We were impressed with the fact that this vintage London pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way. Depth and transparency are key to losing yourself in the music, and this pressing offers plenty of both.
White Hot Stamper “can’t be beat” sound on side one for La Mer. Side two is also White Hot for this 1965 Victoria Hall recording. Front row center seating for both sides in the best Decca tradition. Ansermet and the Suisse Romande bring out the beauty in this enchanting, enigmatic work. (more…)