- Jailbreak makes its Hot Stamper debut here with superb Nearly Triple Plus (A++ to A+++) sound from first note to last – just shy of our Shootout Winner
- This copy has real depth to the soundfield, full-bodied, present vocals, plenty of bottom end weight, and lovely analog warmth
- 5 stars: “. . . this myth-making is married to an exceptional eye for details; when the boys are back in town, they don’t just come back to a local bar, they’re down at Dino’s, picking up girls and driving the old men crazy. This gives his lovingly florid songs, crammed with specifics and overflowing with life, a universality that’s hammered home by the vicious, primal, and precise attack of the band.”
- This stunning sounding copy of the band’s sophomore release earned shootout winning Triple Plus (A+++) grades or close to them on both sides
- Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Communique
- If you’re a fan of the band’s debut release, you’ll find much to like on this underappreciated follow up
- “…an album full of the delicate subtleties that make Mark Knopfler shimmer — that deep tobacco-soaked voice, the quick, fluid guitar, and the wit behind many of his lyrics… a rich, abundant source of beauty.”
This Vertigo British pressing of Dire Straits’ wonderful debut has ABSOLUTELY THE BEST SOUND for this album we have ever heard. Folks, this one just can’t be beat. AGAIG is our shorthand for As Good As It Gets, and that’s an understatement when it comes to the sound of this copy. It blew the doors off every record we put up against it; every Vertigo pressing, regardless of country of manufacture or era. If you’re looking for The World Champion, this copy holds the title and is very unlikely to be giving it up any time soon.
Rhett Davies is one of our favorite recording engineers, the man behind Taking Tiger Mountain, 801 Live and Avalon to name just a few of his most famous recordings, all favorites of ours of course.
His Masterpiece Discovered
Well, we just have to say that until something better comes along, THIS IS HIS MASTERPIECE. It has to be one of the best sounding rock records ever made, with Tubey Magic mids, prodigious bass, transparency to beat the band, and freedom from hi-fi-ishness and distortion like few rock recordings you have ever heard.
The man may be famous for some fairly artificial sounding recordings — Eno’s, Roxy Music’s and The Talking Heads’ albums come to mind — but it’s obvious to us now, if it wasn’t before, that those are entirely artistic choices, not engineering shortcomings. Rhett Davies, by virtue of the existence of this pressing alone, has proven that he belongs in the company of the greatest engineers of all time, along with the likes of Bill Porter, Ken Scott, Stephen Barncard, Geoff Emerick and others too numerous to mention.
We Want To Rock
What separates the best Brits from the merely good ones? In a word, ENERGY. The best copies make this band sound like they are on fire, ready to go head to head with the world, fiercely proud of the new sound they’ve created. The not-so-good copies make Dire Straits sound the way Dire Straits usually does — laid back and well under control, perhaps even a bit bored with the whole affair. The best copies show you a band that wants to rock with the best of them, and can.
Demo Disc Sound
Both sides here are OFF THE CHARTS — no copy came close, and none may ever! It’s got all of the punch, all of the energy, and all of the tubey magic that you could ever ask for. The vocals, the bass, the guitars — all PERFECTION. The overall sound is rich, full, smooth, sweet, super transparent, and tonally correct from top to bottom. The presence and immediacy on this copy are UNCANNY and UNMATCHED.
Water Of Love and Sultans of Swing have the kind of Demo Disc sound that will have your audiophile friends drooling and turning green with envy. We can’t all afford $100,000 turntables, but when you have a record that sounds this good, you don’t need one! This record makes it sound like you have 100k in your rig, whether you do or not.
A Big Speaker Record
Let’s face it, this is a BIG SPEAKER recording. It requires a pair of speakers that can move air with authority below 250 cycles and play at loud levels. If you don’t own speakers that can do that, this record will never really sound the way it should.
It demands to be played LOUD. It simply cannot come to life the way the producers, engineers and artists involved intended if you play it at moderate levels.
This is the kind of recording that caused me to pursue Big Stereo Systems driving Big Speakers. You need a lot of piston area to bring the dynamics of this recording to life, and to get the size of all the instruments to match their real life counterparts.
For that you need big speakers in big cabinets, the kind I’ve been listening to for more than forty years. (My last small speaker was given the boot around 1974 or so.) To tell you the truth, the Big Sound is the only sound that I can enjoy. Anything less is just not for me. (more…)
- Outstanding Double Plus (A++) sound or BETTER from start to finish – these vintage Vertigo UK pressings are ridiculously hard to find in this kind of shape with top quality sound
- These early sides are rich, smooth and Tubey Magical yet still relatively clean, clear and spacious
- 5 stars: “Of course, being a rocker at heart, Stewart doesn’t let these songs become limp acoustic numbers — these rock harder than any fuzz-guitar workout. The drums crash and bang, the acoustic guitars are pounded with a vengeance — it’s a wild, careening sound that is positively joyous with its abandon.”
*NOTE: On side one, a mark makes 8 light ticks at the end of Track 4, My Way Of Giving. On side two, a mark makes 6 light ticks at the beginning of Track 4, Jo’s Lament.
Hard to find them quieter than this!
This early Vertigo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
- You’ll find outstanding Double Plus (A++) sound or close to it on both sides of this UK pressing of the band’s brilliant debut
- One of the best sounding rock records ever made, with rich, sweet, smooth mids; prodigious amounts of bass; superb transparency and clarity; and a freedom from hi-fi-ishness and a lack of distortion like very few rock records we have ever heard
- Rhett Davies knocked this one out of the park – it’s a Top 100 title, a member of the Tubey Magical Top Ten, and our favorite by the band for both sound and music
- 4 1/2 stars: “Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album… the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.”
