Top Engineers – Roy Wallace

Bizet – L’arlesienne And Carmen Suites – Ansermet

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  • With a Triple Plus (A+++) Shootout Winning side one mated to a nearly as good side two, this pressing has the best sounding Carmen Suite we have ever heard – exceptionally quiet vinyl too
  • This is the best sounding and quietest Carmen Suite to ever make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking
  • If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it
  • Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording

This is High Fidelity Audiophile Gold, with an orchestra that sounds so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London Blueback vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology,

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way. (more…)

Bizet – L’arlesienne And Carmen Suites

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

With a nearly Triple Plus (A++ to A+++) side two and an excellent Double Plus (A++) side one, this pressing is one of the best sounding Carmen Suites we have ever heard. If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it. This is only the second Carmen Suite to make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking. Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

What To Listen For – Side to Side

My notes for side two read:

Could use more tubes.

Strings could be a bit smoother.

Needs a bit more weight down low.

Side one had all of this and more!

(more…)

Ravel & Dukas / Bolero & Sorcerer’s Apprentice / Ansermet

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

We are rarely able to find quality recordings (or performances) of either Bolero or The Sorcerer’s Apprentice, so this pressing comes as an especially welcome addition to the classical offerings on the site. 

The sound is clear, with wonderful depth to the stage. As a rule, the classic ’50s and ’60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have encountered. These recordings strike us as the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made.

Bolero (Ravel)

ZERO compression. ZERO distortion when loud. Which means it has ZERO compressor distortion, something not five out of a hundred Golden Age recordings can claim. Nice extended top too.

The strings are never dry nor shrill, and the brass is neither sour nor brash, but gets big and stays clear. No other copy could do all of these things.

There is depth and richness here to beat the band, as well as clarity and tonal correctness that let you forget the recording and just enjoy the music.

The timbre of the brass is right on the money. As we have noted before, the brass of the Suisse Romande is some of the best to have ever been committed to analog tape. (more…)

Tchaikovsky / Sleeping Beauty / Ansermet / 3 LP Box Set

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Big Decca sound! Powerful deep bass. Beautiful string tone and sharply articulated brass sound. This is a wonderful record. Ansermet is of course a master of the ballet. The performance here is outstanding, perhaps even definitive.

Rimsky-Korsakov / Christmas Eve Suite / Ansermet – Our Shootout Winner from 2011

More of the music of Rimsky-Korsakov (1844-1908) 

Christmas Eve Suite / Ansermet 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This Blueback original pressing has EXCELLENT Hot Stamper sound on BOTH sides, with both sides earning grades of A+ to A++. The sound is rich and Tubey Magical in the finest tradition of London / Decca.

The Christmas Eve suite takes up the entire first side, with three shorter pieces comprising the second. Rimsky-Korsakov’s exotic orchestrations, much like those found on his wonderful Scheherazade, are pure audiophile ear candy from first note to last. (more…)

Beethoven / Symphony #6 (Pastoral) / Ansermet

More of the music of Ludwig van Beethoven 

Beethoven / Symphony #6 (Pastoral) / Ansermet 

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A distinguished member of the Better Records Orchestral Music Hall of Fame

In our opinion this is the best sounding Beethoven 6th Symphony ever recorded. It is the most beautiful of them all, and has long been my personal favorite of the nine Beethoven composed.

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. (more…)

Falla / Three Cornered Hat (Complete Ballet) / Ansermet

More of the music of Manuel de Falla (1876-1946)

Three Cornered Hat (Complete Ballet)

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology.  (more…)

Delibes / Coppelia & Sylvia / Ansermet – London Vs. Decca, Again

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Once again, the right Decca reissue blows the doors off the original we played. This has lately become a pattern, but keep in mind it’s a pattern that’s reliable less than half the time, if memory is any guide. Many of the Decca reissues we’ve played over the last few years have failed badly in a head to head with their earlier-mastered and -pressed counterparts. But the ones that beat all comers are the ones that stick in our minds and show up on our site. Clearly a case of confirmation bias, but at least we know something about our own biases. 

Record collectors and record collecting audiophiles will tell you it shouldn’t happen, but fools like us, who refuse to accept the prognostications of those supposedly “in the know,” have done the work and come up with the experimental data that’s proven them wrong again and again.

Sort of. We had one, and only one, pressing of the original London (CS 6185), and boy was it a mess — crude as crude can be. It sounded just like an “old record” — we’ve played them by the thousands, so we know that sound fairly well at this stage of the game — not the Decca engineered and mastered vintage collectible we know it to be. (more…)

The Tale of Tsar Saltan – What to Listen For: The Triangle

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your pressing of the album. 

This is a work that makes extensive use of the triangle, and I don’t know when I’ve ever heard a better recording of that instrument. (I think there are actually two being played.) It’s incredibly sweet, detailed and extended, without calling attention to itself in an unnatural manner. When you hear it, you know it, and I’m hearing it in my head as this is being written. 

Want a good tweeter test next time you’re in the market for new speakers? Play a record with a well-recorded triangle. It’s a surprisingly hard instrument to reproduce.  (more…)

Chabrier / Orchestral Music / Ansermet – What to Listen For

More Emmanual Chabrier

More Orchestral Music / Ansermet

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

On many copies the strings are dry, lacking Tubey Magic. This is decidedly not our sound, although it can easily be heard on many London pressings, the kind we’ve played by the hundreds over the years. If you have a rich sounding cartridge, perhaps with that little dip in the upper midrange that so many moving coils have these days, you will not notice this tonality issue nearly as much as we do. Our 17D3 is ruler flat and quite unforgiving in this regard.  

It makes our shootouts much easier, but brings out the flaws in all but the best pressings, exactly the job we require it to do. (more…)