Top Engineers – Roy Wallace

Rimsky-Korsakov / The Tale of Tsar Saltan on Speakers Corner – Diffuse, Washed Out, Veiled, and Just So Damn VAGUE

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Tom Port – Better Records

 

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Rimsky-Korsakov – The Tale of Tsar Saltan on Speakers Corner

Sonic Grade: C

We cracked open the Speakers Corner pressing shown here in order to see how it would fare up against a pair of wonderful sounding Londons we were in the process of shooting out a while ago. Here’s what we heard in our head to head comparison.

The soundstage, never much of a concern to us at here at Better Records but nevertheless instructive in this case, shrinks roughly 25% with the new pressing; depth and ambience are reduced about the same amount. But what really bothered me was this: The sound was just so VAGUE.

There was a cloud of musical instruments, some here, some there, but they were very hard to SEE. On the Londons we played they were clear. You could point to each and every one. On this pressing it was impossible.

Case in point: the snare drum, which on this recording is located toward the back of the stage, roughly halfway between dead center and the far left of the hall. As soon as I heard it on the reissue I recognized how blurry and smeary it was relative to the clarity and immediacy it had on the earlier London pressings. I’m not sure how else to describe it – diffuse, washed out, veiled. It’s just vague.
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Ravel and Ansermet Produce The Best Bolero on Vinyl

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Including this amazing Bolero, the best copy we’ve ever heard!

  • Both sides here earned our highest grade of Triple Plus, making this the best copy to ever hit the site
  • Full, rich, spacious, BIG and present, with energetic performances the likes of which you may have never heard
  • Side one has outstanding depth – the snare drum sounds like it’s located at least fifty feet behind the speakers
  • One of the best Ansermet recordings with the Suisse Romande from Victoria Hall – best performances too

Side two sounded so much better than any copy I have ever heard that I was sorely tempted to give it our coveted Four Plus grade, for the kind of sound that breaks all the rules. Cooler heads have since prevailed, but that doesn’t detract in the least from side two of this remarkable pressing, which has by far the best sound for The Sorcerer’s Apprentice I have yet to hear.

We are rarely able to find a quality recording or performance of Bolero or The Sorcerer’s Apprentice, so this pressing comes as a welcome addition to the classical offerings on the site.

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have ever heard. These recordings may just be the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made. (more…)

Roy Wallace Is One of Our Favorite Engineers

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ROY WALLACE is one of our favorite recording engineers. Click on the link to find our in-stock Roy Wallace engineered or produced albums, along with plenty of our famous commentaries.

Roy Wallace was the engineer for many of our favorite sessions in Geneva’s glorious sounding Victoria Hall. 

The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. It’s as wide, deep and three-dimensional as any, which is of course all to the good, but what makes the sound of these recordings so special is the weight and power of the brass and the timbral accuracy of the instruments in every section. 

These are the kinds of records that will make you want to take all your heavy vinyl classical pressings and put them on Ebay.

Quality record production is a lost art, and it’s been lost for a very long time.

Roy Wallace Engineered Albums with Hot Stampers

Roy Wallace Engineered Albums We’ve Reviewed

Iberia from 1960 – Amazing on the Original and the Right Reissues Too

1960 – A Great Year for Top Quality Recordings of Timeless Music

When you look closely at all the great records that were released that year — some of which can even be purchased in Hot Stamper form on this very site — you may come to agree with us that 1960 was a wonderful year for recorded music.

Click HERE to see the records currently on the site that were recorded or released in 1960.

And HERE to see the records from 1960 that we’ve reviewed, a substantially larger group as you can imagine, with more than 90 entries at the time of this writing.

 

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 A Top Quality Reissue (Potentially of Course)

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 A Wonderful Original (On the Right Pressing, Again, Of Course)

More of the music of Isaac Albeniz (1860-1909)

James Walker was the producer, Roy Wallace the engineer for these sessions from May of 1960 in Geneva’s glorious sounding Victoria Hall. It’s yet another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s. (We are of course here referring to the good modern mastering of 30+ years ago, not the bad modern mastering of today.)

The combination of old and new works wonders on this title as you will surely hear for yourself on both of these better than Super Hot sides.

The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

Side One – Iberia (1-4)

A huge hall, correct string tone, spacious and open as practically any orchestral recording you can find! (more…)

Bizet – L’arlesienne And Carmen Suites – Ansermet

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  • With a Triple Plus (A+++) Shootout Winning side one mated to a nearly as good side two, this pressing has the best sounding Carmen Suite we have ever heard – exceptionally quiet vinyl too
  • This is the best sounding and quietest Carmen Suite to ever make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking
  • If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it
  • Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording

This is High Fidelity Audiophile Gold, with an orchestra that sounds so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London Blueback vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology,

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way. (more…)

Bizet – L’arlesienne And Carmen Suites

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

With a nearly Triple Plus (A++ to A+++) side two and an excellent Double Plus (A++) side one, this pressing is one of the best sounding Carmen Suites we have ever heard. If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it. This is only the second Carmen Suite to make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking. Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

What To Listen For – Side to Side

My notes for side two read:

Could use more tubes.

Strings could be a bit smoother.

Needs a bit more weight down low.

Side one had all of this and more!

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Ravel & Dukas / Bolero & Sorcerer’s Apprentice / Ansermet

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

We are rarely able to find quality recordings (or performances) of either Bolero or The Sorcerer’s Apprentice, so this pressing comes as an especially welcome addition to the classical offerings on the site. 

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have encountered. These recordings strike us as the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made.

Bolero (Ravel)

ZERO compression. ZERO distortion when loud. Which means it has ZERO compressor distortion, something not five out of a hundred Golden Age recordings can claim. Nice extended top too.

The strings are never dry nor shrill, and the brass is neither sour nor brash, but gets big and stays clear. No other copy could do all of these things.

There is depth and richness here to beat the band, as well as clarity and tonal correctness that let you forget the recording and just enjoy the music.

The timbre of the brass is right on the money. As we have noted before, the brass of the Suisse Romande is some of the best to have ever been committed to analog tape. (more…)

Tchaikovsky / Sleeping Beauty / Ansermet / 3 LP Box Set

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Big Decca sound! Powerful deep bass. Beautiful string tone and sharply articulated brass sound. This is a wonderful record. Ansermet is of course a master of the ballet. The performance here is outstanding, perhaps even definitive.

Rimsky-Korsakov / Christmas Eve Suite / Ansermet – Our Shootout Winner from 2011

More of the music of Rimsky-Korsakov (1844-1908) 

Christmas Eve Suite / Ansermet 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This Blueback original pressing has EXCELLENT Hot Stamper sound on BOTH sides, with both sides earning grades of A+ to A++. The sound is rich and Tubey Magical in the finest tradition of London / Decca.

The Christmas Eve suite takes up the entire first side, with three shorter pieces comprising the second. Rimsky-Korsakov’s exotic orchestrations, much like those found on his wonderful Scheherazade, are pure audiophile ear candy from first note to last. (more…)

Beethoven / Symphony #6 (Pastoral) / Ansermet

More of the music of Ludwig van Beethoven 

Beethoven / Symphony #6 (Pastoral) / Ansermet 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

In our opinion this is the best sounding Beethoven 6th Symphony ever recorded. It is the most beautiful of them all, and has long been my personal favorite of the nine Beethoven composed.

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. (more…)