_Composers – Copland

Eric Rodgers’ Slaughter on Tenth Avenue – How is this title not on the TAS List?

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This copy was so good on side two it almost left me speechless. How is this title not on the TAS List?

Why is it not one of the most sought-after recordings in the RCA canon? Beats the hell out of me.

But wait just one minute. Until a month ago [now years ago] I surely had no idea how good this record could sound, so how can I criticize others for not appreciating a record I had never taken the time to appreciate myself?

Which more than anything else prompts the question — why is no one exploring, discovering and then bringing to light the exceptional qualities of these wonderful vintage recordings (besides your humble writer of course)?

HP has passed on. Who today is fit to carry his mantle into the coming world of audio? Looking around I find very few prospects. None in fact. But then again, I’m not looking very hard. I could care less what any of these people have to say about the sound quality of the records they play. They all seem to like records that don’t sound very good to us, so why put any faith in their reviews for other records?

Reviewer malpractice? We’ve been writing about it for more than 25 years.

But I digress. (more…)

Ambrosia – Somewhere I’ve Never Travelled

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  • You’ll find outstanding Double Plus (A++) grades or close to them on both sides of this truly phenomenal ’70s Big Rock Production – exceptionally quiet vinyl too
  • The best sides have the trademark Alan Parsons sound, with huge amounts of space in the studio, and the kind of musical energy that made the first Ambrosia album (which he mixed) such a joy to play
  • This band, their producers, and their engineers sweated every detail of this remarkable recording
  • “There is an unusual dreamlike quality that pervades its work. The songs seem to be reaching the listener direct from some strange and beautiful realm of the unconscious. It is an experience rare in popular music today or at any time. ” – Billboard

Alan Parsons produced this album, and at its best, it is truly a Demo Disc — if you have the system to play it.

This album needs lots of space and a big, wide, open soundstage if it’s going to work, and the best sides deliver that sound. It’s a rare copy that manages to have real presence and top end without getting too edgy; on the good ones, the bass is big, solid and punchy and the energy is superb. (more…)

Rodgers – Slaughter on Tenth Avenue with Arthur Fiedler in Living Stereo

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This record is so good on side two it almost left me speechless. How is this title not on the TAS List? Why is it not one of the most sought-after recordings in the RCA canon?

Beats the hell out of me. But wait just one minute. Until a month ago I surely had no idea how good this record could sound, so how can I criticize others for not appreciating a record I had never taken the time to appreciate myself?

Which more than anything else simply begs the question — why is no one exploring, discovering and then elucidating for the record loving public the wonderful qualities of these vintage recordings (besides your humble writer of course)?

HP has passed on; who is fit to carry his mantle into the coming world of audio? Looking around I find very few prospects.

But I digress.

Side Two

White Hot and simply amazing on every level. Rich, clear, undistorted, open, spacious, with depth and transparency like few recordings you may have heard, the music flows from the speakers effortlessly. You are there.

The loudest brass and string sections of the music are never brash or shrill, something that no other side could manage.

Side One

My notes read: The Big Living Stereo Sound, and man is it ever! The players are arrayed on a huge stage, with transparency that lets you hear all the way to the back of the hall.

This record will have you asking why so few Living Stereo pressings actually do what this one does. The more critical listener will recognize that this is a very special copy indeed. Everyone else will just enjoy the hell out of it. (more…)

Bose Salutes the Sound Of Mercury Records (Along with Some Audio Lessons Learned Long Ago)

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This Factory Sealed Bose / Mercury Demonstration LP is autographed by none other than Amar G. Bose. The autograph reads “To EMI, with regards and best wishes, Amar G. Bose.”

Bose may not have ever made very good speakers, but they sure knew good recordings when they heard them. This LP has excerpts from some of the top Mercury titles, including music by Copland (El Salon Mexico), Kodaly (Hary Janos Suite), Mussorgsky/ Ravel (Pictures At An Exhibition), and Rimsky-Korsakov (Russian Easter Overture).I played one of these Bose records years ago and was surprised at how good it sounded. The transfers of the Mercury tapes were excellent! I guess that makes sense — if you want to show off your speakers you better use a well-mastered record for the demonstration.

