This minty Vertigo Spaceship label British import original pressing has SUPERB SUPER HOT Stamper sound on side one. It’s BIG, open and Tubey Magical in the best tradition of British Prog Rock. If you’re a fan of ELP, Yes, Tull, Floyd and the like, this music might just be right up your alley. And unless you have some seriously expensive pressings, not many albums by the above-named bands will be competitive sonically with the sound of this side one. The album is VERY well-recorded.
Side one was tonally correct with an extended top end, the kind of top that many British pressings only hint at. We gave side one a grade of A++. It will be very hard to beat because it sounds AMAZING. It’s British analog at its richest and tubiest.
Side two was a step down sonically. Although rich and full-bodied, there is some smear on the transients and the stage is not as big as it is on this superb side one.(more…)
Super Hot Stamper or better sound on both sides of this Arty Glam Rock album
Produced by Robert John “Mutt” Lange before he hit it big with Foreigner and Def Leppard
As far as I know Mr Lange never produced an album that sounds this good
Plenty of Tubey Magical richness, which only the UK Vertigo pressings seem to have
Like many of my personal favorites, this is a band that never caught on in the states. I saw them live back in the late ’70s and thought they were killer — they reminded me of a more accessible version of 10cc. They write amusingly witty, clever lyrics and mate them to catchy melodies with lots of pop hooks, all produced with meticulous care and engineered with top audiophile sound.
They might fit in the general category of Glam Rock, owing, as they do, so much to Supertramp, Badfinger, Queen, 10cc, Ziggy-period Bowie and the like, but even as I write that it seems unfair to the band, which had a unique style all its own, worthy of the respect and admiration due any of these artists (well, maybe not all the respect, but some of it anyway). Fortunately for us record lovers, this is their best album.(more…)
Quiet vinyl too – a true Mint Minus with one minor issue
This British Vertigo Spaceship pressing is going to be very hard to beat
Make no mistake: this is a Demo Disc Quality record on this pressing
AMG commented about the followup album that Fairport was “doing what the band members do best – taking some fine old traditional English jigs, reels, and traditional narratives and putting their own distinctive folk-rock stamp on them.”
We think those comments apply to this album equally well.
The first track is very Proggy with rich solid bass and tons of Tubey Magic. Transparent and tonally correct from top to bottom. It may be As Good As It Gets (AGAIG)
Side two was every bit as good. Here are two sides that are just plain Hard To Fault (HTF).
If only more records sounded this good!
But then again that would put us out of business, so, truth be told I guess we’re glad more records don’t sound this good.(more…)
The best side one we’ve ever heard, so freakishly impressive that we awarded it the rare A++++ (Four Plus) grade! On top of that, side two earned an A++ grade and the vinyl plays unusually quietly — solid Mint Minus throughout. This is probably the best Dire Straits album (certainly our favorite) and definitely their best sounding album; on a copy like this one it has the power to BLOW YOUR MIND. Water Of Love, Down To The Waterline and Six Blade Knife are all STUNNING on this pressing. (more…)
This stunning sounding copy of the band’s sophomore release earned shootout winning Triple Plus (A+++) grades or close to them on both sides
Simply bigger and fuller than the competition, this vintage pressing has massive amounts of energy and rich punchy bass
If you’re a fan of the band’s debut release, you’ll find much to like on this underappreciated follow up
It is insanely difficult to find good copies of this album, which is why we’ve only had a handful of Hot Stampers hit the site in all these years
“…an album full of the delicate subtleties that make Mark Knopfler shimmer — that deep tobacco-soaked voice, the quick, fluid guitar, and the wit behind many of his lyrics… a rich, abundant source of beauty.”
This UK Vertigo copy of Rod Stewart’s debut solo album boasts outstanding Double Plus (A++) sound from first note to last – exceptionally quiet vinyl too
Rich, smooth and Tubey Magical, this pressing has a lovely musical quality that’s missing from most copies
Titled The Rod Stewart Album for US release, this is Rod the Mod’s acclaimed debut
4 1/2 stars: “The music and the songs are so vivid and rich with detail that they reflect a whole way of life, and while Stewart would later flesh out this blueprint, it remains a stunningly original vision.”
This vintage British pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Communique. If you’re a fan of the band’s debut release, you’ll find much to like on this underappreciated follow up.(more…)
Making Movies finally makes the grade on this White Hot Stamper copy! We’ve tried this one a few times over the years, very rarely having anything to show for it. The typical copy of this album tends to be dry, spitty, grainy, and somewhat dull, robbing the music of much of its charm. These guys obviously know their way around a studio — many of you must know just how good their first album can sound — so we’ve always been frustrated at what we hear on copy after copy that hits out table.
Making Movies finally makes the grade on this White Hot Stamper copy! We’ve tried this one a few times over the years, very rarely having anything to show for it. The typical copy of this album tends to be dry, spitty, grainy, and somewhat dull, robbing the music of much of its charm. These guys obviously know their way around a studio — many of you must know just how good their first album can sound — so we’ve always been frustrated at what we hear on copy after copy that hits out table.(more…)
Excellent Double Plus (A++) sound from start to finish – only the second copy to ever hit the site
These early Vertigo sides are rich, smooth and Tubey Magical yet still relatively clean, clear and spacious
Absolutely as QUIET as any pressing we have played – Mint Minus to Mint Minus Minus – it is the very rare copy that will play this well
5 Stars: “Of course, being a rocker at heart, Stewart doesn’t let these songs become limp acoustic numbers — these rock harder than any fuzz-guitar workout. The drums crash and bang, the acoustic guitars are pounded with a vengeance — it’s a wild, careening sound that is positively joyous with its abandon.”
This early Vertigo pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
Fully extended from top to bottom with a wide-open soundstage, this is exactly the right sound for this music. There’s plenty of richness and fullness here as well — traits that are really crucial to getting the most out of a mid-’80s recording like this! (more…)