Top Artists – Peggy Lee

Peggy Lee – Latin ala Lee!

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Latin ala Lee!

  • Excellent sound throughout this vintage Capitol Stereo pressing of Lee’s 1960 release, with both sides earning Double Plus (A++) grades
  • Everything that’s good about All Tube Vocal Recordings from the ’50s and ’60s is precisely what’s good about the sound of this record
  • “The rhythms are not only authentically Afro-Cuban, but surprisingly strong and rarely watered down. The rest of the arrangements, though breezy and pop-slanted, support Lee’s vocals perfectly.”

Heavy Vinyl

When the S&P pressing came out, I was knocked out by the sound. Here is what I wrote in my catalog at the time:

The Record of the Year for 2003. I know how crazy that sounds, but it’s true! If you don’t have a smile on your face fifteen seconds after playing track one, you better check your pulse, cuz, as the famous song has it: Jack, You Dead. Amazingly good sound, courtesy of a fabulous and painstakingly difficult remix by the mastering guru himself, Steve Hoffman. This is popular music for the previous generation — but why should we be denied these long forgotten treasures?

Now I would be much more likely to find fault in the sound of that pressing. I’m sure it has all the shortcomings typical of this era’s records from Kevin Gray’s opaque and ambience-free cutting system.

If you want to hear a copy with all the life, presence and space of a real record, you will have a hard time doing better than this very pressing.

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Peggy Lee – Dream Street

More of the Music of Miss Peggy Lee

Reviews and Commentaries for the Music of Miss Peggy Lee

Over the years we’ve had the pleasure of playing some copies of her mono album from 1957, but it has never sounded very good to us and we stopped buying them years ago.

If you see one for cheap, pick it up. The music is wonderful. Many of Peggy Lee’s performances are superb, if not definitive.

To make our case, check out Miss Lee’s wonderfully delicate rendering of  “It Never Entered My Mind.” I know of none better.

This guy is pretty good too. We sell Hot Stamper pressings of this 1964 release, or at least we used to. Can’t find them anymore. The one album of his that belongs in every collection is this one, a collaboration of the ages.

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record-loving friends at Better Records.

You can find this one in our Hall of Shame, along with others that — in our opinion — are best avoided by audiophiles looking for hi-fidelity sound. Some of these records may have passable sonics, but we found the music less than compelling.  These are also records you can safely avoid.

We also have an Audiophile Record Hall of Shame for records that were marketed to audiophiles for their putatively superior sound. If you’ve spent any time on this blog at all, you know that these records are some of the worst sounding pressings we have ever had the displeasure to play.

We routinely play them in our Hot Stamper Shootouts against the vintage records that we offer, and are often surprised at just how bad an “audiophile record” can sound and still be considered an “audiophile record.”

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Peggy Lee – Sugar ‘N’ Spice

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  • An excellent copy of Sugar ‘N’ Spice with Double Plus (A++) sound throughout
  • So hugely spacious and three-dimensional, yet with a tonally correct and natural sounding Peggy, this is the way to hear it
  • This ’60s LP has the kind of Tubey Magical Midrange that modern pressings barely BEGIN to reproduce
  • Folks, that sound is gone and it sure isn’t showing any sign of coming back
  • “Peggy Lee is in fine voice throughout this jazz-flavored set, backed by ensembles arranged by Benny Carter, Billy Byers, Billy May, and Shorty Rogers. One of [her] better recordings from the early ’60s.”
  • “Peggy is in fine voice and brings her sweet feminine tones to her ballads and her salty, seductive sounds to the more uptempo material.”
  • If you’re a fan of Miss Lee,  or vintage Pop and Jazz Vocals in general, this album from the Golden Age of 1962 is surely one that belongs in your collection. (As one reviewer noted below, ignore the bad wig and lousy cover art.)

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Peggy Lee – Pass Me By

More of the Music of Miss Peggy Lee


If you’re a fan of vintage female vocals – the kind with no trace of digital reverb – you may get quite a kick out of this one. And unless I miss my guess you’ll be the first and only person on your block to own it. That’s not a bad thing considering the average person’s taste in music and sound these days.

The early label for our shootout winner can be seen below.

