This record has the sound of TUBES. I’m sure it was recorded with transistors, judging by the fact that it was made after most recording studios had abandoned that “antiquated” technology, but there may be a reason why they were able to achieve such success with the new transistor equipment when, in the decades to come, they would produce nothing but one failure after another.
In other words, I have a theory.
They remember what things sounded like when they had tubes. Modern engineers seem to have forgotten that sound. They have no reference for Tubey Magic. If they use tubes in their mastering chains, they sure don’t sound the way vintage tube-mastered records can sound.
Transistor Audio Equipment with Plenty of Tubey Magic
A similar syndrome was then operating with the home audio equipment manufacturers as well. Early transistor gear by the likes of Marantz, McIntosh and Sherwood, just to name three I happen to be familiar with, still retained much of the rich, natural, sweet, grain-free sound of the better tube equipment of the day.
I once owned a wonderful Sherwood receiver that you would swear had tubes in it when in fact it was simply an unusually well-designed transistor unit. Anyone listening to it would never know that it was solid state. It has none of the “sound” we associate with solid state, thank goodness.
Very low power, 15 watts a channel. No wonder it sounded so good.
Stick With the 4 Digit Originals (SD 7269)
If you’re looking for a big production pop record that jumps out of your speakers, is full of TUBEY MAGIC, and has consistently good music, look no further. Until I picked up one of these nice originals, I had no idea how good this record could sound. For an early ’70s multi-track pop recording this is about as good as it gets (AGAIG as we like to say). It’s rich, sweet, open, natural, smooth most of the time — in short, it’s got all the stuff we audiophiles LOVE.
Most copies lack the top end extension that makes the sound sweet, opens it up and puts air around every instrument. It makes the high hat silky, not spitty or gritty. It lets you hear all the harmonics of the guitars that feature so prominently in the mixes. (more…)