- Judy’s superb 1968 release finally returns to the site after nearly 8 years with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
- The sweetness and transparency to the guitars and vocals on this wonderful pressing won us over
- “Who Knows Where the Time Goes” – one of our favorite Judy Collins songs – is achingly powerful here
- 4 stars: “Enthusiasts of Judy Collins rank this among their favorite recordings and it is likewise a perfect touchstone for the burgeoning listener as well.”
- Judy Collins superb 1967 release finally returns to the site after many years with STUNNING Shootout Winning Triple Plus (A+++) sound on both sides of this Gold Label original stereo pressing
- The sound is rich, sweet and open, with Judy’s voice especially clear and breathy – if you’re not quite sure what Tubey Magic is all about, the sound of this pressing will show you just how Tubey Magical the real deal can be
- There is plenty of wonderful music on this album, including two of best songs Judy ever recorded (in our opinion), Michael from Mountains and Since You Asked, as well as two of Leonard Cohen’s best-penned tunes
- “Soothing. Unique. Natural. These are clear adjectives used best when describing the style and grace of Judy Collins and her album Wildflowers. Her blend of folk and meditative music paints a tapestry of soft, nurturing colors that transcends the mind of the listener and seeks one’s soul.”
The first three songs on side one alone are worth the price of the album, three of the best Judy ever recorded. Joni Mitchell’s Michael from Mountains is one of the best songs on her debut album; Judy sings it with comparable taste and skill. Since You Asked is Judy’s own composition, her first to be recorded in fact. In this writer’s opinion, it’s the best song she ever wrote, “as good as it gets” as we like to say. And of course, Leonard Cohen’s Sisters of Mercy is one of his many masterpieces and brilliant in all respects as performed here.
Grammy Award for Best Folk Performance that year by the way. (more…)
Both Sides Now, the Top Ten hit that finally put Judy on the map, is clearly made from a copy tape and doesn’t sound as good as the songs that follow it on side two. Hey, it happens, and I suspect it happens more often than most audiophiles think. I would wager that back in the day most people who bought this album never even noticed.
One thing I’ve noticed about audiophiles over the years: they’re like most people. The difference of course is that they call themselves audiophiles, and audiophiles are supposed to care about sound quality.
They may care about it, but are they capable of recognizing it? Are they capable of listening critically? Critically enough to notice dubby sound when they hear it?
Or to notice that one side of a record often sounds very different from another?
Or that some reissues sound better than the originals of the album?
Or that there is no correlation between the country that a rock band comes from and the country that made the best sounding pressings of their albums?
The embrace of one third-rate Heavy Vinyl pressing after another by the audiophile community has rendered absurd the pretense that their members ever developed anything beyond the most rudimentary critical listening skills.
Sadly, the Dunning-Kruger effect, the best explanation for the sorry state of audio these days, means they simply don’t know how little they know and therefore see no reason to doubt their high opinions of themselves, their equipment and their acumen.
Progress in audio is possible, but only if you know that you are not already at the top of the mountain. You should recognize that you have a lot of serious climbing to do.
White Hot A+++ sound on side two of this 2-pack, with Shootout Winning sound. Great material including The Moon Is a Harsh Mistress and Sondheim’s Send in the Clowns. Another 2-pack that proves our case – the good sides here are wonderful, the bad sides plainly awful. The engineer for Judith is Phil Ramone, who went on to win the Grammy the following year for Still Crazy After All These Years. (more…)
- With a nearly Triple Plus (A++ to A+++) side two and a seriously good Double Plus (A++) side one, this Elektra Gold Label stereo pressing will be very hard to beat – reasonably quiet vinyl too
- Two of the best tracks are here on this Nearly White Hot side two: Sunny Goodge Street and In My Life, and both sound every bit as good as you would expect from a side with such a high grade
- Here’s the midrange magic that’s missing from the reissues and whatever 180g pressing has been made from the tapes (or, to be clear, a modern digital master copied from who-knows-what-tapes)
- “Judy Collins was already an accomplished interpretive singer before recording this album, but In My Life found her widening her horizons and revealing an even greater gift than one might have imagined.”
