Month: August 2019

Bud Shank – Brazilliance Vol. 2

  • Shank’s 1962 collaboration with Laurindo Almeida arrives with a Shootout Winning Triple Plus (A+++) side one and an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
  • Another superb Rickard Bock production from the early ’60s, with huge amounts of studio space and Tubey Magic to die for
  • The combination of Shank’s sax and flute with Almeida’s Brazilan folk-influenced guitar creates a delightful and unique fusion of bossa nova-influenced jazz
  • These two would go on to form the L.A. 4, but we much prefer their earlier work on this album
  • 4 stars: “…once again combining Brazilian rhythms and folk melodies with cool bop improvising… highly recommended.”
  • If you’re a fan of Bud’s, this vintage record from 1962 belongs in your collection.

This World Pacific pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the musicians, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

Taj Mahal – Oooh So Good ‘N Blues

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Oooh So Good ‘N Blues

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  • You’ll find excellent Double Plus (A++) sound on both sides of this 1973 album of primarily acoustic Folky Blues
  • If you like the music of Ry Cooder this album should be right up your alley – it’s as well recorded as Ry’s stuff, and that’s saying something 
  • As quiet as we can find them – Mint Minus to Mint Minus Minus
  • “Ooh So Good ‘N’ Blues takes a more straight-ahead approach that keeps the experimentation down to a minimum. As a result, this is one of his most consistently enjoyable and even albums.”

Taj does his own material and a few classics by the likes of Mississippi John Hurt, Elmore James and Willie Dixon. With the Pointer Sisters singing backup on some of the songs, fans of authentic acoustic blues will find much to like here. (more…)

Gerry Mulligan – The Concert Jazz Band

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More The Concert Jazz Band

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A distinguished member of the Better Records Jazz Hall of Fame.

If you’ve never heard a good All Tube Recording of the baritone sax, buy this record — it will blow your mind! 

Huge amounts of ambience fill out the space the extends from wall to wall (and all the way to the back wall of the studio), leaving plenty of room around each of the players.

Full-bodied sound, open and spacious, bursting with life and energy — these are the hallmarks of our Truly Hot Stampers. If your stereo is cookin’ these days, this record will surely be an unqualified Sonic Treat. (more…)

Bach / Suite #2 / Janigro – Reviewed in 2007

This is a 1S/ 1S Indianapolis pressing with A1 metal mothers from 1960 with sweet sound! Perfectly fitting for these Baroque pieces recorded in Italy.

This title is extremely rare. I haven’t seen one of these in about ten years. For those of you who are fans of this kind of music, you will find much to like here.

This is the first stereo recording of Bach’s Second Orchestral Suite for Flute and Strings.

The Solisti di Zagreb is comprised of 7 violinists, 3 violists, two cellists, in addition to Janigro and one double base player. This album features three outstanding soloists: Jean-Pierre Rampal on flute, Robert Veyron-Lacroix on harpsichord and Jelka Stanic on violin.

Mussorgsky, Borodin, et al. / Orchestral Showpieces / Solti – Our Shootout Winner from 2011

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This London Whiteback LP recorded in 1967 (CS 6503) has DEMO QUALITY SOUND on side two. Solti is the man for this music! He’s on fire with this fiery material and the London engineers do him full justice — at least they do on side two. (Side one has a long scratch and cannot be played.)

Don’t go looking for the Tubey Magic of an earlier era. What you get instead is super low distortion, full bandwidth sound with deep powerful bass and lovely transparency. THIS is the way you want to hear Russian Orchestral Showpieces — played with verve and dynamically ALIVE.

The Polovtsian Dances on side two sound as dynamic and powerful as any I know. (more…)

Heart / Little Queen – Listening in Depth

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More Women Who Rock

In-Depth Track Commentary

Side One

Barracuda

One of the little tricks I used toward the end of my marathon Little Queen tweaking session from a few years back (which lasted more than six hours one Saturday evening, leaving me euphoric but exhausted) was to listen to the ending of Barracuda. Some of the big guitar chords at the end of the song are louder than others, and the more the differences in level among them can be heard, the better the stereo and the room must be doing.

You can’t make the guitarist play some of the notes at the end louder than others, you can only reveal the fact that he indeed must have. This is what is meant by FIDELITY, the higher the better. (more…)

June Christy – The Intimate Miss Christy

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More Pop and Jazz Vocals

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Both sides of this 1962 All Tube Recorded and Mastered record are just as rich and relaxed as you would expect. The balance is correct, which means the top is there as well as the bottom, with good vocal presence throughout.

We are HUGE fans of this album at Better Records, but it’s taken us a long time to pull together enough clean copies to make this shootout happen. We’re happy to say it worth all the trouble.

Get the volume just right and June will be standing between your speakers and putting on the performance of a lifetime. This is one of our favorite female vocal albums (along with Clap Hands, Julie Is her Name and a fair number of others) and this amazingly good copy will show you why – the sound and music are wonderful.

The Mono Is King

This early mono pressing is the only way to find the MIDRANGE MAGIC that’s missing from modern records. As good as the best of those pressings may be, this record is dramatically more REAL sounding. (more…)

Leonard Cohen – Death of a Ladies’ Man

 

What are the criteria by which a record like this should be judged? Pretty much the ones we discuss in most of our Hot Stamper listings: energy, vocal presence, frequency extension (on both ends), transparency, harmonic textures (freedom from smear is key), rhythmic drive, tonal correctness, fullness, richness, and on and on down through the list. (more…)

Oscar Peterson Trio w/ Milt Jackson – Very Tall

  • An excellent copy which earned Double Plus (A++) grades for sound on both sides – there’s plenty of rich, Tubey Magic from 1962 to be found on this vintage stereo pressing
  • If you made the mistake of buying the atrocious Anadisq pressing MoFi put out in the ’90s, here is your chance to hear what a wonderful recording Val Valentin cooked up with these cats in their prime
  • “This first matchup on records between pianist Oscar Peterson and vibraphonist Milt Jackson was so logical that it is surprising it did not occur five years earlier… this first effort is a particularly strong set.”

For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good 1961-62 All Tube Analog sound can be, this killer copy will do the trick. (more…)

Letter of the Week “I have often found myself listening to things on your albums that I never imagined would be captured on vinyl!”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Please accept my apology. This email has been written in my head many times before now. However, life, and its many responsibilities have forced their own priority and delayed the composition of this message.

I have long been a skeptical person. My personality, and profession encourage skepticism. That skepticism was high when I first purchased a Ry Cooder album from you in 2014. Prior to that first purchase, I had been conducting research to discover what album pressings were likely to contain the best sound. I do not recall where I initially viewed your banner advertisement (possibly stevehoffman.tv, [not a chance!] or audiokarma.org? [maybe]). Either way, I clicked on the ad for your site and noticed a Ry Cooder album that I have always loved, and I took a chance. Boy was I surprised!

Since then I have purchased many albums from you, and I have been extremely happy with nearly all of them (even 95% accuracy is rare in the physical word, and you have easily achieved accuracy beyond that point). I have often found myself listening to things on your albums that I never imagined would be captured on vinyl!

Just as a side note, I want to thank you for including Sly Stone (a personal favorite), and War in your catalog of albums. Most audiophiles are not focused on those genres, but they are missing some interesting music. Thank you for your excellence!

Justin