Copies with rich lower mids and nice extension up top (to keep the big band arrangements by Shorty Rogers and Dave Grusin from becoming shrill) did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we heard them all. (more…)

Peggy Lee – Guitars Ala Lee

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  • This Capitol stereo pressing has superb sound on both sides
  • Tubey Magical with breathy vocals, this is one of the albums that made us big fans of Miss Lee
  • I thought the S&P pressing of Latin a la Lee was killer when it came out in 2003 – little did I know how much I was missing, a situation the average buyer of Heavy Vinyl is in without ever knowing it
  • A ridiculously tough record to find in stereo, in audiophile playing condition, with sound as good as this
  • “Peggy Lee’s alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era…” – All Music Biography

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Peggy Lee – Mink Jazz

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  • Mink Jazz finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound on both sides
  • The vocal naturalness and immediacy of this early pressing will put Peggy in the room with you – more than anything else, it lets her performance come to life
  • These sides are exceptionally spacious and three-dimensional, as well as relaxed and full-bodied
  • “Peggy was, of course, in her element on the slow, seductive songs which were her trademark . . . The musicianship throughout the album is masterful, yet always secondary to Peggy’s lovely voice.”

John Krauss engineered this album, and brilliantly. You know him from many of Julie London‘s best recordings, albums such as Julie Is Her Name, Calendar Girl, Julie… At Home and Around Midnight.

This is some awfully good company if you ask me! (more…)

Peggy Lee – Big Spender

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  • Big Spender makes its Hot Stamper Debut here with Shootout Winning Triple Plus (A+++) sound from start to finish
  • In-the-room presence, preternaturally breathy vocals, and boatloads of wonderful Tubey Magic
  • Everything sounds immediate and unprocessed, the hallmarks of analog – no other copy in our shootout put a living, breathing Peggy Lee right between our speakers the way this one did
  • There are a lot of bad sounding albums in Miss Lee’s catalog, but this one from Capitol in 1966 on the early stereo label showed us that there are some real winners too

John Krauss engineered brilliantly. You know him from many of Julie London‘s best recordings, albums such as Julie Is Her Name, Calendar Girl, Julie… At Home and Around Midnight. 

This is some awful good company if you ask me! (more…)

Peggy Lee – In Love Again!

  • This outstanding pressing boasts solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl for a vintage Capitol pressing as well
  • This copy is rich, full-bodied and Tubey Magical – we’re dealing with an All Tube Analog recording chain from 1963 after all – with present, sweet, breathy vocals, the kind that practically no modern Heavy Vinyl record can offer
  • Stick with stereo on this album. The Mono pressings — at least the ones we’ve played — aren’t worth anybody’s time (scratch that: any audiophile’s time)
  • “… 12 quality performances from a highly identifiable singer who is not shy about taking other people’s material and re-imagining it or about coming up with her own vehicles.”

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Peggy Lee – If You Go

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More Pop and Jazz Vocals

  • Stunning sound throughout with a Shootout Winning Triple Plus (A+++) grade on the second side and a solid Double Plus (A++) grade on the first
  • This vintage Capitol stereo pressing is rich, full-bodied and Tubey Magical – we’re talking All Tube Analog from 1961 after all – with wonderfully sweet and breathy vocals 
  • “… the man writing the charts here is Quincy Jones, and he is only occasionally interested in underscoring the heartbreak with suitably sad music… Lee responds to the music with a world-weary tone, but an occasional swing in her step, as if this is not her first romance, nor her first one to go wrong.”

This vintage Capitol pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back. (more…)

Peggy Lee / Latin ala Lee! on S&P (Reviewed in the 2000s)

More of the Music of Miss Peggy Lee

More Pop and Jazz Vocals

Not sure if we would still agree with what we wrote back in 2003 when this record came out, probably not, but here it is anyway.

As for the difficult remix, the more remixes I hear, the less I like remixes. The ones Hoffmann did for Nat King Cole drive me up a wall.

The Record of the Year for 2003.

I know how crazy that sounds, but it’s true! If you don’t have a smile on your face fifteen seconds after playing track one, you better check your pulse, cuz, as the famous song has it: Jack, You Dead. Amazingly good sound, courtesy of a fabulous and painstakingly difficult remix by the mastering guru himself, Steve Hoffman. This is popular music for the previous generation — but why should we be denied these long forgotten treasures?

(more…)