- Fifth Album finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from first note to last on the Big Red E label
- These sides are exceptionally good, especially compared to most of what we played – only the best early pressings managed to get Collins’ voice to sound natural and real
- “… 5th Album, cut in late 1964, may very well be her definitive folk statement… A trio of Bob Dylan songs act as the album’s centerpiece, clearly showing Collins’ growth into more progressive songs. In addition to these, Gordon Lightfoot’s “Early Morning Rain” is given its classic reading, with Collins’ voice echoing the song’s melancholy and eerie but mellifluent precision and emotion. “
A classic case of Live and Learn, maybe. Previously we had written:
Superb sonics. Judy has never sounded better. Not a big seller for DCC but it should have been. Those sweet acoustic guitars are hard to beat. No modern recording has sounded like this for over twenty years, so if you’ve forgotten what a real acoustic guitar sounds like, buy this record and get reacquainted with that sound. Tons of breath of life, superb production and mastering so you can clearly hear her hitting those flat notes (!), and some of the best sounding echo ever recorded.
Addendum to the above comments, posted 11/07
I wrote the above review many many years ago. As you may have read countless times on the site by now, it is my opinion that all such dated judgments are suspect. The major REVOLUTIONS in vinyl playback that have occurred over the last dozen years have turned many of these old comments on their heads.
Hot Stamper pressings again and again have revealed magic in the mass-produced copies that is simply nowhere to be found in their audiophile counterparts.
Whether this is true for this particular title I can honestly say I don’t know. We are going to play some copies of the album and will report our findings down the road, so Judy Collins fans, stay tuned.
- With a nearly Triple Plus (A++ to A+++) side one and a seriously good Double Plus (A++) side two, this pressing will be very hard to beat – exceptionally QUIET vinyl too
- The “breath of life” is alive and well on these old LPs, the best reason for the truly serious audiophile to stay committed to analog
- “Having established herself as one of the foremost interpreters of traditional material, Collins did the same for contemporary folk songwriters on this album, which mixed standards with pristine covers of compositions by Dylan, Pete Seeger and Shel Silverstein. With Jim (Roger) McGuinn arranging and playing second guitar and banjo, this album, which included a fine version of Seeger’s “Turn! Turn! Turn!,” had a clear (if overlooked) influence on the folk-rock he pioneered with the Byrds.”
We had a devil of a time finding clean, quiet, good sounding copies of this album. The mono pressings, which are far more common than the stereo pressings, didn’t sound right to us, and everything produced after the Big Red E label era is a joke, which leaves the Folksinger label pressings from 1963 and the Gold Label pressings from 1965. Both can be good. This LP was by far the quietest we played, which makes it very special indeed. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
This White Hot Stamper side one was clearly the best we heard in our most recent shootout — the sound is rich and full, yet Judy’s voice comes across as especially clear and breathy. Yes, vintage analog pressings can do it all, with a naturalness that no modern LP or CD can begin to equal, making this side one the obvious choice for those who want to hear just how good Wildflowers gets.
The first three songs on side one alone are worth the price of the album, three of the best Judy ever recorded. Joni Mitchell’s Michael from Mountains is one of the best songs on her debut album; Judy sings it with comparable taste and skill. Since You Asked is Judy’s own composition, her first to be recorded in fact. In this writer’s opinion it’s the best song she ever wrote, “as good as it gets” as we like to say. And of course Leonard Cohen’s Sisters of Mercy is one of his many masterpieces and brilliant in all respects as performed here. (more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
This is a Minty Elektra Red Label LP with two AMAZING sounding sides! Typical copies are dull and thin sounding, making Judy Blue Eyes’ beautiful voice sound honky and weak like she has a head cold. This copy is the remedy! (more…)