adderley

  • Cannonball’s final Mercury label release, here with very good Hot Stamper grades on both sides of this original pressing
  • It’s richer and fuller than the average copy, with notably more presence, and that will be especially true when you compare it to whatever godawful Heavy Vinyl pressing may be currently available
  • This is true of even our lowest-priced, lowest-graded copies – they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
  • There are some bad marks (as is sometimes the nature of the beast with these early pressings) on “Stars Fell On Alabama,” but once you hear the sound of this copy, you might be inclined, as we were, to stop counting ticks and just be swept away by the music
  • 4 1/2 stars: “Altoist Cannonball Adderley and tenor saxophonist John Coltrane really push each other on these six selections… With pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb playing up to their usual level, this gem is highly recommended.”

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The Doobie Brothers – Livin’ On The Fault Line

More of the Music of The Doobie Brothers

doobilivin_2012_1266946611

  • This copy was doing practically everything right, with both sides earning STUNNING Shootout Winning Triple Plus (A+++) grades or close to them
  • Both of our Shootout Winning top copies had vinyl no quieter than you see here
  • This shootout is always a struggle, not for top quality sound, which we can find, but for audiophile quality vinyl, which is hard to come by
  • The best songs here can hold their own with anything from Minute by Minute and Takin’ It to the Streets
  • A sophisticated, soulful pop album from the Michael McDonald era with far too many great songs to list
  • Problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how incredible sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
  • 4 stars: “Some of the most challenging and well-developed music of the band’s career.”
  • We’ve discovered a number of titles in which one stamper always wins, and here are some others

If you’re a fan of this brand of sophisticated, soulful pop music, this is as good an album as any from the Michael McDonald era. We think the best songs here can hold their own with anything from Minute by Minute and Takin’ It to the Streets. And with Hot Stamper sound, now you can actually enjoy the album as an audiophile quality recording

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On Blood, Sweat and Tears’ Second Album, It’s All About the Brass

Blood, Sweat and Tears’ Second Album Is a Top Test Disc

UPDATE 2026

The commentary you see below was written around 2010.

In it we describe a mind-blowing pair of copies that were each awarded a grade of Four Pluses. There was one Four Plus side one on one copy, and a different copy had a Four Plus side two.

We no longer give Four Pluses out as a matter of policy, but that doesn’t mean we don’t come across records that deserve them from time to time.

This was one of those records, a true outlier. Out of fifty records, this was one of the two copies that took the sound (and music!) of one of the sides to places we had never heard it go before. We call these kinds of records breakthrough pressings. When you get paid to critically audition records for decades, all day, every day, you are bound to run into some from time to time. These are their stories.

Our Commentary from 2010 (Minor changes have been made.)

Our last big shootout was back in early 2008.

What we learned this time around for this album can be summed up in a few short words: it’s all about the brass.

Man, when the brass is right on this record, everything just seems to come together, top to bottom, floor to ceiling, wall to wall, the sound is almost always JUST RIGHT.

Let me give you just one example of how big a role the brass plays in our understanding of this recording. The best copies present a huge wall of sound that seems to extend beyond the outside edges of the speakers, as well as above them, by quite a significant amount. If you closed your eyes and drew a rectangle in the air marking the boundary of the soundscape, it would easily be 20 or 25% larger than the boundary of sound for the typically good sounding original pressing, the kind that might earn an A or A Plus rating.

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Vivaldi / Concertos for Harpsichord, Guitar, Harp and Violin

Hot Stamper Pressings of Mercury Recordings Available Now

UPDATE 2026

Many years ago we wrote the following review. We’ve ordered a few copies of the album recently and hope to do a shootout for it assuming it still sounds as good as we used to think it did, but who can say?

Near Demo quality and a true Mercury sleeper.*

These concertos have excellent sound and the music is very enjoyable.

Sleepers

*A “sleeper” is an exceptional record that is not well known to audiophiles and collectors.

By conducting thousands of auditions and shootouts, we’ve discovered hundreds of amazing titles like SR-90401, which has been one of the greatest sources of joy for those of us here at Better Records.

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Suzanne Vega – Self-Titled

More Rock and Pop

  • Suzanne’s debut LP appears on the site for the first time ever, here with solid Double Plus (A++) grades from start to finish
  • Both sides are big, rich and sweet with wonderfully present and breathy vocals, excellent clarity and a plenty of bottom end weight
  • Remarkably present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone – past, present and future
  • 4 stars: “Though early comparisons were made to Joni Mitchell, Suzanne Vega’s true antecedents were Janis Ian and Leonard Cohen. Like Ian, she sings with a precise, frequently half-spoken phrasing that gives her lyrics an intensity that seems to suggest an unsteady control consciously held over emotional chaos. Like Cohen, Vega observes the world in poetic metaphor, her cold urban landscapes reflecting a troubled sense of love and loss.”

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Letter of the Week – “The best one from you guys that I’ve bought is easily Wish You Were Here.”

Hot Stamper Pressings of the Music of Pink Floyd Available Now

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I’ve bought several LPs from you guys and have been exceptionally impressed. The eponymous Dire Straits plus Breakfast in America arrived yesterday, and are excellent.

The best one from you guys that I’ve bought is easily Wish You Were Here. That is an album meant to be played at full volume from start to finish, loving every minute. 

Keep up the good work! 

Anyway, thanks from a very satisfied customer.

Dear Sir,

Thanks, glad to see you liked all three as much as we did.

We love pointing out that the Shootout Winning copies of Wish You Were Here are not originals, and not pressed in the U.K., contrary to the conventional wisdom espoused by audiophiles and record collectors the world over, and with great confidence no less.

We used to think those were the best too, but years ago we took a chance and bought some other pressings we had heard might be good. Sure enough they beat the best Brits we had ever played. That doesn’t happen very often, almost never in fact, but it definitely happened in this case.

Who knew? Not us, and even we only learned of the best pressings about ten years ago.

And nobody who writes about records to this day is aware of these very special pressings as far as we know.

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Turntable Setup Guide Part 2: Dialing In Tracking Force By Ear

Robert Brook runs a blog called The Broken Record, with a subtitle explaining that the aim of his blog is to serve as:

A GUIDE FOR THE DEDICATED ANALOG AUDIOPHILE

We know of none better, outside of our own humble attempt to enlighten that portion of the audiophile community who love hearing music reproduced with the highest fidelity and are willing to go the extra mile to make that happen.

Below you will find a link to an article about turntable setup. I would have loved to write something along these lines myself, but never found the time to do it. Robert Brook took the job upon himself and has explained many aspects of it well, so if you would like to learn more about turntable setup, I encourage you to visit his blog and read more about it.

I do have some ideas of my own which I hope to be able to write about soon, but for now, check out what Robert has to say.

Turntable Setup Part 2: What To Do For EXCELLENT SOUND

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