_Composers – Holst

Holst / The Planets – Blockbuster Sound

More of the music of Gustav Holst (1874-1934)

Reviews and Commentaries for The Planets

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This 2-pack boasts White Hot Stamper sound on side two for the Mehta Planets. Yes, it IS possible. Side two shows you what this record is actually capable of — big WHOMP, no SMEAR, super SPACIOUS, DYNAMIC, with an EXTENDED top. It beat every London pressing we threw at it, coming out on top for our recent shootout. Folks, we 100% guarantee that whatever pressing you have of this performance, this copy will trounce it.

But side one of this London original British pressing was awful. We wrote it off as NFG after about a minute; that’s all we could take of the bright, hard-sounding brass of War.

Can you imagine sound this bad from a TAS List Super Disc record? We can, we played it. (more…)

Holst / The Planets – Proper VTA Adjustment Is Critical

Making Audio Progress 

Unsolicited Audio Advice

More VTA Advice

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Accurate VTA adjustment for classical records is critical to their proper reproduction. If you do not have an arm that allows you to easily adjust its VTA, then you will just have to do it the hard way (which normally means loosening a set screw and moving the arm up and down until you get lucky with the right height).

Yes, it may be time consuming, it may even be a major pain in the ass, but there is no question in my mind that you will hear a dramatic improvement in the sound of your classical records once you have learned to precisely adjust the VTA for each and every one of them. We heard the improvement on this record, and do pretty much on all the classical LPs we play. All records really.

VTA is not a corner you should be cutting. Its careful adjustment is critical. Of course, so are anti-skate, azimuth and tracking weight. The links below have a fair amount of advice on turntable setup which might be worth checking out. (more…)

Holst / The Planets – Remastered on 2 Japanese 45 RPM LPs, It’s Just Awful

More of the music of Gustav Holst (1874-1934)

Reviews and Commentaries for The Planets

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This EMI 45 RPM Japanese Import 2 LP set with the OBI strip and Little Sign Of Play (LSOP) is widely considered one of the great Planets, but it’s not, based on our playing of a copy we had years ago, which means it belongs in our Hall of Shame. 

The best copies on British or Dutch EMI vinyl are clearly better than this “audiophile” pressing. What else is new? 


FURTHER READING

Record Collecting for Audiophiles – 45 RPM Pressings

Record Collecting for Audiophiles – A Guide to Understanding The Fundamentals

Record Collecting for Audiophiles – Audiophile Pressings

Record Collecting for Audiophiles – Direct to Disc Recordings

Record Collecting for Audiophiles – Japanese Pressings

Record Collecting Myths

Holst / The Planets – Dutch Versus Brit

What to Listen For – Side to Side Differences

Decca and London Hot Stamper Pressings Available Now

More Recordings conducted by Zubin Mehta

This 2-pack boasts White Hot Stamper sound on side two for the Mehta Planets. Yes, it IS possible. Side two shows you what this record is actually capable of — big WHOMP, no SMEAR, super SPACIOUS, DYNAMIC, with an EXTENDED top. It beat every London pressing we threw at it, coming out on top for our recent shootout. Folks, we 100% guarantee that whatever pressing you have of this performance, this copy will trounce it.

But side one of this London original British pressing was awful. We wrote it off as NFG after about a minute; that’s all we could take of the bright, hard-sounding brass of War.

Can you imagine sound this bad from a TAS List Super Disc record? We can, we played it.

If you collect Super Discs based on their catalog numbers and labels and preferred countries of manufacture, you are in big trouble when it comes time to play the damn things. That approach doesn’t work for sound and never did.

If your stereo is workin’ right this is not news to you. The proof? The first disc in this 2-pack is Dutch. It earned a Super Hot grade in our blind test, beating every British copy we played against it save one. Side two however was recessed, dark and lifeless. Another NFG side, but the perfect complement to our White Hot British side two!

Hot Stampers are the only way to get this problematical recording to come to life, to convey the real power of Holst’s music. The typical copy of this record is dull, two-dimensional, smeary, veiled, opaque and compressed. If you were never impressed with the sound of HP’s favorite — a member of the Top Twelve TAS Super Disc List — this might just be the copy that will change your mind. (more…)

Letter of the Week – “A very rewarding day spent visiting a remarkable piece of music.”

More of the music of Gustav Holst (1874-1934)

Reviews and Commentaries for The Planets

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I spent the day today shooting out various interpretations and sonics of the above, and, I must admit, the Previn leads the field. More decay, transparency, sweetness, magic and imagination than the Mehta, Stokowski and numerous others. If you have an amazing copy, especially re side two, please put my name on it and let me know. [We do this shootout regularly and will be glad to hold the next killer copy for you.]

A very rewarding day spent visiting a remarkable piece of music. The Previn should be used for proper set up of a big system because it does everything right and demands the same of your system.

