Labels With Shortcomings – Simply Vinyl

The Who – Tommy

More of The Who

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  • Outstanding sound for all four sides with Shootout Winning Triple Plus (A+++) grades on side one and solid Double Plus (A++) grades on the remaining three sides
  • Exceptionally quiet vinyl too – they don’t come our way with audiophile quality surfaces like these very often, almost never in fact
  • Our early Black Label British Track pressing here has the rich, spacious, Tubey Magical sound that has the power to immerse you in the story of a deaf, dumb and blind boy named Tommy
  • Top 100, and clearly our pick for the best sounding album The Who ever made – when you play a copy that sounds as good as this one we think you’ll have no problem seeing our point
  • 4 1/2 stars: “…Townshend’s ability to construct a lengthy conceptual narrative brought new possibilities to rock music.”

*NOTE: On all four sides, a very small warp is not audible.

I know of no other Who album with such consistently good sound — song to song, not copy to copy, of course. Just about every song on here can sound wonderful on the right pressing. If you’re lucky enough to get a Hot Stamper copy, you’re going to be blown away by the Tubey Magical Guitars, the rock-solid bottom end, the jumpin’-out-of-the-speakers presence and dynamics, and the silky vocals and top end.

Usually the best we can give you for The Who is “Big and Rockin,” but on Tommy, we can give you ’60s analog magic that will all but disappear in the decades to follow.

Acoustic guitar reproduction is key to this recording, and on the best copies the harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard in every strum. (more…)

Blondie / Parallel Lines on EMI, Simply Vinyl and Mobile Fidelity – Three Strikes and You’re Out

Sonic Grade: D or worse

EMI and Simply Vinyl both released Heavy Vinyl versions of the album with little sonic success. I remember being underwhelmed by the Simply Vinyl version, the perfect example of the smeary sub-gen sound you get when a record is made from a dub tape. The EMI 180 was brighter and thinner and every bit as wrong in its own way. Choosing among them would have been difficult. The best choice: none of the above. 

As is so often the case, the Heavy Vinyl Reissues are simply a disgrace.

MOBILE FIDELITY

Two words: compressed muck (like most domestic pressings, to be fair).

I became a giant fan of this album the moment I heard it, but I always felt that the sound of my old original left something to be desired. So many copies are thick and lifeless; the music wants to cook but the sound seems to be holding it back.

And like an idiot I’m sure I had traded my original domestic pressing in for the MoFi when it came out in the early ’80s, the kind of dumbass audiophile move I discuss in the commentary Audiophilia 101: What Kind of Fool Was I?

As previously noted, the MoFi, one of those Jack Hunt turgid muckfests (check out City to City #058 for the ultimate in murky MoFi sound), is incapable of conveying anything resembling the kind of clean, clear, oh-so-radio-friendly pop rock sound that Mike Chapman and the band were aiming for.

The recording has copious amounts of Analog Richness and Fullness to start with. Adding more is not an improvement; in fact it’s positively ruinous.

The Who – Tommy – Our First Big Shootout Winner from Way Back in 2008

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A distinguished member of the Better Records Rock Hall of Fame.  

This British Track Black Label pressing DEMOLISHED our expectations for this album. I don’t think I’ve ever heard The Who sound this good.

Three out of four sides rate our top grade of A+++, and side three ain’t far behind at A++. What do such high grades give you for this album? Tubey magical guitars, silky vocals with lots of texture, unbelievable weight to the bottom end, “you are there” immediacy, BIG drums sound, OFF THE CHARTS rock and roll energy, and shocking clarity and transparency.

This is only the second $1000 Classic Rock Hot Stamper we’ve ever listed on the site. We know there’s always a rise in trash talk on the vinyl message boards when we throw this kind of record on the site, but we can’t worry about that silly business. Our job is to find you guys the best of the best, and here’s a record that we’re very proud to put at the very top of our top shelf. (more…)

David Bowie – Ziggy Stardust – Simply Vinyl & EMI Debunked

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More Ziggy Stardust

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Sonic Grade: D

This version sounds just like the EMI that came out in the ’90s; in short, not very good.

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers. 

Letter of the Week “Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.”

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom, 

I want to express my gratitude to your long-lasting efforts with regard to music. It has fully changed my whole life as a listener of music. [emphasis added] It’s a great pleasure and I reached a complete different level of enjoyment and listening habits. To hear a Hot Stamper it’s also often a physical and emotional experience (sensation of heat, tears in the eyes, palpitations etc.). Thanks to your great Hot Stampers I might experience with so much pleasure. Meanwhile I sold out near all my pseudo-audiophile LP’s (i.e. MFSL, Nautilus, DCC, Simply Vinyl etc.) – they are useless.

