_Conductors – Boskovsky

Strauss / Schubert – Dances of Old Vienna / Boskovsky

More of the music of Johann Strauss (1804-1849)

More Classical and Orchestral Recordings

  • An original UK Decca pressing of this wonderful sounding record boasting STUNNING Shootout Winning Triple Plus (A+++) grades from first note to last
  • Tonally correct from top to bottom and full of Tubey Magic, it’s unbelievably spacious and three-dimensional, with depth to rival any recording you may own
  • The violin (played by Boskovsky himself) is immediate, real and lively here – there is a transparency and ease to the sound that is not often heard in recordings from any era, making this a very special record indeed
  • Gordon Parry and James Lock handled the engineering duties for Decca and their work here is hard to fault

Wow, what a find! This is a WONDERFUL sounding record with vintage Decca/London sound. There is not a trace of hyped-up sound to be found on this record.

So spacious! This is a fairly small ensemble, not a huge orchestra, playing in a lively hall, exactly the kind of hall in which this music was meant to be heard. The reason everything on this disc sounds right is that the venue, the sound and the music are authentic to these works in practically every detail.

This vintage UK import pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

What The Best Sides Of Dances of Old Vienna Have To Offer Is Not Hard To Hear

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1968
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We’re Listening For On Dances of Old Vienna

  • Energy for starters. What could be more important than the life of the music?
  • The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.

Size and Space

One of the qualities that we don’t talk about on the site nearly enough is the SIZE of the record’s presentation. Some copies of the album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.

Other copies — my notes for these copies often read “BIG and BOLD” — create a huge soundfield, with the music positively jumping out of the speakers. They’re not brighter, they’re not more aggressive, they’re not hyped-up in any way, they’re just bigger and clearer.

And most of the time those very special pressings are just plain more involving. When you hear a copy that does all that — a copy like this one — it’s an entirely different listening experience.

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Strauss / New Year’s Concert / Boskovsky

More of the music of Johann Strauss II (1825-1899)

More Classical and Orchestral Recordings

  • New Year’s Concert makes its Hot Stamper debut with INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it throughout this original unboxed Decca pressing
  • Tons of musical energy, loads of rich detail and texture, superb transparency and excellent clarity – the very definition of DEMO DISC sound
  • The orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate
  • Marks in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you

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Strauss / Tales of Old Vienna / Boskovsky

Decca and London Hot Stamper Pressings Available Now

This BETTER than Super Hot Side one has shockingly good sound, some of the best we have ever heard for lovely marches, polkas and waltzes such as these (the Radetsky March being the most famous).

The hall is HUGE, the strings so rich, with the kind of wall to wall sound that makes the stereo and speakers utterly disappear. The sound of this London Whiteback pressing is just right for this music — so natural and real. Boskovsky of course was a master of these forms and displays consummate skill with each of the famous works here, bringing them to life as only he and the Vienna Phil. can.

If only side two were as good! But of course, when one side is killer, the chances that the second side will be as good or better are well below average.

Side One

Slight smear and slight edge keep this side from three pluses, but it’s close!

Side Two

Listen for the uncannily realistic whistle at the start of the first piece — it’s DEMO DISC material.

A step down to be sure but still big and rich, just the way we like our Londons.

Strauss – The Right Hall Creates the Right Sound

More of the Music of Johann Strauss

Hot Stamper Orchestral Imports on Decca & London

Wow, what a find! Dances of Old Vienna is a WONDERFUL sounding record with vintage Decca / London sound. Even as late as 1968 Decca was still able to produce recordings that are tonally correct from top to bottom and full of Tubey Magic.

There is not a trace of hyped-up sound to be found on this record. It’s unbelievably spacious and three-dimensional, with depth to rival any recording you may own.

One reason the recording is as spacious as it is is that this is a fairly small ensemble, not a huge orchestra, playing in a lively hall, exactly the kind of hall in which this music was meant to be heard.

The reason everything on this disc sounds right is that both the sound and the music are authentic to these works in practically every detail.

And the performances are vivid and lively as well, with Boskovsky himself playing the violin as well as directing the other players. It should be noted that the solo violin parts are especially lovely sounding. There is a transparency and ease to the sound that is not often heard in vintage recordings, and that, coupled with the tubey magic, richness and sweetness found throughout, make this a very special record indeed. (more…)

Schubert / Octet / Vienna Octet – Reviewed in 2012

Hot Stamper Pressings Featuring the Violin

Very good sound and very quiet vinyl on both sides of this London Whiteback LP! Side one is rich and sweet with nice space and soundstaging, but it could use more texture and top end. Side two fares a bit better in those areas. Both sides play mostly Mint Minus. There may be better sounding copies out there, but I doubt there are many quieter! (more…)