I was duped into buying my first real audiophile speaker, Infinity Monitors, when the clever salesman played Sheffield’s S9 through them. I bought them on the spot. It was only later when I got home that none of my other records sounded as good, or even good for that matter. That was my first exposure to a Direct to Disc recording. To this day I can still picture the room the Infinity’s were playing in; it really was a watershed moment in my audiophile life.

And of course I couldn’t wait to get rid of them once I heard them in my own system with my own records. I quickly traded them in for a pair of RTR 280DR’s. Now that was a great speaker! 15 panel RTR Electrostatic unit for the highs; lots of woofers and mids and even a piezo tweeter for the rest. More than 5 feet tall and well over 100 pounds each, that speaker ROCKED.

This was the mid-’70s, 40+ years ago, and I am proud to say I have never owned a “small” speaker since. I’ve heard a lot of them — some good, most of them not so good — but that’s a sound I personally could never live with. Especially if you are trying to play large orchestral works like those found on this LP. Small speakers just can’t move enough air to bring this music to life in any way that gives meaning to the term Hi-Fidelity. (more…)

Ambrosia – Somewhere I’ve Never Travelled – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This SUPERB WHITE HOT STAMPER copy is our overall winner from the recent huge Hot Stamper shootout we did for Ambrosia’s second — and second best — album. Friends, it’s been a long time coming but, judging by this copy and the others which fared well, it was worth it. We LOVE this music.

Ambrosia is one of the few groups that has mastered the technique of being both far-out galactic in scope of vision and mainstream AM commercial in execution… There is an unusual dreamlike quality that pervades its work. The songs seem to be reaching the listener direct from some strange and beautiful realm of the unconscious. It is an experience rare in popular music today, or at any time.

Billboard, 1977

MORE AMBROSIA

We here present one of the best sounding copies for Somewhere I’ve Never Travelled we have ever played. Side one rated A+++, As Good As It Gets, with a side two that was not far behind at A++. From beginning to end this pressing is KILLER. (more…)

Copland / Billy the Kid / Johanos – Our Shootout Winner from 2010

More of the music of Aaron Copland (1900-1990) 

More Billy the Kid / Johanos 

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A distinguished member of the Better Records Orchestral Music Hall of Fame. 

AN AMAZING RODEO and an EVEN BETTER BILLY THE KID! We are BIG fans of this performance and this copy will show you exactly why. Side one (Rodeo) rates A++; it is clear and dynamic with an unusually three-dimensional soundfield, giving the instruments their own space and allowing you to hear right INTO the music. Side two (Billy The Kid) earned top A+++ honors with serious weight down low, a wonderfully sweet top end, more texture to the strings and HUGE dynamics.  

On most copies the brass has a tendency to get shrill, but not here! Also, check out the HUGE cymbal crashes on side two. You’re going to have a very hard time finding another copy that delivers like this one does.

This recording will show you what’s wrong with so many highly-revered, top dollar Golden Age recordings, the kind that end up on the TAS List and cost a fortune. The freedom from coloration on BOTH sides of this record are remarkable and might make you change your mind about some of the more famous shaded dog and Mercury Living Presence titles you hold dear. (more…)

Various Artists – Destination Stereo – Our Shootout Winner from 2015

More Living Stereo

Destination Stereoo

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A distinguished member of the Better Records Orchestral Music Hall of Fame. 

Side one is White Hot, with some of the best 1959 Living Stereo we’ve ever heard. Explosive dynamics, HUGE space and size, with unerringly correct tonality, this is a Demo Disc like no other. When “in -the-know” audiophiles discuss soundstaging and depth, they had better be talking about a record that sounds like this. Shockingly real – proof positive that the cutting systems of the day are capable of much better sound than we normally assume. 

This reasonably quiet RCA Shaded Dog LP has DEMONSTRATION QUALITY SOUND on BOTH sides. It is without a doubt THE best sounding copy we have ever heard*. (more…)

Copland / Billy the Kid / Morton Gould – Our Shootout Winner from 2011

More of the music of Aaron Copland (1900-1990) 

More Billy the Kid / Morton Gould 

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A distinguished member of the Better Records Orchestral Music Hall of Fame. 

Super Hot Stamper sound on BOTH sides, with side one so energetic and exciting it would easily qualify as a Demo Disc. This title is almost impossible to find in anything but beat up condition. Records like these got played over and over and few survived the ten grams of stylus pressure and mis-aligned cartridges of the day.   (more…)