And last but not least it’s very important to buy these hot LPs now and here, before deafness, tinnitus (my greatest fear) and dementia are going to kill us. All LPs are worth their price, because I can imagine how much effort it takes to do the shootouts. (I did some.) (more…)

The Who – Tommy – Simply Vinyl Reviewed

More The Who

More Tommy

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Sonic Grade: B

One of the BEST titles on Simply Vinyl! Better than the Classic version, that’s for sure. This one has the bass that’s all but missing from the new 200 gram pressing.  

The Classic Tommy Has No Bass

It could have had amazing bass, like their Who’s Next, but it doesn’t. Why I have no idea. The overall sound is thin, so thin that we immediately knew there was no point in carrying it. (The only Classic Who record we ever carried was Who’s Next; the rest of them are dreadful, some of the worst sounding reissues out there.) Not when there’s a very fine Heavy Vinyl pressing already around. You guessed it: the Simply Vinyl pressing, the one from that label that some reviewer thinks is “screwing up the market.”

Who’s Screwing Whom?

We invite all our readers and listeners to do the shootout for themselves. Both versions of Tommy are in print and widely available. [Woops, not any more, both are out of print.]

If you do find the Classic to be more to your liking, we simply ask that you send us your copy with a note as to the tracks you compared and what you found, so that we can hear it for ourselves. As you know from reading about Nirvana Nevermind, no two records, not even new audiophile ones, sound the same, so if you managed to get hold of a hot copy of the Classic, we want to hear it too! (After we have picked our jaws up off the floor we will happily send it back to you.)

Derek and the Dominos – Layla (2 LPs) – Remastering the Remaster (and Keeping It a Secret)

More Eric Clapton and Cream

More Layla

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NEWSFLASH! [circa 2010]

Noticing that this title had recently come back into print, and remembering that we used to like the SVLP of Layla, we decided to order a current copy of the album from SIMPLY VINYL. Soon enough it came in, we played it, and we were pretty shocked to hear that the damn thing sounded just plain AWFUL.

Was I wrong about it before? Only one way to know. I pulled out my old Review Copy from way back when it first came out and sure enough that early pressing sounded dramatically BETTER than the new one. The stampers were completely different of course; someone had remastered it recently and ruined it.

The earlier SVLP pressing, though no award winner by any means, was at least a good record. This new pressing was nothing but a piece of crap.  (more…)

Who’s Next… to Remaster the Album Badly? Our Audiophile LP Overview

More The Who

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The following was written in the early 2000s.

Who’s Next has been remastered for audiophiles many, many times, more often than not quite badly in our opinion. To be fair we should point out that our opinion has changed quite a few times over the course of the last twenty years.

This then is our story.

MCA MASTERPHILE
Back in the days when I was foolishly in the thrall of half-speed mastered audiophile pressings, I thought that the MCA Masterphile was king. That was probably the mid to late ’80s.

BRITISH TRACK LABEL ORIGINALS
By the early ’90s I had discovered how good the Black Label Original British Track pressings could be and started preferring those. A bit murky but tubey-magical, full and rich, precisely the way a good British rock recording (Faces, Jethro Tull) should be.

JAPANESE AND GERMAN
Of course by then I had played numerous Japanese and German pressings, none of which sounded right to my ears, then or now.

MCA HEAVY VINYL
In 1995 the MCA Heavy Vinyl version came out, mastered by Kevin Gray. I quite liked it at the time but no longer do; it’s brightened up and much of the fine detail of the recording is missing. It’s also notoriously badly pressed, resulting in stitches in the vinyl that are quite audible on practically every copy.
(more…)

Crowded House – Woodface – A Simply Vinyl Winner

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More Woodface

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Sonic Grade: B (or better!) 

Woodface easily meets the definition of a Desert Island Disc. I’ve played it hundreds of times and enjoy it more with each play, which insures that on my desert island I’ll never get sick of it. To my way of thinking it contains some of the most original, melodic, hook-laden, sophisticated popular music recorded in the last twenty years. Astonishingly (to me, anyway) it didn’t even chart here in the states, a sad commentary about the state of the music biz, a state that only seems to worsen as the decades roll on.