This pressing contains one of my favorite performances of the Classical Symphony. There is a recording by Previn and the LA Phil from 1986 with a performance To Die For. Unfortunately it comes with the kind of mid-’80s tear-your-head-off-digital shrillness that makes the CD medium the worn out joke we analog lovers have long known it to be.
The First Symphony happens to be one of my favorite classical works of all time, right up there with The Planets and Pictures at an Exhibition. I wouldn’t want to go to my desert island without all three.
This is truly a sublime recording that belongs in any music collection, whether you’re a fan of classical music or not. It’s a work of such joy that I’ve never failed to be uplifted by it — except when the performance is too slow, which it much too often is.
This is a difficult piece to pull off. Most of the time either the orchestra is not up to the task or the conductor misunderstands the work. Previn has a spritely take on the piece, which is precisely what it needs and, every bit as important, the London Symphony has the chops to bring his vision to life.
What to Listen for
That’s an easy one: The all-too-common ’70s EMI harshness and shrillness. We could never understand why audiophiles revered EMI as a label the way they did back the day. I chalk it up — as I do most of the mistaken judgments audiophiles make about the sound of records, my own included — we do have a We Was Wrong section right here on the site — to the limitations of the equipment, bad rooms and poor record cleaning. (more…)