*NOTE: On side one, a mark makes 3 moderate pops followed by 8 light ticks at the beginning of Track 1, Down to the Waterline. On side two, a mark makes 11 light ticks on Track 1, Sultans of Swing.
Rhett Davies is one of our favorite engineers. He’s the man behind Taking Tiger Mountain, 801 Live and Avalon to name just a few of his most famous recordings, all favorites of ours of course.
The man may be famous for some fairly artificial sounding recordings — Eno’s, Roxy Music’s and The Talking Heads’ albums come to mind — but it’s obvious to us now, if it wasn’t before, that those are entirely artistic choices, not engineering shortcomings.
Rhett Davies, by virtue of the existence of this album alone, has proven that he belongs in the company of the greatest engineers of all time, right up there with the likes of Bill Porter, Ken Scott, Stephen Barncard, Geoff Emerick, Glyn Johns and others we could mention. (more…)
- An outstanding UK early pressing, with Double Plus (A++) sound or close to it on both sides – – exceptionally quiet vinyl too, the last clean copy we have in stock
- Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, punchy, and full-bodied with excellent presence – Mark Knopfler’s leads really soar
- Romeo and Juliet comes to life the way you want it to here, and the song Solid Rock lives up to its title
- 4 1/2 stars: “Making Movies is helped by a new wave-tinged pop production, which actually helps Knopfler’s jazzy inclinations take hold … ranks among the band’s finest work.”
The music really comes together, especially if you’ve been playing a sub-generation domestic pressing, which is the only kind Warners made as far as we know. (The first album is the same way of course.) Here you will find richer mids, sweeter highs, more energy and some real punch down low. (more…)
- This killer domestic pressing gives you a Triple Plus (A+++) side one and a side two that’s not far behind (A++)
- Fully extended from top to bottom with a wide-open soundstage, for this music this is the right sound.
- So Far Away, Money For Nothing and Walk Of Life all sound great on this Triple Plus side one!
- “One of their most focused and accomplished albums … Dire Straits had never been so concise or pop-oriented, and it wore well on them.” — Allmusic, 4 stars
Fully extended from top to bottom with a wide-open soundstage, this is exactly the right sound for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this!
Surprisingly Analog Master Tape Sound
Both sides of this bad boy are SUPERB. Drop the needle on So Far Away — it’s airy, open, and spacious, yet incredibly rich and full-bodied. The bottom end really delivers the goods — it’s punchy and meaty with healthy amounts of deep, tight bass.
The vocals are Right On The Money — full-bodied, with breathy texture, surrounded by the lovely ambience of the studio.
The 3-D quality to the soundfield here is something that most copies simply cannot reproduce.
The overall sound is lively, dynamic, and relatively natural. (more…)
This minty Vertigo Spaceship label British import original pressing has SUPERB SUPER HOT Stamper sound on side one. It’s BIG, open and Tubey Magical in the best tradition of British Prog Rock. If you’re a fan of ELP, Yes, Tull, Floyd and the like, this music might just be right up your alley. And unless you have some seriously expensive pressings, not many albums by the above-named bands will be competitive sonically with the sound of this side one. The album is VERY well-recorded.
Side one was tonally correct with an extended top end, the kind of top that many British pressings only hint at. We gave side one a grade of A++. It will be very hard to beat because it sounds AMAZING. It’s British analog at its richest and tubiest.
Side two was a step down sonically. Although rich and full-bodied, there is some smear on the transients and the stage is not as big as it is on this superb side one. (more…)
- Super Hot Stamper or better sound on both sides of this Arty Glam Rock album
- Produced by Robert John “Mutt” Lange before he hit it big with Foreigner and Def Leppard
- As far as I know Mr Lange never produced an album that sounds this good
- Plenty of Tubey Magical richness, which only the UK Vertigo pressings seem to have
Like many of my personal favorites, this is a band that never caught on in the states. I saw them live back in the late ’70s and thought they were killer — they reminded me of a more accessible version of 10cc. They write amusingly witty, clever lyrics and mate them to catchy melodies with lots of pop hooks, all produced with meticulous care and engineered with top audiophile sound.
They might fit in the general category of Glam Rock, owing, as they do, so much to Supertramp, Badfinger, Queen, 10cc, Ziggy-period Bowie and the like, but even as I write that it seems unfair to the band, which had a unique style all its own, worthy of the respect and admiration due any of these artists (well, maybe not all the respect, but some of it anyway). Fortunately for us record lovers, this is their best album. (more…)
- Superb Super Hot or better sound for both sides
- Quiet vinyl too – a true Mint Minus with one minor issue
- This British Vertigo Spaceship pressing is going to be very hard to beat
- Make no mistake: this is a Demo Disc Quality record on this pressing
AMG commented about the followup album that Fairport was “doing what the band members do best – taking some fine old traditional English jigs, reels, and traditional narratives and putting their own distinctive folk-rock stamp on them.”
We think those comments apply to this album equally well.
The first track is very Proggy with rich solid bass and tons of Tubey Magic. Transparent and tonally correct from top to bottom. It may be As Good As It Gets (AGAIG)
Side two was every bit as good. Here are two sides that are just plain Hard To Fault (HTF).
If only more records sounded this good!
But then again that would put us out of business, so, truth be told I guess we’re glad more records don’t sound this good. (more…)