Best,
Phil
And thank you

You are preaching to the choir on that one, loved it for at least the last ten years and can find nothing to compare with it.

I was very fortunate to see the work performed at Disney Hall. No record can come close but some come closer than others. (more…)

British Band Classics Vol. 2 – The First Classical Record I Bought as an Audiophile

More of the music of Gustav Holst (1874-1934)

Hot Stamper Mercury Pressings Available Now

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British Band Classics Volume Two was the first Mercury classical LP I ever bought. After hearing it at an audiophile friend’s house I went down to Tower Records and found one in the bin. I think the price was $3.99 for the Golden Import pressing, which of course was the only one available. That was what I had heard, so I had no idea that the original even existed, let alone sounded better and would one day sell for many hundreds of dollars. This was the ’70s, when you could walk into a record store and buy new records, and long before HP created a feeding frenzy for vintage Mercs.

As I’m writing this, I can picture myself in the store. I can still remember that the clerk who helped me find the record commented that I should have come in the week before when the record was on sale for $1 off. I certainly feel like I got my money’s worth that day. This album went on to become one of my personal treasures. I used to marvel at the way the wind instruments actually sounded like the pipes of an organ. (I wasn’t really sure at first that there wasn’t an organ playing somewhere on the record. I didn’t know much about classical music then. ) (more…)

Holst – The Planets / Previn

More on The Planets

More of the music of Gustav Holst (1874-1934)

  • With outstanding Double Plus (A++) sonic grades or BETTER on both sides, this early EMI pressing is guaranteed to be the best copy of Holst’s Magnum Opus, The Planets, you have ever played
  • Orchestral power like practically no other music on vinyl you may have heard, and Previn’s and the LSO’s performances are without peer in our estimation
  • These sides are rich, clear and dynamic, with weighty brass, and the kind of dynamic power that lefts the energy level right into space
  • A TAS List Super Disc, with a performance that’s as spectacular as the recording by the two Christophers

These sides have some of the best sound we have ever heard for the work, and that’s saying something considering the scores of recordings we have played of this famous and famously well-loved piece.

Fortunately for audiophiles who love The Planets but are disappointed by most performances, a group that includes us to be sure, the amazing sound found on this copy is coupled with a superb performance.

As you might imagine, on a big system this would make for a powerful listening experience, which is exactly the experience we ourselves had during our recent shootout. This copy actually deserves its place on the TAS List.

Both sides earned strong grades for their powerful energy and orchestral excitement, especially from the brass section, a subject we discuss at length below. (more…)

Holst / The Planets – Can You Imagine Sound this Bad from a TAS List Super Disc? We Can, We Played It.

This 2-pack (described below) boasts White Hot Stamper sound on side two for the Mehta Planets. Yes, it IS possible. Side two shows you what this record is actually capable of — big WHOMP, no SMEAR, super SPACIOUS, DYNAMIC, with an EXTENDED top. It beat every London pressing we threw at it, coming out on top for our recent shootout. Folks, we 100% guarantee that whatever pressing you have of this performance, this copy will trounce it.

But side one of this London original British pressing was awful. We wrote it off as NFG after about a minute; that’s all we could take of the bright, hard-sounding brass of War.

Can you imagine sound this bad from a TAS List Super Disc record? We can, we played it. (more…)

Holst / The Planets / Solti / LPO – MoFi (and UHQR) Debunked

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Sonic Grade: Regular MoFi LP: F / UHQR: D

Both Hall of Shame pressings.

We recently auditioned an excellent sounding Decca Purple Label British import LP, the same performance, the same recording that Mobile Fidelity remastered (#510), but, thankfully, it sounded A WHOLE LOT BETTER!

I just listened to both and a catalog of the faults of the MFSL pressing would be quite lengthy. I won’t waste your time listing them. Although this recording is not perfect, the Decca pressing shows it in its proper light.

It finds the right balance between the multi-miked sound of the Super Disc List Mehta and a vintage recording from the Golden Age such as the famous Boult. The sound is very dynamic and the brass has tremendous weight. The MoFi is thin and bright.

Their UHQR is somewhat better, not quite as thin and phony up top, but not really very good either. Avoid them both.

Holst / The Planets / Steinberg – Our Shootout Winner from 2008

More the music of Gustav Holst (1874-1934)

More The Planets / Steinberg

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Side one here is AGAIG, as good as it gets. It shows the listener more of everything that’s wonderful about this wondrous work. Side two is very nearly as good, and was only beaten slightly by one other copy in our shootout. This pressing gives you the complete work in the best sound we can find. 

This was one long shootout, two and a half years in the making. And I spent at least ten years before that collecting enough copies to be able to find some pattern in the stampers that clued me in as to what to look for. It was a long time coming but we expect you will find it was all worth it in the end. This music is so important and moving; it belongs in every audiophile’s collection. To get Steinberg’s version into your collection has not been easy, until now. This is the one.