This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish
A surprisingly well recorded album, this pressing is simply bigger, bolder and richer than most of the other copies we played
” … showcases the special flavor that Weir added to Jerry [Garcia]’s genius, where 2 identities blend effortlessly. “
“Jazzy in places, soft and smooth in others. Out of the ordinary for the Grateful Dead’s co-founder, but easier for the uninitiated to absorb without losing the trademark oddity that Weir has always displayed. Top-notch stuff.”
*NOTE: On side one, a mark makes 20 light to moderate pops at the end of Track 2.
What separated the best copies from the also-rans was more than just rich, sweet, full-bodied sound. The better copies make Bob’s voice more palpable — he’s simply more of a solid, three dimensional, real presence between the speakers. You can hear the nuances of his delivery much, MUCH more clearly on a copy that sounds as good as this one does.
Keith Olsen produced and co-engineered here, which should go a long way toward explaining why the sound is so good. He is of course the man helped make Fleetwood Mac’s 1975 album such a sonic blockbuster.(more…)
This outstanding copy of Foreigner’s sophomore release boasts solid Double Plus (A++) sound or close to it from beginning to end – exceptionally quiet vinyl too
If you own the Half-Speed or any modern reissue, you won’t believe how much bigger, clearer and more energetic this pressing is
Keith Olsen produced and engineered – he’s the man behind the amazing sound of Buckingham/Nicks and Fleetwood Mac (1975)
4 stars: “Foreigner promptly followed up its blockbuster debut with the equally successful Double Vision LP in 1978, which featured the FM mega-hits “Hot Blooded” and the driving title track.”
As I’m sure you know, there is a Mobile Fidelity Half-Speed Mastered version of this album currently in print, and an older one from the days when their records were pressed in Japan (#1-052).
We haven’t played the latter in years; as I recall it was as lifeless and sucked-out in the midrange as most of the other MoFis of that period, notably The Doors (#051) and Trick of the Tail (#062). Is there any doubt that the new MoFi will be every bit as bad or worse? If any of our Hot Stamper customers have purchased the current release, I would be interested in hearing how you think it stacks up against this copy.(more…)
The fullest, richest, smoothest, most energetic and clearest copy we played in our shootout by far – this is how good the album can sound! This one has the clarity and energy that let this music come to life. The sound was jumping out of our speakers.
As I’m sure you know, there is a Mobile Fidelity Half-Speed Mastered version of this album currently in print, and an older one from the days when their records were pressed in Japan (#052). (more…)