We think this record is worth seeking out, but finding clean copies on the original label in stereo has proved to be too hard even for us. It’s unlikely that we will be able to offer this album in Hot Stamper form any time soon. If you see one locally on the early label, pick it up. There’s a good chance it will sound very good if not downright amazing.
Our review from many years ago:
Side one is killer sounding, with the All Tube Analog sound that Columbia was famous for. The vinyl is fairly quiet as well for a ’50s Columbia 6 Eye pressing. I don’t know how many unscratched, lightly-played Mathis records you’ve ever seen, but in our experience they are few and far between — hence the fact that this is the first one to make it to the site.
Johnny Mathis released Warm, his sophomore album, in 1957. The album is an example of the classic romantic mood that made Mathis a superstar. The lush, romantic Warm includes “My One and Only Love” as well as “A Handful of Stars,” “By Myself,” “I’ve Grown Accustomed to Her Face,” “Then I’ll Be Tired of You,” “I’m Glad There Is You,” and “While We’re Young.” A classic Mathis album with a title track that ranks, with “Misty,” as one of his best.
This is an Older Pop and Jazz Vocal Review.
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.
We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)
We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.
Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.
As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.
The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.
Not just a good sounding record. A record that was played in a shootout and did well.
The result of our labor are the dozens of Pop and Jazz Vocal titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or your money back.